<h1 class="pgc-h-arrow-right" data-track="1" > male artist with zero scandal in Hu Feng's acting industry</h1>
Hu Feng is a respected artist both inside and outside the play. Even though he has worked with countless gorgeous actresses since the film, in Hu Feng's eyes, there is always only one woman he thinks is the most gorgeous.
Hu Feng is a male artist with zero scandal in the acting world.
Hu Feng only has one she in his heart..., that is, his spouse Lu Yonghe, the love of his life.
Hu Feng and his wife Lu Yonghe married in 1957 and have known and loved each other for more than 60 years. Finally, Hu Feng, the husband, wrote in front of his wife's spirit: "After the end of this life, the next life will continue" The words are very profound, so it can be seen that Xiu Ge is a good husband who cherishes love and righteousness.
Don't think that Hu Feng, who watched in the movie, is an amorous prince who must be careful and caring for women. Brother Xiu said: "Although Hu Feng on the screen is an amorous man, in private, Hu Jixiu is a man who does not understand romance. When pursuing his wife, he never sent a single flower, and 100 percent of them were talking about heart and not gold."
Brother Xiu has always rarely mentioned the name of his beloved wife in front of people, and rarely brings his wife to the activities in the circle. The sister-in-law is always the woman who stands behind the brother, and she has a hundred trust in the brother. The love of husband and wife is highly envied.
Hu Feng has never had half a girl's name related to him in the past half a century, and it is completely zero scandal. In the 1950s, Hu Feng cooperated with Nan Hong, Lin Feng, Wu Junli and so on; Actresses who cooperated with Hu Feng in the 60s included Xiao Fangfang, Chen Baozhu, Xue Jiayan and so on. Flipping through the newspapers and publications of the past, I didn't say half a word about the report that Hu Feng and a certain actress had reported a scandal.
The actress who was about the same age as Hu Feng in the 50s believed that Hu Feng was a man with absolute respect for women, and when he acted, he was 100% devoted to the role, and after leaving the camera, he quickly withdrew from the role, so the actress who worked with her praised Hu Feng for his gentlemanly demeanor.
In the 60s, the actresses who cooperated with Hu Feng included Xiao Fangfang, Chen Baozhu, Xue Jiayan and other new generation actresses, especially with Xiao Fangfang as a couple, and Xiao Fangfang cooperated with many song and dance films, and the dance skills were exquisite, so it was called "Dance King Xiu", which is still appreciated today. And Xiao Fangfang, Chen Baozhu, Xue Jiayan and Hu Feng are more than ten years apart in age, and Hu Feng has watched them grow up in the studio, so their love for each other is like an uncle. Although the love between men and women is not limited by age, it has never broken the "golden signboard" of the gentlemanly style of the monks.
Hu Feng is one of the artists, from a young age to the show business, to the year of Hua Jia, still alive in the silver world work, fully show that he has not regressed in the acting work, but more and more love.
Hu Fenghuajia is still active in the art world in the year of Huajia.
The good friends in the circle who know Hu Feng well often laugh and say: "If you don't give Hu Feng an act, he will definitely not let you go..." This statement also proves how much Brother Xiu loves his acting work, and he really does not want to leave the stage for a minute or a second.
It is known that in the 1970s, Hong Kong Cantonese films gradually declined, and the trend of making tertiary films was booming. And the big drama addictive brother at that time, did not mind what three-level movies, in short, there was a performance, that should be three or eight, one than the end.
In the early 1970s, Hu Feng jumped from the big screen to the TV box, first performed large-scale comprehensive programs, and was later arranged to perform in the drama group, Hu Feng can live his drama addiction. Although it was very hard during the filming of the TV series on tv, Hugh Brother enjoyed it and became more and more energetic.
Hugh said, "Work is a pleasure, and I will always do it until I don't have to." Although I am older, I did not say that I must finish work at what time, even if it is really arranged, I feel embarrassed! However, the staff of the TV station are very respectful of the elderly, and the factory will not be arranged very early until the next day, so they give me enough time to rest. Even if you have to shoot a series until two or three o'clock in the morning, it's no problem, you've been used to it for decades!"
