As a lover of BE aesthetics, I inspected the "Three Lives and Three Sadomasochism" fairy tale drama "Heavy Purple".
"BE aesthetics" has always been a large branch of fairy tale dramas, and the pioneering work of domestic fairy dramas "The Legend of Sword and Fairy" is a very classic BE aesthetics. When Zhao Linger died in Li Xiaoyao's arms, my roommate and I cried more sadly than Li Xiaoyao.
I know that my CP can't be together in the end, why is everyone still chasing so hard?
Why is "BE aesthetics" an enduring traffic password?
The miserable character of the United States cannot be defeated
The worse the protagonist, the more loved by the audience?
"BE aesthetics" generally have a common point, that is, the protagonist must have a tortuous and bizarre life, which can inspire the audience's sympathy.
If the protagonist is too strong and does not have a "sense of vulnerability", it is difficult to let people into the play. Therefore, the "miserable" in the classic character "beauty and strong misery" in the fairy tale drama is what needs to be portrayed in "BE aesthetics".
In "Heavy Purple", it is the heroine Heavy Purple who is responsible for "beauty and strong misery".
Chongzi was the first born as a little beggar. Although she lives at the bottom, she has a kind heart and wants to go to Nanhua Mountain to cultivate immortals, and protect her friends from being bullied after completing her studies.
Chongzi's inner wish was good, but because of his natural anger, he was rejected by the Immortal Gate. Immortal Venerable thought that her cultivation of the Dao would inevitably be a disaster for the world. Only the male protagonist Nanhua Sect apologetic and Chonghua Venerable Luo Yinfan (played by Xu Zhengxi) took pity on her and left Chongzi by her side.
Chongzi obviously did nothing wrong, but because of his bad background, he suffered discrimination and injustice... I really don't know who to reason with.
And heavy purple also suffered a lot of pain in the process of growing up. In the first life, her little "Little Bean" committed suicide due to humiliation, and she failed to protect her with her abilities; In the second life, she was persecuted by her aunt after her father died of illness, and could only go to Nanhua Mountain again.
In the Nanhua School, Chongzi will be targeted no matter what he does. In the second life, she was also beaten into an ice prison and tortured because she was framed by others.
Chongzi has been restraining the anger in her body, but she still can't escape the damage that fate has inflicted on her.
The plot is layered with heavy purple "miserable", and the audience unconsciously sympathizes with this girl.
Although Chongzi finally fell into the devil, what she brought people was more distress and love.
Compared with pain and coolness, usually the former is more memorable, otherwise you look back at the movies and TV series you have watched, those stories that make you miss it, are they all tragic endings? Are the characters and CPs that make you feel sorry for them all full of regrets?
The "miserable" in "beautiful and strong" reflects a sense of powerlessness in life. No matter how powerful or powerful you are, people sometimes just can't fight fate.
This kind of powerlessness and helplessness in the face of fate has been experienced by everyone to a greater or lesser extent, so we can empathize with the tragic protagonists in BE aesthetics.
Even if she is the protagonist of fairy tale dramas, she is not omnipotent, and "BE aesthetics" reflects this in order to arouse everyone's compassion.
The focus is on beauty, not for the sake of abuse
Abuse is the main tone of "BE aesthetics", but it must also master a degree.
If you simply tear down the CP for the sake of abusing the audience, to create a bloody plot, or the storyline is too cruel, it is not "beautiful".
The focus of "BE aesthetics" is actually beauty, and before the abuse, the love of the male and female protagonists must make people suck sugar. In the first 20 episodes of "Chongzi", Chongzi and Luo Yinfan are actually in a state of "mutual recognition", although they do not indicate their hearts, but they are very sure of each other's feelings.
Although Luo Yinfan was an immortal Venerable, he had never put on the appearance of an elder in front of Chongzi. The relationship between the two is quite relaxed and natural.
Luo Yinfan is spoiled for heavy purple. The people of the Nanhua Sect did not let him teach the Heavy Purple Dao Method. Luo Yinfan said, no problem, she has always been by my side. "They will leave someday, but you won't leave me"
Chongzi sneaked out to play, and after Luo Yinfan knew it, she didn't get angry or blame, but instead brought Chongzi her favorite snack in the world in the past to relieve her lovesickness.
Which is this Immortal Venerable? It is obviously a "spoiled wife crazy demon" who is bursting with her boyfriend's strength and responsiveness.
Luo Yinfan had great trust in Chongzi.
Although he knew that Chongzi was born with anger, he also believed in Chongzi's nature more than others.
When Chongzi was framed, he always stood up and became an enemy of the Immortal Gate. Other Immortal Venerables want to kill heavy purple, Luo Yinfan is the first to block in front, showing the attributes of the "crazy criticism" male protagonist - who dares to move heavy purple, I move whom!
No teaching rule works in the eyes of this apologetic. Every time I see Luo Yinfan lose his mind because of love, I want to send him a hot search topic - #他好疯, I love #.
