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Why did Kwan Leave the Cantonese Music Scene, you know?

author:Wishing is the original heart monk

In 1978

Wonderful slow song works of Cantonese pop music, we continue to talk!

Why did Kwan Leave the Cantonese Music Scene, you know?

Chameleon - (Music: Lai Xiaotian, Lyrics: Lu Guochen Singing: Kwan Jeong Kit)

"Chameleon" is Guan Zhengjie's "Family Change", but Gu Jiaxuan becomes Li Xiaotian, Huang Xia becomes Lu Guozhan, Rowan becomes Guan Zhengjie, and TVB becomes Li's TV. Although "Chameleon" and "Home Change" are two different songs, in addition to the fact that the arrangement is weaker than "Home Change", basically, everything I said before about "Family Change" can be placed here to describe this song. Kwan Jeong-jae, a singer who sings excellent folks, is certainly not as dramatic as Rowan, but this dancing boy, although he does not have Rowan's domineering artist number, does not disappoint anyone!

This halfway monk, from architect to singer, but can turn from English songs to Cantonese pop music to be able to compete with Rowan, which is already very good, and this is just the beginning of his career as a Cantonese pop singer. Although I had the opportunity to meet this very polite and gentle singer, I had not worked together, and it was close to the end of his career. Not long after, he suddenly decided not to sing one day, went to the United States to continue his career as an architect, and completely disassociated from our Hong Kong entertainment industry, no one could find him, let alone lobby him to come back to sing.

Why did Kwan Leave the Cantonese Music Scene, you know?

Before he left Hong Kong, he used to go to concerts with some other singers in different places, but once he arrived at the hotel in New York, no one could find him and his wife Bao Huishan. Everyone thought they were too tired to answer the hotel room phone. After that, I heard a completely different story, and the two didn't want to listen to the phone... Whether this fantasy thing has anything to do with their decision to leave the Hong Kong music scene, I don't know. I can't tell you the details here, but legally, it's just "hearsay" (hearsay). But if it's true, it's definitely one of the weirdest things in the history of the music industry!

Shuten Ying - (Original song: "SeikanoJo Koi-chen", Sato Muneyuki Song: Muneyuki Sato, 词:卢Kokukoku Kokusai Chan: Ying Jong-hyun, Ying-san)

Even people who love New York so much have encountered some common sense things in the old hotel in New York that can't be explained, but compared to their story, I am really a witch! This family was grandly introduced by the first Bee sister-in-law (Zhong Zhentao's first wife, Zhang Xiaohui), and I was on my way from London to New York, and I had to drive to Atlantic City for one night to join the team, because our performance was in Atlantic City.

Why did Kwan Leave the Cantonese Music Scene, you know?

I obediently tried this old hotel on forty or so street, and it was really delicious. It was almost Spring Festival, so you can imagine how cold it was in New York, and I was a very cold person. But I slept until two o'clock in the morning, and the cold wind gusted and my window opened. It was the wooden window of the first of the 20th century, or even the tail of the 19th century, so heavy that it took the strength of both hands to push open the vertical wooden window! I turned it off, locked it up, and went back to sleep. At three o'clock in the morning, the cold wind gusted again, and the same wooden window opened on its own. I was really tired, turn it off again, lock it up and go back to sleep! Four o'clock in the morning, too! This time I was angry. I scolded in English, saying that I would have to hurry tomorrow, please don't do it! Sure enough, the window did not open on its own.

Why did Kwan Leave the Cantonese Music Scene, you know?

This is my personal experience, so I can say; about the process of the Guan couple, I just listened to it, not what Guan Zhengjie told me directly, so I have no right to share! I'm sorry!

Penglai is love

Why did Kwan Leave the Cantonese Music Scene, you know?

