The show "Summer of the Band", in this summer, has popularized the band culture very well, so that countless fans have known and fallen in love with the form of the band since then, and also know that a good band, in addition to needing a good lead singer, also needs good musicians.
"My Love Is So Small, Do You Want It" is the work of VOGUE 5, which has a new musical crossover effect.
Although he has practiced the violin since childhood and has a very solid foundation in classical violin playing, Sugizo's manipulation of the violin is not as an instrument, but more like a brush. Under sugizo's "pen", the violin box is more like the birdsong and insect calls from nature, those accidental, uncertain, and unknown sounds full of possibilities. The stage is thus vast, as if in heaven and earth, seemingly simple playing, but creating an infinitely wide space. Because of this opening, this work of VOGUE 5 also has a very good long mirror effect, so that a small love song has a sense of the immediacy of the big world. meanwhile
SUGIZO's guitar performance is also very distinctive. Generally speaking, judging the quality of a guitarist, will use fast as a standard, this standard, quite a bit of "the world of martial arts, only fast is not broken" meaning. But if you hold a fan who wants to see Sugizo Kuaishou play, I am afraid that you will feel some "disappointment" in the work "My love is so small, do you want it". Because SUGIZO's interpretation in this work is not known for its speed. The endless flow of Riff's paragraphs, the swinging intestines of Solo's paragraphs, and the seemingly simple choreography and performance present a sense of turbulence and turbulence.
Doesn't SUGIZO snap up? Not! As Japan's premier guitarist, SUGIZO has always been a speed player. When he played "Crazy About You" in a final performance at The Luna Sea, the speed of 9 consecutive tones was even more amazing. Other works such as playing "Begone" on the live box organ, Solo in works such as "Time Is Dead", etc., have shown super-first-class speed playing skills. It is only with the growth of musical experience that sugizo slowly weakens the pursuit of performance speed and pays more attention to using the most delicate timbre to reflect the most delicate emotions, just like his performance in "My Love is So Small, Do You Want It".
This is probably another way of thinking about the stage of "Summer of the Band" provided by SUGIZO. Is it true that the band's stage is really only exploded, which is the best state for the band to perform? Can't the performance of the band, in addition to burning, have more diversified expressions?
In addition, it is also necessary to mention the protagonist of the work "My Love is So Small, Do You Want It": VOGUE 5. Unlike the blood of "We Shock the Game Now", "My Love is So Small, Do You Want It" is a very gentle and delicate little love song. However, the emergence of SUGIZO, through a more restrained musical performance, makes the whole performance of VOGUE 5 also have a very sophisticated sense of immersion, and the freedom of rhythm and relaxation is obviously the biggest gain of their cooperation with SUGIZO.
Although it is a small love song, "My Love is So Small, Do You Want It" has a very smooth and beautiful melody. Don't be misled by the theory that rock is enough as long as there is a spirit, whether it is rock and roll or other forms of music, the melody is always the king of the success of a song, and there are elements of the success of a musical work. This is a threshold, but also a standard. And VOGUE 5 is in the creation of the song "My Love is So Small, Do You Want It", which properly reflects the singing of the melody, and through the smooth melody, conveys the emotional contradictions and entanglements of "self-seeking distress". Between the convergence and release of emotions, amplify the twists and turns of a relationship, so that a small love song, there is a complete presentation and release of the inner world.
The cooperation between VOGUE 5 and SUGIZO is so beautiful, don't you want it?