Chongzi, although she is very miserable, is always framed, but she is not a "little white flower" who has been bullied all the time.
She loves Luo Yinfan, so she doesn't want to be a burden to Luo Yinfan all the time.
She wants to become stronger, so that she can become Luo Yinfan's right-hand man and fight with him. In the first life, in order to prove his innocence, Chongzi was willing to sacrifice his flesh to enter the soul mirror; In the second life, she took the initiative to leave Luo Yinfan and practice at Yuchen Peak to improve her abilities.
Due to her identity, although Chongzi did not confess, she just loved Luo Yinfan with all her roots. When others pour out their love to her, Chongzi will refuse without hesitation. For Chongzi and Luo Yinfan, love is a belief that does not need to be spoken, but sticks to each other.
From the very beginning, the two have been attracted to each other. They have been approaching each other, the small flame of love has already been nourishing, but behind them they have to stand on the opposite side of each other, and they have to hurt each other, which will make people feel cruel inside.
Without love, there is no pain. Even if you want to separate in the end, you have to love it first.
The key to "BE aesthetics" is that the beauty of love itself is moving people, if patronizing abuse, constantly creating various difficulties for the male and female protagonists to "make something out of nothing", and abuse is illogical, then it is not aesthetics.
"Love but can't" is the norm in life
With beautiful love, you have to crush it fiercely, this is the core of "BE aesthetics", but the reason why it can poke into people's hearts is because everyone has more or less had this "love but can't" experience?
Although sweet pet dramas are sweet, the sweet moments we can have in our lives are always short-lived, and the first period of love in each relationship may only be the first few months.
Regret, helplessness, but more of the norm, looking at the emotional line of the characters in the play, it is possible that what pokes you the most is not those tearful crying, but a certain familiar picture.
Many years ago, Xue Kaiqi had a film called "Break Up and Say I Love You", and the audience knew from the title that this was a BE story, but everyone's "crying point" was different.
I remember a netizen said that she was crying from the beginning of the movie, and the heroine was crying when she wanted to make up for the male protagonist, "just because I also made up for him."
The same is true of the popular movie "Bouquet of Love" a while ago, which describes the natural process of a love from beginning to end.
Even if the two are very close at the beginning and have endless words every day, but after being together for a long time, they will slowly become familiar strangers who have nothing to say due to various reasons in life.
Many people feel very real after reading it. Who hasn't experienced the moment when love can't fight life?
The "love but can't" of "Heavy Purple" is related to life choices.
Luo Yin Fan is an Immortal Venerable, and he must put morality and responsibility first. In the first life, Chongzi was sad because his friend Genshin was destroyed, and he wanted to break the enchantment of the demon sword. In order to protect the immortal world and the human world, Luo Yinfan could only end Chongzi's life with his own hands.
In the second life, Chongzi was framed and imprisoned in an ice prison. Three years of ice prison made her no longer believe that anyone would eventually fall into the devil. The enchanted Chongzi hopes that Luo Yinfan can stand by her side, but because of his responsibility, Luo Yinfan can only join the pumpkin faction once again and become an enemy of her again.
And the other pair of CPs in "Heavy Purple", Wan Calamity and Gong Keran, are also the ultimate in BE aesthetics.
Originally, it was the immortals' ten thousand calamities, but in order to save the palace, he could enter the devil. But also because he fell into the devil, the immortal demon is not separated, and the palace can't be with him.
But identity still can't stop them from missing each other. When the Gong Keran Yuanshen was about to dissipate, she finally figured it out and decided to ignore everything and marry Wan Calamity.
In the end, they married under a splendid red flower tree. Gong Keran's life also came to an end at this moment...
If only we had been a little more courageous.
For ordinary people, of course, we will not experience disasters such as Luo Yin Fan Chongzi and Ten Thousand Tribulations Palace, but in our lives, there may also be times when we cannot go to love because of our own situation.
Off-site, work, family... Their love always reminds us of the bits and pieces we missed in those years.
Was the choice right at that time? If we had persisted a little longer, would we have been completely different?
In everyone's life, there are always misses of one kind or another. BE aesthetics allows us to see the pull between love and humanity. It is real and unsolvable, which is even more "uncomfortable".
Sister E's epilogue
Love, there is sweetness, there is bitterness.
Some people love CP, of course, there are people who are immersed in "BE aesthetics" and can't extricate themselves.
Compared to the brainless sweet pet of batch production of artificial sugar, "BE aesthetics" is indeed more realistic. At least, it doesn't instill the idea that "love is above all else."
The male and female protagonists may not be together, because there are too many helplessness in life. Learning to accept this is the beginning of human growth.
"BE aesthetics" can also make us feel relieved about some of the regrets we have experienced in the past. Complete, is a minority. Unsatisfactory is the norm.
Not every love has to end "together". As long as the two really love each other, even if they are forced to separate in the end, that time of mutual love is also a moving story.
-Today's headline の主作-
Your little fairy E sister, loves the belly black queen of BE aesthetics
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