In recent years, the wind of "sister" has blown from variety shows to dramas, so the commercial feedback is rich, but it is like a rejuvenation pill carefully prepared for mature women.
To be honest, there is nothing decent for good work.
Variety shows barely have a "Sister Riding the Wind and Waves" (season 1), what about the series?
Come to the multiple-choice question, which of the following siblings have you been embarrassed by to dig the ground with your feet?
A. Liu Mintao was slammed "Lady's Character"
B. "Love at the Corner" in which Jiang Wenli fell from the altar after the national vision
C. Jiang Shuying and Peng Yuyan, not like falling in love, like "Lady's Law" like a child
D. Yang Mi is sluggish, greasy and better than Zhang Han's "Twenty-Eight Laws"
ABCD, or is it unfortunate that all of them have been hit?
Experience has taught us that sibling love dramas are like Pandora's box, don't open it easily, and don't necessarily fly something spicy to the eye.
Finally, came a high-reputation "Love Only", only to find that the problem is not actually in the theme, but the idea has always been wrong.
The key is that the upper limit of sibling love is that the "brother" is not the "sister".
In the past, the sibling love dramas were all rich and colorful on the sister, rich, beautiful, and superior, and the younger brother was a cute pet with a sense of freshness, at most it was a seasoning, and it was set with a gold rim for the sister's radiance.
But no matter how the sister in the play is portrayed as dressed, walking with the wind, high heels and big red lips holding the audience, there is nothing beyond that little bit of admirable refreshment.
The reason is very simple, probably except for screenwriters who have not experienced the workplace, everyone understands that the back of cool is several times more than that of men, and it is the fatigue covered with the highest foundation.
And these are not worth aspiring to at all.
PART.
01
When we talk about sibling love, what are we yearning for?
is the appearance of Song Sanchuan in "Love Only".
There is grapevine news that the screenwriter's original favorite candidate for Song Sanchuan is Zhang Xincheng, but the director insists on using Wu Lei.
I think the director's persistence makes sense. In terms of appearance and strength, Wu Lei and Zhang Xincheng are between Bozhong, but their temperaments are completely different. Zhang Xincheng has played many high-IQ roles to impress, such as the mathematical genius Pei Zhi in "Basic Law of Genius" is in line with his temperament, while Wu Lei is more boyish, sunny, enthusiastic, and has the energy to break through everything and try it.
Song Sanchuan is a gifted professional badminton player, and his predicament is not only the age anxiety of athletes, but also the psychological shadow of being rejected by his mother, and he constantly loses games.
Growing up, his life was only on the pitch, and he was even more afraid of retiring than losing games.
Getting to know Liang Youan brought Song Sanchuan an opportunity to continue his career - badminton to tennis.
The difficulty is that no one has ever succeeded.
Every coach who appeared in the play, Song Sanchuan's stepfather, who used to be a stringer in the badminton team, and even people who have a little understanding of the two sports, are not optimistic, which is simply a fantasy.
His stepfather advised him that the 22-year-old Yuzhuan had no precedent in the world of sports, and Song Sanchuan said firmly, "I am the precedent." The more people say I can't, the more I want to prove it to them. ”
Wu Lei's expression in that scene was really poignant.
People can't help but ask themselves when the courage to just want to go in the direction they want, whether right or wrong, desperate, left themselves.
When people grow up, the first thing they learn is to weigh up calculations and go to the right place. Even if he says that he is at ease with encounters, he is actually just looking for a Buddhist excuse because he has lost the direction he wants to go.
Feather transfer net is not necessarily the best option, but it must be the most difficult, but Song Sanchuan does not care, he has the courage to become the first person in history, and he also has the courage to face the loss of all games.
How can such courage not be yearned?
PART.
02
When we talk about sibling love, what are we yearning for?
Have the opportunity to witness the true body of "love" and return to its original form.
In "Thirty Only", screenwriter Zhang Yingji created three scumbags, a senior sea king, a cheating husband and a fish farmer who evades responsibility. In "Love Only", she captured a new breed - Puxin elite man, Knight.
Before Song Sanchuan, Liang Youan had a heart for his colleague Knight.
After all, he has a successful career, is extraordinary, confident, steady, clean and considerate.
Knight also has a good impression of Liang Youan, and directly proposed marriage in his first confession, and he was sure that he could succeed.