Where to find Penglai – Music: Xu Guanjie, Lyrics: Xu Guanjie, Li Peter, Singing: Xu Guanjie

Not so gorgeous at all, completely different from Gu Jiaxuan, Xu Guanjie used another style to write his slow song works. And the lyrics are also very down to earth grounded, Xu Guanjie and Li Peter returned to Lu Guozhan and Huang Xia's sentence "Penglai is love", just like playing philosophy, just as moving. But the Cantonese pop songs of the two schools are very different! As for Li Xiaotian, he was indeed closer to Gu Jiaxuan's faction, but he was not as foreign as Brother Xuan.

In the song "Where to Find Penglai", Xu Guanjie used the simplest AABA method to write a work with a little Chinese minor element buried, but the style of the presentation was somewhat similar to the 70s love song of the Band Ofread (Bread), so it felt modern at the time, and the melodic lines were simple, natural, comfortable and elegant. It's hard to say why the song sounds so good, because structurally, it's pretty mediocre! The complexity cannot be compared with Rowan's "Family Change", but it comes out of Asam's mouth and is intimately pasted.

Why did Kwan Leave the Cantonese Music Scene, you know?

"Family Change" is a "big song" among our professional population, with a big pattern, a big arrangement, a big singing, and a big band. "Where to Find Penglai" is a small song. But a piece of work is good or bad, and constantly set its size. Songs big and small can be turned into classics. These two songs are enough.

"Penglai" is a Utopia utopia like Taoist thought, or something similar. Asam and Peter Li used a normal heart to look forward to such a place, write out the pursuit of life, but in the end found that the place where there is love is the best, you call it heaven or call it Penglai, the place where there is love is it.

Why did Kwan Leave the Cantonese Music Scene, you know?

In 1996, Chen Huilin and Jin Chengwu, two beautiful people, sang "Where to Find Penglai" in director Li Zhiyi's film "The End of the World", which was still so good, proving that this song can really withstand the test of time! It also affirms that it is a song with connotations, not an idiot song.

Why did Kwan Leave the Cantonese Music Scene, you know?

The world is like chess - Music: Xu Guanjie, Lyrics: Xu Guanjie, Li Peter, Singing: Xu Guanjie

Why did Kwan Leave the Cantonese Music Scene, you know?

"The World is Like Chess" is the next episode of "Where to Find Penglai", basically everything is the same as before, but this time, Xu Guanjie used traditional Chinese instruments, and the melody was more obviously to the Chinese minor key. But his singing method still retains his general, modern, casual style. At this time, Asam's position in the music world was as stable as Tarzan, but it immediately rose to the storm!

Why did Kwan Leave the Cantonese Music Scene, you know?

In fact, in Xu Guanjie's song list, in addition to "The World Is Like Chess", there are several works that have the shadow of "Where to Find Penglai", but this is normal, and any creator will accidentally copy his own. But those works before and after are not as good as "Where to Find Penglai", except for this "World Is Like Chess" song style retro, so it feels special. Although I say that "The World is Like Chess" is the next episode of "Where to Find Penglai", its melody ups and downs are bigger than "Where to Find Penglai"; it is more like a song Chinese minor style by Xu Guanjie challenging Gu Jiaxuan, but the lyrics are clear:

“... But please share you, chess skills double comparison, understand the truth of life. ”

How good this game is!

Why did Kwan Leave the Cantonese Music Scene, you know?

Finally, send rowan's version of "This Autumn", we can feel that the competition between singer and singer can be so direct, a song, there are two versions at the same time. Of course, this time there is no such dramatic story as "Book of Swords and Vengeance", but it also allows us to hear the different styles of the two singers.

Mr. and Mrs. Kwan's version is gentle, fresh, and simple. Rowan's, as soon as he came to the electric guitar, the arrangement is more gorgeous, the singing skills are more exquisite, and domineering, the overall song has become larger. I find it hard to say which version is better, especially since listening to Rowan's domineering spirit at the time may be a bit outdated, but why he was an emperor superstar at the time was also because he had this domineering (my artist declassified number 6 person). And at that time, I didn't feel outdated, but a new style, which distinguished him from the two "Jackoes" very clearly!

Ying Shuten - (Original: "SeikanoJo Koi", Sato Muneyuki Song: Muneyuki Sato, 词:卢 沾 沾沾)

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