#影视杂谈 #
Recently, the costume drama "Zhou Sheng As Old" directed by Guo Hu and starring Ren Jialun and Bai Lu was launched.
Audiences had mixed reviews of the show.
Although the fans' loyal feelings of protecting the drama are understandable, this drama is certainly not just for the fans to see, and there are indeed too many slots in the play, I think it is still necessary to comment objectively.
Image from the web
< h1 class="pgc-h-decimal" data-index="01" > both male and female protagonists appear to collide with other actors</h1>
After watching the play, I found a very confusing problem.
The appearance of the actor White Deer is really amazing.
In the TV series "Yulou Chun", Lin Shaochun, played by Bai Lu, bumped into the actors Li Ruotong, Liu Tao and Wang Ziwen at the same time.
Unexpectedly, in the drama "Zhou Sheng As Old", the slightly fat white deer changed his appearance and actually bumped into the face of actor Li Qin and Korean actor Sun Yizhen at the same time.
In addition, Ren Jialun, the actor Xiao Nanchen Wang, also has some face-bumping actor Huang Youming's role jia Fengyuan in "Yulou Spring".
In "Zhou Sheng As It Was", in order to highlight the three-dimensional sense of Ren Jialun's facial features, the makeup artist wanted to create a feeling of big eyes and high nose, and the result was self-defeating, which made Ren Jialun somewhat disguised.
In these two plays, Ren Jialun and Huang Youming's almost identical eyebrow shape and high hood make the audience feel the jumping scene in a trance.
To tell the truth, Bai Lu's acting skills in "Phoenix Prisoner" are still remarkable, and there has been no progress since then. After watching a few dramas, people feel that they lack the original aura.
As for Ren Jialun, it is okay to play a dancing prince, but to play a great general who has become famous as a teenager and has outstanding military achievements, there is a big difference in temperament, and there is no such momentum at all.
For now, "Under the Golden Dress" is even the peak of Ren Jialun's work, and subsequent works have not been able to make a breakthrough.
<h1 class="pgc-h-decimal" data-index="02" > service is fairly average</h1>
Regarding the bangs of the white deer in the play, I will not spit it out alone.
Focus on the color scheme of the costumes in the play. Some costumes are not selected appropriately, and the colors are either too light or too heavy, giving people a direct visual impression.
Take the scene where the two masters and apprentices walk in the snow in the house.
The color of Xiao Nanchen Wang and Cui Shiyi's clothing is light, and the color is not correct, and it is somewhat dull against the backdrop of snow on the ground, and it is completely devoid of the beauty of white clothes and green dresses and the beauty of the prince and the beauty.
In the play, it may be based on the style of General Xiao Nanchen Wang, the makeup artist did not match Ren Jialun with a white skin tone, so it often appeared that Ren Jialun's entire appearance was not good.
<h1 class="pgc-h-decimal" data-index="03" > the plot is completely unreasonable and illogical</h1>
In fact, in addition to the face collision between the two leading actors, the chaos of the plot is even more hard.
Although the original author personally wrote the script, I really did not expect that she could rewrite her novel so nonsensically.
The so-called feelings of family and country, patriotic righteousness and court power plots are actually paving the way for the ambiguity of the male and female protagonists, aiming to bluntly render a tragic and sadistic atmosphere.
In the play, a group of soldiers under King Xiao Nanchen shouted the slogan that must be shouted every day in daily practice: "The world's deeds are learned, the festival is dead and righteous"; whether it is war or political struggle, it is even more sloppy and sloppy.
However, as soon as the camera turned to the master who personally made a vow: "No wife and concubine, no heirs" and the apprentice who had a marriage contract earlier, the style of painting suddenly changed, and began to seriously communicate in front of everyone' eyes...
The ancients paid attention to incivility, and such a master and apprentice is really rare in the world.
<h1 class="pgc-h-decimal" data-index="04" > taboo love and not worthy of praise</h1>
The heroine Cui Shiyi in "Zhou Sheng Is Like The Past" is quite strange.
I would like to ask, in reality, who would let such a princess-to-be, who was born with a marriage contract, be an apprentice to a young prince who has a heavy army and may seek power and usurp the throne at any time?
Moreover, he solemnly declared in advance that he could not learn martial arts from his master.
Seeing this, I would like to ask: Cui Shiyi followed the master, what did he really want to learn?
In the play, Cui Shiyi's age is quite confusing.
In the first five episodes, how old was Cui Shiyi when he pretended to be innocent there?
No one knows.
The original book is written as a "well-behaved little girl serving tea", and the brothers and sisters say that "there is a little sister in the family that people remember".
Unfortunately, a mature white deer, no matter how he performed, could not play Cui Shiyi as a juvenile little girl, so he could only present the audience with a big girl who had long since become an adult.
Moreover, after this big girl and the master meet for the first time, they can doze off and sleep on the master's body?
Then, not long after, this big girl and the master were on the top floor of the library building, and wrote down the "Shanglin Fu" about the friendship between men and women--long eyebrows, slightly contemptuous, color and soul, and happy on the side.
Then, this big girl also slept next to the master's bed, slept on the master's bed?
The young master knew to say awkwardly: Men and women could not be confused.
It is also true that even if they are masters and apprentices, they are still young men and women, not to mention that this female apprentice has long been famous and has a master. All kinds of ambiguity between two people, let alone in ancient times, even in modern times, can not be accepted at all...
<h1 class="pgc-h-decimal" data-index="05" > looking for the source of the show's chaos</h1>
If you have seen the original work, there is still some understanding of the unbearable plot of "Zhou Sheng As Old".
Why?
Because what the author wrote in this part of the original book is not clear.
The original work was to the effect that the princess-to-be, who was still a little girl, was sent to Wang Ye's side by her family, planning to let Wang Ye be a patron. As a result, the little girl grew up a little, had a non-divided thought about the prince, and planned to retire from marriage with the prince.
When the original author adapted these contents, he continuously fast-forwarded, so it caused a series of chaos, and invisibly increased the color of forbidden love.
In particular, I hope that the original author can take a good look at Sima Xiangru's "Shanglin Fu" and see what is written in it.
For such a "Zhou Sheng As It Was", in addition to seeing some inexplicable low-quality speed dating emotional scenes, I really can't see what other content was filmed in the end. #周生如故 #
I don't know why there are some people who can close their eyes and blow awkwardly, and they can't stop touching themselves.
It is not recommended to watch "Zhou Sheng Ru Gu", which uses traffic artists to make up numbers and scripts, which is a complete waste of your own time.