He is the sales director of the company's expatriate Singapore and has the financial strength and stable development of his career. He was keen enough to detect that Liang Youan was in a career bottleneck, because he appreciated her ability to work, so he wrote a feasible plan for the future of the two according to each other's needs like a business, which is the origin of his marriage proposal.
Knight promised Liang Youan, of course, the process of falling in love cannot be saved, but the implication is that it is just a showroom to cultivate and cultivate feelings, and the finale has been written in the contract.
At this time, Liang Youan happened to find out that a chocolate cyst grew in the uterus, and the doctor suggested that it should be removed surgically, which may have an impact on future fertility; Or have a baby as soon as possible.
A marriage partner with ideal conditions in all aspects, an imminent marriage demand, although Liang Youan felt that something was not right, he was also moved. Later, Knight helped Liang Youan's girlfriend find a lawyer, and in return, he asked Liang Woo-an to introduce his client to Liang Youan's boss.
Knight's sense of calculation that is ubiquitous all the time breaks through Liang Youan's bottom line. Unexpectedly, after being rejected, Knight not only spoke harshly to Liang Youan in person, saying that she was an "elderly woman who is not satisfied", but also spread rumors and slandered in the company.
Although Song Sanchuan is ten years younger than Liang Youan, his liking has nothing to do with interests.
There is a plot, Song Sanchuan's first confession was rejected by Liang Youan, and he returned home dejected, and his stepfather had a very incisive line, he said: "Confessions between adults are tacit. "That's already tested each other a few times, find out the hole cards before shooting, wherever he is, like him, he can't hide it on his face."
Song Sanchuan said, "I can't hide it, I don't want to hide it, if I am rejected, I will try harder, it's not a big deal." ”
In fact, Liang Youan also likes Song Sanchuan, but she has many concerns, the most important of which is that she is worried that young people are not qualified, and their feelings are beautiful but short-lived.
As we get older, we keep adding to our love, and finally we don't love it. Just like Liang Youan's seesaw theory, it seems that everyone defaults to finding someone with similar conditions to fall in love, but when they really meet such an object, both parties will weigh who pays more, and no one is willing to be unreserved.
It's not that love has changed, it's that we forget what love is.
Occasionally glimpsed in the TV series, who can not be moved?
PART.
03
When we talk about sibling love, what are we yearning for?
Not numbed by a stable life to the point of perception blunting.
When Liang Youan talked to her girlfriend, she said that she never felt that age was an obstacle to love, but there were too many variables in the age difference between the two of them, so much that she was afraid.
And the relationship between men and women without variables, just like Liang Youan's boss Jiang Jie and wife Chen Ke in the play.
When people reach middle age, Chen Ke lives the ideal life of many people, rich and leisure, her husband Jiang Jie is the president of the company, her son is excellent, is a tennis professional, she has her own hobbies and persistence, painting every day, carefully planning a family banquet every Saturday.
The only variable in Chen Ke's life is probably the growing wealth of his family.
When she filed for divorce, not only her husband Jiang Jie, but also many viewers would think that this woman was a bit contrived. There is no cheating, no domestic violence, the husband is just busy with work, and occasionally needs his wife's cooperation to show family warmth in social situations.
But such a marriage is an empty shell in Chen Ke's view, and when filing for divorce, she said: "Maybe others can, but I am a person with emotional needs." ”
#Love, already performance, marriage is too suffocating#On the hot search, it shows that many people empathize with Chen Ke.
When comfort and stability are within reach, perhaps we have become dull and insensitive to life.
When you see Jiang Jie in the play decide to close the tennis club without hesitation for a little benefit of the company, and single-handedly smash the glory and dream that his son Jiang Jiaojiao has been fighting for more than 20 years, you will feel that people's indifference to life is much more terrifying than being tortured by life.
There are so many beautiful things in life, which need to be felt, need courage, need sincerity, and these innate abilities of each person have been sealed by us somewhere in the body over the years.
In the comment area of "Love Only", a netizen joked: I don't understand why so many people like sibling love, and there is no brother in their own family? Haven't you seen enough of that under-beaten look?
Therefore, Song Sanchuan is an idealized character, not that the sibling relationship is really so perfect.
In the story, Song Sanchuan can unlock the seal on Liang Youan, who has practiced not bad gold in the workplace, and he is also reminding every audience why not try to unlock the seal on his body.
Reporter and editor of this issue: Jin Liwei
Executive Producer: Li Li