2018 was a busy year for me, and as a reminder not to forget about writing, I forced myself to write a short music review every two weeks. This rhythm is exactly the same as the twenty-four solar terms, so the first day of each solar term is chosen to be released. I really don't have time to write, so I fill in the comments that have been posted.
In January 2021, I was busy looking for a house and moving, and I couldn't write for the time being. In order to fulfill the promise made before - at least one long article a month, take this opportunity to sort out the music short reviews written before and integrate them into a music review collection. How similar to what it was two or three years ago! However, this is not all, and if there is a chance in the future, it will be sorted out.
Re-reading the previous text, I can't help but feel a lot of emotions. It was a wonderful feeling at the time, the same piece of music, and now I can't write a review of the same level anyway.
Some reviews are ranked higher in the major music platforms, and there are also some in the first place, but very few. Of course, there are also a few comments that have been complained about. I don't know if I'm expressing it clearly or if someone else has a problem understanding it. Which comments are more controversial? Interested friends, you are welcome to take a look, find a look, guess!
<h1 class="pgc-h-arrow-right" > yi li chun I am waiting for you in the spring</h1>
Several sets of overlapping words evoke a few good memories, revealing a little helplessness and sorrow; the musical theme that has been repeated many times tells a woman's firm vows and beautiful visions; the melody is extremely infectious, like the impression left by green roses - youth, soft and full of strength; coupled with her ethereal voice and affectionate singing, she opens the scroll of spring full of faint sadness - "I am waiting for you in spring".
Figure 1 Yang Yuying sings the song "I am waiting for you in the spring"
<h1 class="pgc-h-arrow-right" >2· Rain and rain crush Jiangnan</h1>
Drizzle breeze, deva white walls. Small bridges flowing water, light smoke long alleys. The Yi people paced, full of sorrow. The black and white piano keys are interdependent, the drizzle melts into the lake, and a strong breath lingers in Jiangnan. Erhu is sad and sad, telling a deep affection that tears his heart and lungs, which makes people fall. Bamboo flutes are embellished, pipa is plucked, and the cello reluctantly sighs a decisive regret: the deepest fate in this life and this life is just a passing! Late at night, the rain shattered the hearts of the people, and the rain shattered Jiangnan.
<h1 class= "pgc-h-arrow-right" > three stings peach leaf Lindu</h1>
On both sides of the Qinhuai River, the night is entangled in fishing fires. There is a fool, a lantern, looking for it, but the beautiful person who is haunted by the dream has not appeared. Sometimes peach blossoms accompany the moon, sometimes peach blossoms roll rain, such a peach blossom season, always return the soul to the haunted lover's thoughts. The bland melody is told, and there is a little sadness in the beauty, and at the end, a bright color is sighed, and the Yi people wash the stones by the spring water as usual. Qu finally woke up from his dream, the peach blossoms entered the river, and the peach leaves crossed.
<h1 class = "pgc-h-arrow-right" > four vernal equinoxes, butterflies and blues</h1>
The cello bass is deep, and butterflies are moving through the dense forest. The guzheng is high-pitched and flexible, and butterflies dance among the flowers. White clouds, seas of flowers, long rivers, butterflies wandering in the beautiful scenery of the guzheng. Blue skies, forests, valleys, butterflies curled up in the melancholy shadows of the cello. People and butterflies, both have a moment when the trip is terminated, they can't break free, they can't escape. The cello lamented the destination of the butterfly, leaving behind a lonely silhouette, a beautiful name: Butterfly and Blue.
<h1 class="pgc-h-arrow-right" > five· Qingming · Moqian dust</h1>
A thousand years, several reincarnations, she tossed and turned between the earth and the underworld. Unexpectedly, after a thousand years, a change occurred, and the "teenager at that time" who had accompanied her to the end of reincarnation, leaving her alone to embark on the realm of reincarnation. Fortunately, there are also ethereal voices, and there is eternal love, it is they who pierce the boundary between the earthly world and the netherworld, and it is they who entangle the past dust with the future life, circling into a closed time and space like a cocoon. If so, why sigh - strange dust?