People in the circle are familiar with Brother Xiu's "stuttering" when he speaks (this phenomenon of stuttering when speaking), but in the face of Brother Xiu who speaks dialogue in front of the camera, he is not half fluency, and the words are round, no wonder friends in the circle around him laugh and say: "It is destined that Brother Xiu is eating the food of acting."
There is an interesting drama in the memory that happened in the TV station Wooden Walk, saying that when Brother Xiu and Fat Sister read the lines outside the studio, the Fat Sister, who has always spoken fluently, naturally behaved very tightly and naturally when reading the lines. But the brother on the side did not know whether he was too nervous for a while, or whether he had already developed a plague before entering the factory, and when he read the lines, the root of his tongue was like a knot, and he kept saying, "I... I... I...", the fat sister next to him urged him more and more, and the more Brother Xiu couldn't say it, he just kept laughing and said, "I... I... I...", at that time, the fat sister was angry and croaked, and while urging, she laughed and said, "I... I... I... I'm going to change penguins again..." It was a very hilarious atmosphere, and the people present watched an entertainment show equally.
From the 1950s to the millennium, Hu Feng spanned 60 years of different stages in the middle, and his acting career also encountered a few storms and sprinkled a lot of hard sweat.
Hu Feng is a small student.
Hu Feng has created countless immortal images and unforgettable dance gestures in the film. Among the male artists of the last century, Hu Feng is a small student with change.
In the 1950s and 1960s, Most of the Cantonese films in Hong Kong were mainly black and white films. Mentioning the development process from black and white to color films with Hugh, Hugh recalls an interesting passage. It turned out that there were color films in Hong Kong in the 1950s, but because color production was very expensive, it was not that all the films were made in color, but instead used partial color: "For example, I chatted with you, fell asleep, and began to dream." The dream is colored, wakes up, and goes back to black and white, which is called partial color. At that time, a famous American partial color film "The Wizard of Oz", starring Judy Garland, the theme song "Over The Rainbow" was popular for a while, the film was initially black and white, the wind blew, the house was blown into the sky, and as soon as the door was opened, it was colored. When the story is over, it's black and white again."
Hugh said that in the 50s, film was very expensive, and film was to be taken to England for drying and then sent back. Therefore, at that time, there was basically no NG in filming, talking about a paragraph, half of the talk could not be said, just cut immediately, and then put another shot, to finish the second half.
At that time, the actors all agreed that they did not want to affect the huge expenses of the film company, so everyone saved, it was best to do not NG, even if there were shrimp shots to be taken. Unlike now, the full computerization of non-stop testing machines is absolutely dare not. Artists who came from that era were under pressure to test the machine, afraid of wasting resources. After the 1960s, almost full-color production, spending power increased, the shooting conditions became better and better, and the actors became more and more happy.
Hu Feng: "Teenagers don't know the importance of family affection, leaving regrets in life!" 」 I often blame myself for failing to fulfill my filial piety!
Hu Feng tends to be a fashionable artist.
When he was young, Hu Feng, because he loved acting too much, lingered in the studio all day long, facing a group of entertainers in the circle, and did not expect that the loving mother at home was waiting, ignoring the love for the loving mother.
Hu Feng lived to be 80 years old, and still blamed himself for not caring for his mother! I feel that I have not been able to do my best, and I have not cherished the years to accompany my mother through every day, every minute and second. As the years passed, I knew the preciousness of cherishing the people in front of me. Therefore, he often advised the young people around him, no matter how busy they were at work, to always remember the loving mother at home every second, and to accompany the loving mother for a day was like sending her ten thousand family wealth. Hu Feng's testimonial, the listeners were moved!
Hu Feng sighed and said that a thousand ifs, a thousand shoulds, midnight dreams back, often worry about their mother, very much want to throw themselves into their arms to tell the past of their childhood. Therefore, whether it is acting or real life, we must cherish the moments with the people we love and care for each other!
