A desire to return to the maternal body helps people to heal themselves in a tight envelopment, relying on the soft touch that surrounds us to lead us to the identity of the body and the outside world, as we did in unconscious infancy, forming a whole of the same frequency as the outside world.
This season, Rui attempts to create a closed and private experience by describing the texture of the "shell", the curved structure full of wrapping, appearing as a symbol of the mother body in the soft silhouette. Expanded, three-dimensional aliens hide the true lines of the body and are hazyly outlined by velvet; the rich touch of wool, mohair and cashmere brings an intimate warmth and déjà vu; the gray-brown tones of furry moss green and earth reveal the imprint of nature in the calm; and the misty warm beats bring people into vague memories.
At this time, all kinds of external sounds are suddenly absorbed and eliminated, leaving only a faint noise that is suddenly far and near, like a low whisper from the sea. In this quiet meditative state, we only need to focus on all the primitive feelings that we touch, experience, and recall, and personal chronicles, past and future, man and nature, will explode in this eternal space, and rapidly shrink into a faint point and fall into the endless galaxy.
At Rui's launch at Galerie Bertrand Grimont in Paris, all the agitation was calm, and all perception was focused on the only motif of clothing. The white noise conducted by the conch is a continuous ambient sound, waiting for the next moment when the boundary disappears. At that time, the self and the outside world will be separated again, and the intertwined feelings of repression, confusion and uneasiness will once again form feelings of "pain".
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In the hands of creative setter Sati Leonne Faulks, the inorganic transparent hard curtain is transformed into a kind of unbridled romance; the models walk between life and non-life in this state, carelessly retaining the absurd inverted color; model Jewel leaves an artistic bone snail fossil makeup on her face as a response to the truth and origin of this deep life. In the silence, this everlasting past full of memories will only have water-stained footprints declaring "I have been here" We will once again fall in love with the seductive invitation at the beginning of the story of "Eternity and One Day" in the trajectory of everything intertwined with each other, in the random images and sounds of the distance and near:
"We're going to dive to see the ancient city. She has been sleeping on the bottom of the sea for centuries, floating on the surface once a month. When the morning star reluctantly leaves the earth, stops and gazes at it, everything stands still, and time stops.
Are you coming?"