<h1 class="pgc-h-arrow-right" >6 Guyu · Mist</h1>
This song, some people think it is, drizzle breeze, Dewa white wall; some people think it is, twilight smoke, empty valley Youlan; others think it is, clear sky and clear water, lonely sails and distant shadows; more people think it is, beauty crying, tears wet shirt sleeves ... Only this song, some people think of the misty drizzle, some people think of the flowing mountains, some people think of the waves of water, some people think of women crying... This song, like rain, like smoke, like a slight wave, like a complaining woman, is also like its name: Mist.
<h1 class="pgc-h-arrow-right" > seven Lixia half-pot yarn</h1>
White lotus pavilion, ink into the green water, smudge a pool of blue flowers. Ten miles of peach blossoms, the years to be married. Fate played tricks on them, and their hearts eventually faded. The heart is tightly covered, a robe, and the acacia is put down. If the mountains and rivers in my heart are seen in your eyes, I will pray step by step with a lotus flower. Sandalwood incense, green lights illuminating the ancient Buddha, a smile dust edge. The gentle wind came and wrapped the past and the poetic Zen heart all around it--half a pot of yarn.
<h1 class= "pgc-h-arrow-right" > eight small man skimming - unfinished</h1>
In my consciousness, the role played by Guzheng has always been a quiet and elegant classical beauty, but the melody of this song is like a dynamic and hot modern girl. Such a combination is really evil: classical beauty is more and more enchanting, seducing the soul; modern girls are becoming more and more sexy and disturbing. Not only the style is evil, but even the name is also demonized, not to explain the musical theme, it is completely out of bounds, what is it called: plunder - unfinished.
<h1 class="pgc-h-arrow-right" > nine·mangsan·mid-month</h1>
Hearing this song, I only felt that the grief was desolate, and the coolness attacked the body layer by layer, invading the muscles and bones. Ethereal voices and ethereal voices echo in the ears, stretching endlessly. The lyrics are blended, the mood is lofty, the mood is lingering, and the atmosphere is mournful and poignant, which makes people deeply addicted. The style is elegant and beautiful, the tune is long and long, and at the end of the song, it is as if it has been entangled by the strings of acacia that have been pulled continuously for thousands of years. At this moment, you can only close your eyes and listen—the day in the middle of the month.
<h1 class= "pgc-h-arrow-right" > ten summer solstices</h1>
Confucius bid farewell to his disciples, dreamed of returning to his homeland, and in a trance there was a song of a young girl. "Once upon a time, Willow Yiyi." Now I come to think, rain and snow. "When I went out on the expedition, the breeze was gentle, and the willows were yiyi; when I returned, the wind was cold, and the rain and snow were misty. Use poetry to refer to Confucius's situation. The skirt changes from cyan to white, with cyan being alive and white being ice and snow. With the carefree and innocent girls, it reflects Confucius's upheaval and displacement, frustration and frustration.
Figure 2 The Poetry Of Confucius
<h1 class= "pgc-h-arrow-right" > Eleven· Xiaoxia· Wind And Firefly Moon</h1>
Every word is quoted from the scriptures, and there are many strange words embedded in it, which is inevitably somewhat obscure. However, its words are elegant and lofty, and it is worth savoring. Love mother's voice, clear, gentle, tenacious, singing skills are solid, as soon as the voice is amazing. Perhaps only such a voice can seamlessly connect parting feelings, lovesickness, and concentric vows with smoke, flowing fireflies, and Haoyue, and intertwine them into a flowing painting - wind and fireflies.
<h1 class= "pgc-h-arrow-right" > Xi'er·</h1>
The morning fog is misty, and the buds of the beautiful branches are looming. The buds flutter, crack, and gradually form petals. Breeze, smoke and rain, flowers blooming, swaying posture. The wind is getting faster and the rain is getting denser. After the storm, a long moon rises into the sky. In the quiet moonlight, the flowers stand up leisurely, becoming more and more fresh and elegant. After experiencing great storms, we can see the great realm, and the enlightened life is like those who have been baptized by storms - lotus flowers.