Every time he sat in the TV restaurant with Brother Xiu and listened to Jun's words, he would be vigilant about learning how to get along with people and learning to cherish the people in front of him.
Don't think that Hu Feng is always an old-fashioned and old-fashioned school of ancient thoughts, in fact, Brother Xiu also has his naughty side. Brother Xiu is very funny and funny, not to pretend to be an uncle. Brother Xiu is different from some elders in that he will always follow the pace of the times. He loves to catch up with the trend, no matter the hairstyle, dress, he will follow the trend. Brother Xiu is not too avant-garde like the fourth brother (Xie Xian), and always believes that clothing is a symbol of a person's mature and stable side. Unless you act or take the stage, it is more exaggerated.
Revisiting the song and dance film that Hu Feng cooperated with Xiao Fangfang in the 60s, you will find that Hu Feng's clothes not only keep up with the trend, but also the dance posture is also very powerful, and xiao Fangfang, who loves fashion, plays a couple, and always feels that there is no age gap. Hu Feng's dance skills are exquisite, and he is known as the "Dance King Xiu", which is still appreciated today.
Hu Feng has spanned the Hong Kong film and television industry for more than 60 years, and has made 375 movies and 84 TV dramas by the millennium. Never think about how much drama, the most important thing is to participate.
The audience loves Hu Feng enough to be a "silly boy".
In 1953, the 21-year-old Hu Feng joined Hong Kong's Dentons Film Company because he loved acting. The first film debut "Man's Heart" made him famous overnight, and the reason why the audience of the previous generation liked to enjoy Hu Feng's acting was to love him enough to be a "silly boy"!
In the 1950s and 1960s, there were countless male artists in hong Kong's performing arts industry, and each male artist had his own unique style. On Junxiu are Zhang Ying, Zhang Huoyou, Xie Xian, Zeng Jiang, Lü Qi, Zhang Yingcai, and Zhou Xiao; On personality are: Wu Chufan, Li Qing, Jiang Zhongping, McGee and so on. Although Hu Feng is not too handsome, he is not very personality. But he has his unique advantage of being stupid enough, straight enough, staying pure enough. The above three points were enough to make Hu Feng red for a lifetime.
Hu Feng's real name is Hu Jixiu, taking the word "Feng" as the stage name, all because the maple tree is red all year round, which means that he hopes to be able to "grow red" in the acting world, so he takes the name Hu Feng. Hu Feng entered the Hong Kong performing arts industry at the age of 20, according to insiders, in terms of the film remuneration of that year, Hu Feng was one of the highest paid newcomers in the Cantonese film era.
The films in which Hu Feng participated were more impressive to the audience: "Joyful Enemy", "Difficult Brother", "Leng Qiuwei", "Bright Moon Thousand Miles Remember Acacia", "Qingqing Riverside Grass", "The World of The Head" and so on. There are more female film stars who have cooperated with Hu Feng, and those who cooperated in the 50s are: Lin Feng, Wu Junli, Xia Ping, Nan Hong, etc.; In the 1960s, there were: Xiao Fangfang, Chen Baozhu and so on.
Looking back on his acting career in the past, Hu Feng lamented that the current shooting conditions are much superior to the production in the 5th and 60s.
Hu Feng recalled: "The environment of the film factory in 5 and 60 years is relatively simple, the set can be avoided, there is no air-conditioning equipment in the factory, and it is extremely hard to shoot under the mercury lamp on hot days. , the lights are up to Baidu, baked on the set, not ventilated, the fans blow over are hot, really taste in the heart! Nowadays, the times are different, the TV factory is all air-conditioned, much more comfortable, and even the equipment is advanced. Most of the machines used to be, now there are miniature ones."
Hu Feng said that at that time, not only was it hard to be an actor, but even the creators, producers and directors had to adapt to that environment. It seems that the artists who have come from that era will not only sprinkle hard sweat, but also rely on their love for movies to persist to this day.