#娱兔迎春 #
The seven movies in the Spring Festival file are rich in genres and star-studded, giving fans and ordinary audiences a lot of choice.
From the pre-sale box office, "Nameless", "Manjiang Red" and "The Wandering Earth 2" are leading the way by the "troika", while leaving several other films firmly behind, the "secret war" between these three films is also quite interesting.
While the superficial "tripod" is high, the three films are also different due to their own "genes", and they will inevitably be divided in the end "you die and I live".
From the current situation, the first-day pre-sale box office (New Year's Day), "Manjiang Red" and "The Wandering Earth 2" "bite" very tightly, ranking first and second, while "Nameless" is ranked third, and slightly away from the first two.
But from the perspective of the total pre-sale box office, "Manjiang Red" and "The Wandering Earth 2" were surpassed by "Nameless", and the first "Nameless" and the third "The Wandering Earth 2" have opened some distance.
The two rankings are a bit "dazzling", but behind the "can't understand", what will be the final box office ranking of these three films?
Judging by the leading actors
The starring actors of the three films are very "big casts", "each good wins", and there are also "outstanding points" that attract fans.
In terms of the starring cast, what the three films have in common is that they all enable the "safety mode" of "double starring".
Although the "double starring" pointed out here may still be slightly different in the scene, Liang Chaowei and Wang Yibo of "Nameless", Yi Yangqianxi and Shen Teng of "Man Jiang Hong", Andy Lau and Wu Jing of "The Wandering Earth 2" are undoubtedly the "double insurance" given to the film by the producer.
While these six actors are all excellent, they also have their own outstanding points, such as the undoubtedness of Tony Leung's acting skills, Andy Lau's status as a popular idol, the popularity accumulated by Shen Teng over the years of Spring Festival files, and so on.
But in balance, "Nameless" may be slightly better, and in the current fan economy, no one can ignore Wang Yibo's huge appeal.
This may be the main reason why "Nameless" temporarily ranked first in the total pre-sale box office.
Judging by the director of the film
Among the three directors, the most well-known is of course Zhang Yimou.
Although the other two directors Cheng Er and Guo Fan are not "fledgling" generalists, and each has a representative work in hand, but in terms of directing techniques, "Jiang is still old and spicy", after directing various types of films, Zhang Yimou is not only sophisticated and mature in narrating the "beginning and turn" of the story, but also director Zhang has his own unique insights and aesthetic taste in the color application of the film.
As a veteran fan, it is obvious that he will trust Zhang Yimou more - his works are a guarantee of quality, even if they are not outstanding, it is difficult not to look good.
Judging by the film itself
Of course, the most important "driving force" for a film to be a box office hit is whether the movie itself is attractive, that is, whether it is good enough.
Judging from the trailer, "Nameless", "Manjiang Red" and "The Wandering Earth 2" have different narrative angles because of different film types, giving people a very different look.
But all three films present quite good quality: the atmosphere is full, the texture is bursting, and a sense of sophistication comes to the face.
The actors' gestures are full of tension.
From the perspective of storytelling, "Nameless" spy war, "Traffic Earth 2" sci-fi, "Manjiang Red" is suspenseful.
Spy war movies are actually basically "routine", so the story of "Nameless" may be inferior to its starring role.
Because the pearl jade of the first part is in front, according to the "convention" of film and television dramas, often the "sequel" does not really have an advantage in the "innate": it may turn away many people who have not watched the first part, and it will make those who have seen it doubt the quality of the "sequel".
However, under the "banner" of suspense and comedy movies, "Manjiang Red" is still shrouded in mystery, and people can only glimpse its "tip of the iceberg", but they have never been able to have an overall understanding of it.
But its first wave of audience reviews were unanimous and surprisingly good.
Therefore, in the author's opinion, among the three films, the real king should be "Manjiang Red".
So, what do you think?