<h1 class= "pgc-h-arrow-right" > thirteen Liqiu koi copy</h1>
The copywriting is exquisite and meticulous, and the spirit is natural. The lyrics are timeless and meaningful. If the "I" in the word is me, "you" is you; if "I" becomes you, "you" is me: one is Fuso Shallow Creek, and the other is Lotus Pond Koi. The melody is melodious and beautiful. The singing is lingering and sincere. Thick ink chased the flow of emotions, and Mu Qingming, Yin Lin, and Yun Yu wrote the memories of "I" with words, musical notes, and voice lines as "Koi Copy".
<h1 class= "pgc-h-arrow-right" > fourteen ·chu summer water lilies</h1>
Awaken in the morning fog and fall asleep in the evening light. Day and night, illusion of a completely different scene. One is happy, one is lingering. One is dazzling, the other is dull. Flying in a foreign land, lonely in the homeland. To a foreign land, the wandering soul has nowhere to rest; returning to the homeland, the talent of music is difficult to display. Hate and love, infinite emotion, full of sorrow, and finally can not be discharged, thousands of thoughts in the dream into a flower that blooms day and night - water lilies.
<h1 class = "pgc-h-arrow-right" > fifteen bailu burial heart</h1>
The singing of the yellow warbler, mourning, affection, breathless listening, soul-destroying. Yao Ruolong's lyrics are subtle and elegant, and they are read carefully and have a profound meaning. The skin of the drum trembled as if the heart were weeping and withering withered; the violin choked, as if the breath had died out. Ruan Lingyu, scornful of suffering, determined to die, helpless to have more greed and dependence on feelings, after all, can not be relieved, leaving a sentence "people are fearsome", and then drifted away. Long night of misery, sorrow and burial of the heart.
<h1 class= "pgc-h-arrow-right" > sixteen autumn equinox</h1>
Chinese instruments such as zhen, yueqin, and ruan xian play poignant melodies, and beautiful people chant, light boats and soft oars, and silk umbrellas are leisurely. Western musical instruments such as harps, crystal bells, and mandolins lay a romantic background, filled with river smoke, drizzle and breeze, and sparkling water. The narrative of Chinese musical instruments, the writing scene of Western musical instruments, and the beautiful sounds of Chinese and Western instruments are fused with each other and intertwined into a picture of love. Beauty holding umbrellas, boating on the river, smoke and rain, water and sky, autumn colors, waves of cold smoke.
Figure 3 Cold Smoke
<h1 class="pgc-h-arrow-right" > Seventeen Hanlu Moon Dance Cloud Sleeve</h1>
The melody is brisk, outlining her mood of singing and dancing softly. The song is melodious, reflecting her gentle and moving character. The words are light and elegant, recording her poetic life. If you don't know the background of the story, it is difficult to understand the emotional power contained in the words. Life and death can be so understated, although there is not a word about life and death, but it is shocking to taste. A beautiful and infatuated Persian dancer, evoking a good memory, the wind makes flower shadows, and the moon dances cloud sleeves.
<h1 class= "pgc-h-arrow-right" > eighteen frost drop pipa language</h1>
The pipa resembles a sentimental and affectionate woman, like a cry, and the piano is like a talented man, like a cloud of smoke. There is a small section, the piano lead, the lute accompaniment. As soon as the piano appeared, it was enough to make the pipa fall in love. A night at the piano, a life in the lute. Their lives have been intertwined for a moment, but their souls have never stayed together. There is a chance to meet, but there is no reason to be together. The woman died with hatred, but the disciples stayed, and the voices and thoughts, the pipa.
<h1 class="pgc-h-arrow-right" > XIX· Sleeping Sun</h1>
The voice is high-pitched and thick, interpreting the grandeur of traveling through time and space. The meaning of the words is profound and broad, describing the solemn grandeur of the heavens and the earth. The peoples who have collapsed in the war use blood as the ultimate guardian of their endangered homeland; the desperate people on the planets use their lives to make the final sacrifice to the dying star... Countless beings, weeping, drifting to zero, at the end of time, burned together into ashes. The night is long, the darkness is boundless, and the world is left alone - Sleeping Sun.
<h1 class= "pgc-h-arrow-right" > Twenty Snow Butterfly Flying Flower Dance</h1>
The sound of the eight-tone piano, soft and gentle, crystal clear, describes the scenery outside the Crystal Palace: thousands of miles of ice, thousands of miles of snow, empty mountains and lonely, and few long rivers. Flutes, pipas and other musical instruments shape the things in the Crystal Palace: Qionglou Yuyu, Fairy Shadow, Strange Flowers, Rare Birds and Beasts. The aftersound of the flute is thick, the mist is hazy, and the water is babbling. The lute is clear and bright, the crystal door opens, and the pearl curtain moves. Outside the Crystal Palace, ice and snow flutter; inside the pearl curtain, butterflies dance.
<h1 class="pgc-h-arrow-right" > Twenty-one Snow Opera Phantom</h1>
The female bass is soft and the high voice is pleasant, like an angel descending from the mortal. The male voice is strong and fierce, just like the devil regenerating. Everyone has selfish desires, and shortly after this soul dialogue, the angel withdraws from the stage and the devil fades away. The theme music sounded, and a mysterious breeze blew through, blowing away the thick dust that had accumulated over time. At the end of time, all that can be seen is a cold tombstone, a red rose, and a poignant story, the Phantom of the Opera.
<h1 class="pgc-h-arrow-right" > Twenty-two Winter Solstice Game of Thrones</h1>
The whole song has an epic grandeur. The musical theme of the cello playing, thick, vicissitudes. The drum beats are accompanied by a gradually faster rhythm, urgency, and danger. Joining the musical theme of the vocal chorus, making a final tribute to the dead is like the most desolate elegy and the most tragic tribute. The more erratic human nature is, the more confusing the story becomes. Winter has arrived, and in the stage of strange and complex human nature, a wonderful game of thrones is being staged.
<h1 class="pgc-h-arrow-right" > twenty-three</h1>
Wang Liping used musical notes to tell full of sorrow and infinite emotion. Chen Li uses his singing voice to interpret the poignant beauty of Bao Dai's love and the desolation of the noble family's defeat. Cao Xueqin's words, seemingly plain as words, are actually meaningful. Through Jia Baoyu's perspective, we can see the images of Xue Baochao and Lin Daiyu, who occupy the first-class position in the author's mind: a beautiful jade flawless, a Langyuan Immortal; an empty labor concern, a vain self-pity; a lifelong mistake, a vain frown.
<h1 class="pgc-h-arrow-right" > twenty-four dahan embroidery bags</h1>
The high pitch of the guzheng is clear and clear, depicting a naïve, lively and cute girl; the bass of the guzheng is soft, depicting a young girl who is young and ignorant and has just opened her heart. This young girl was filled with wonderful joy in her heart. She twisted the needle and thread in her hand, and was embroidering something, embroidering for a while, pausing slightly, pressing the embroidered object to her chest, imagining the appearance of her sweetheart carrying it, sometimes full of joy, sometimes with a pink face. A needle and a thread, is embroidery tenderness, is embroidery purse.
Figure 4 Wang Zhongshan playing the Yunnan folk song "Embroidered Lotus Bag"
Review Writing Timeline:
"I am waiting for you in the spring": written on February 4, 2013, and republished on February 4, 2018. "Ethereal" was changed to the recommended term in modern Chinese as "缥缥".
"Two Rains, Rain Breaks Jiangnan": written on February 19, 2018, and released on the same day.
"Three Stings, Peach Leaf Lindu": Written on March 5, 2018, and released on the same day.
"Iv. Spring Equinox, Butterflies and Blue": Written on March 21, 2018 and released on the same day.
"Five Qingming And Strange Dust": written on May 4, 2015, and re-released on April 5, 2018.
"Six Gu Yu · Mist: Written on April 20, 2018 and released on the same day.
"Seven Lixia Half Pot Yarn": written on May 5, 2018, and released on the same day.
"Eight Xiao Man Plunder - Unfinished": written on July 4, 2014, and re-released on May 21, 2018. "More and more", remove "of"; "without edge", add "inter". When writing the review, I didn't know why the creator had such a strange name, but now I have come back to God, the original name of this piece should be called "Skimming", but in the eyes of the creator, it is "unfinished". The more I think about it, the more embarrassed I get.
"Nine Mangsang, Moon in the Sky": written on January 8, 2015, and re-released on June 6, 2018. "Ethereal" was changed to the recommended term in modern Chinese as "缥缥".
"Ten Summer Solstices, Tsevi": written on October 2, 2017, and re-released on July 4, 2018. July 4, 2018 is not the summer solstice, June 21 is, when "there is no time to write, (etc.) there is time to write later, for this song - "Sitting Alone". Now the time is there, but nothing can be written. There is no way, I have to fill this gap with the comments of "Tsai Wei", and then write it later when I have a special feeling. On July 4, close to the summer solstice, that night, I came alone to the Shanghai Majestic Theater to watch the dance drama "Confucius", which is very memorable. The song "Cai Wei" is from the dance drama "Confucius", and I wrote a review based on this work.
"Eleven Summer, Wind and Firefly Moon": Written on July 7, 2018, and released on the same day. Writing the three scenes of "Smoke Wind", "Haoyue" and "Flowing Firefly", the original intention was to echo the name of the song, but after the release, I found that the order was wrong. Now it has been corrected and replaced by "Smoke Wind, Flowing Firefly, Haoyue".
"Twelve Summers, Lotus Flowers": It took shape on July 27, 2014, and was re-created on July 23, 2018, and released on the same day.
"Thirteen Liqiu Koi Copy": Written on August 7, 2018 and released on the same day.
"Fourteen Summers, Water Lilies": Written on August 23, 2018 and released on the same day.
"Fifteen Bailu Buried Heart": Written on September 8, 2018 and released on the same day.
"Sixteen Autumn Equinox, Cold Smoke": Written on September 23, 2018, and released on the same day.
"Seventeen Cold Dew Moon Dance Cloud Sleeves": Written on October 8, 2018, and released on the same day.
"Eighteen Frost Fall Pipa Language": written on October 23, 2018, and released on the same day.
"Nineteen LiDong · Sleeping Sun: Written on November 7, 2018 and released on the same day.
"Twenty Snow Butterfly Dance": Written on November 22, 2018 and released on the same day.
"Twenty-one Snowy Phantom of the Opera": written on December 7, 2018, and released on the same day.
Twenty-Two Winter Solstice Game of Thrones: Written on December 22, 2018 and released on the same day.
"Twenty-Three Little Han, Frowning": Written on January 5, 2019, and released on the same day. In order to make the level of expression more clear, change the "after "Xianpao" and "嗟呀" to ";".
"Twenty-Four Great Han Embroidery Bags": Written on January 20, 2019, and released on the same day.
The article deals with music:
"I am waiting for you in the spring": Zhou Di, composer; Sula, lyrics; Yang Yuying, singing; I am waiting for you in the spring; China( 2012.
"Rain Breaks Jiangnan": River Chart, Composer; Lost Son, Arrangement; Rain Breaks Jiangnan; China( 2009.
"Peach Leaf Lindu": Handsome Man, composer, Hanyue Qingji, lyrics; HITA, singing; Peach Leaf Lindu; China (China), 2012.
Butterfly and Blue: Yimo Tao, composer, Wu Li, Guzheng, Butterfly & Blue, China, 2007.
"Strange Former Dust": Qingtian, Composer, Xiaofeng, Arranger, Lingluo, Lyrics, Qingguan, Singing; Moqianchen; China, 2010.
Mist: Missa Johnouchi, composer, Jiang Xiaoqing, guzheng, Mist, China, Japan, 2002.
"Half Pot Yarn": Liu Keyi, Bermuda Three Stones, Composer; Liu Keyi, Bermuda Three Stones, Lyrics; Liu Keyi, Singing; Half Pot Yarn; China, 2014.
"Plunder- Unfinished": Ouyang Yongliang, planning, composing, producing; Chang Jing, Guzheng performance; Plundering - Unfinished; China, 2004.
"Moon in the Sky": Wang Bei, composer, Chen Tao, lyrics, Yin Xinzi, singing; Moon in the Sky; China, 2006.
"Cai Wei": Zhang Qu, composer; Sun Yuan, singing; Cai Wei; China ( China), 2013.
"Wind And Firefly Moon": Zoey, composer; Zoey, arranger; Ancient Name, Lyrics; Little Love's Mother, Singing; Wind Fire Moon; China, 2012.
Lotus: Secret Garden, Production; Lotus; Ireland, Norway, et al., 2004.
"Koi Copy": Silver Pro, Composer, Ash Plain, Arrangement; Mu Qingming, Lyrics; Yin Lin, Yun Wept, Singing; Koi Copy; China, 2013.
Water Lily: Jia Pengfang, composer; Seiichi Kyoda, arranger; Jia Pengfang, Erhu; A Water Lily; China, Japan, 2002.
"Burial of the Heart": Little Worm, Composer, Little Worm, Arrangement; Yao Ruolong, Little Worm, Lyrics; Huang Yingying, Singing; Funeral Heart; China (China), 1991.
"Han Yan Cui": Ah Lun, composer; Ah Lun, arrangement; Han Yan Cui (Han Yan Cui character song); Taiwan, China, 2010.
"Moon Dance Cloud Sleeve": Qiancao Xian, composer; Xun Yeyu, lyrics; Tan Yao, singing; Moon Dance Cloud Sleeve; China (China), 2009.
Pipa: Lin Hai, Composer, Jiang Yan, Pipa Performance, Gong Linna, Female Vocal Humming; Pipa; China, 2003.
Sleeping Sun: Nightwish, producer; Tarja Turunen, singing; Sleeping Sun; Finland, 1999.
Butterfly Flying Flower Dance: Moon Gate, Production; Butterfly Flying Flower Dance; China, 2006.
Andrew Lloyd Webber, composer; The Phantom of the Opera; UK, 2004.
Game of Thrones: Ramin Djawadi, composer; main title, or main titles; US, Germany, 2011.
"Huang Ningmei": Wang Liping, composer; Cao Xueqin, lyrics; Chen Li, singing; Huang Ningmei; China ( China), 1987.
"Embroidered Lotus Bag": Yunnan Folk Song; Cao Wengong, Arranger; Wang Zhongshan, Guzheng Performance; Embroidery Lotus Bag; China( 2009.
"Sitting Alone in a Shadow": Fu Youqin, Composer; Gui Zhenyu (Yonago), Guqin Performance; Liu Yue, Female Voice Humming; Sitting Alone In The Basket; China, 2012.
The text involves pictures:
All are based on online video resources for screenshots, cropping and after some simple processing, if there is any infringement, please contact to delete. The following is marked in the form of "Hours(Time):Minutes):Seconds", giving the specific location where the screenshot appears in the video:
Figure 1: "2019 Jiangxi Satellite TV Spring Festival Gala", 00:30:00;
Figure 2: Appreciation of the complete fragment of the dance drama "Confucius" (2016 edition), "Shijing, Xiaoya Tsewei", 00:01:02;
Figure 3: Episode 12 of "Thunderbolt Shock Universe Dragon Battle Eight Wilds", 01:08:09;
Figure 4: CCTV-15 Music Channel "Fenghua Chinese Music" 20110719, 05: 21.