#头条创作挑战赛 #
A few days ago, actor Huang Zitao sold goods in the live broadcast room, and at the "request" of fans, he wore purple women's thermal underwear, which attracted attention, and successfully broke the circle and appeared on the hot search.
Purple women's underwear is a little "cramped" on Huang Zitao's body, which adds a bit of funny color, for fans, Huang Zitao is spoiling fans, and for passers-by, they also love to watch this kind of funny drama of men wearing women's clothing, and the traffic immediately rises.
Coincidentally, male star Jiang Sida also wore women's clothing in a recent live broadcast, and unlike Huang Zitao's "forced", Jiang Sida himself enjoys much more and dresses more boldly.
I saw that he was wearing a woman's silver dark V women's outfit, with hair that reached his shoulders, and if it were not for his slightly burly figure, it would be easy for people who did not know him to wonder whether it was "him or her".
Jiang Sida gained attention for participating in "Strange Words" in 2014, when he disclosed his homosexuality on the show, which attracted attention.
Since then, Jiang Sida has been on the hot search for wearing women's clothing many times, I don't know if it is due to personality, in order to better express himself or to attract people's attention, Jiang Sida has been questioned from time to time for women's clothing in recent years.
However, Jiang Sida's bold pursuit of himself has also made many people admire, many girls are also his "iron fans", Xiao 8 has watched his interview programs "Only Three Days Visible" and "Transparent People" make people feel that he is a warm and delicate person.
Putting aside the subjective thoughts of Huang Zitao and Jiang Sida themselves, judging from the phenomenon they caused, through "men pretending to be women", they have gained a lot of popularity, whether it is ridicule or praise.
Hu Yetao, an idol, who came from a talent show, is such an example.
At that time, in the early stage, Hu Yetao surprised many people because of his long hair, and in the later stage, after he cut off his long hair, he was a little "out of everyone", and his attention also declined.
After the show, Hu Yetao's accumulated popularity in it was quickly exhausted, and he was "invisible" in the public eye again.
However, in recent times, he has "reappeared".
In a short video platform, with long hair and wearing women's clothing, he quickly accumulated a lot of popularity, contributed a lot of topicality, and also caused a lot of controversy.
Many netizens expressed their puzzlement at his deliberately feminine dress, feeling that this was a "self-determined future" for his career, and he could only gain short-term popularity.
Some people think that if he does not dress up as a woman, Hu Yetao will not have a day to come out, and in order to survive and eat, this is his helpless move.
Of course, there are more netizens who are dissatisfied with this behavior of deliberately catering to women and eating women's dividends. But what is very divided is that whether it is the curious vision or the voice of doubt, Hu Yetao's career has been "lived" again.
This is a fairly simple and crude but effective way of harvesting traffic, which has been tried and tested.
Xiao 8 found that in the past two years in the domestic entertainment market, there have been more and more such phenomena, and their main feature is "flattery", that is, by dwarfing men's behavior or male "feminization", deliberately catering to female groups.
(Not to mention that it is impossible to distinguish between men and women)
Is the female community really on the rise? Have women really got rid of their status as vulnerable groups and gained a voice? Judging from recent film and television works, in fact, there is not, to a greater extent, just because they are the "main force" of film and television consumption, and gaining their love is equivalent to mastering the traffic password.
(Women's clothing by male love bean Sun Yinghao)
The deep-seated problems exposed by film and television dramas reveal these male gazes and ubiquitous stereotypes under the shell of "female rise".
For example, "Desperate Houseman", which will be released at the end of 2022, is like this. Perhaps the producer originally wanted to cater to women, please the audience through the misplaced world of "women are inferior to men", let women busy with their careers, and men bear the responsibilities of childbirth and family.
Sadly, however, this is still a stereotypical performance.
The injustice encountered by women: the pain caused by childbirth, the discrimination encountered in the workplace, and the weak position in family life, all of which have been "entertained", through the way of comedy, many audiences (especially women) feel embarrassed and humiliated.
The personalities of men and women are also labeled, and in the world of female superiority, women are violent and tough, and can bully men at any time, and men have become weak female cannons.
At the end, the male protagonist is glad that he has finally returned to the world where men can point out, and all the previous unfair encounters are just a dream. Ironically, real-life women can never escape this injustice.
The film itself wanted to please women, but it "offended" men, making women feel offended, and naturally received a scolding.
The same is true of the costume drama "Menghualu" that will explode in 2022. Dressed in the shell of feminism, the core is still inherently biased. At the beginning, the gimmicks of this drama were "girls save girls", "women independent careers" and so on, and the intention was very high.
However, in the process of watching, the audience always finds something wrong.
The first point is obviously to show that women help each other and save each other, but between Zhao Paner and Song Yinzhang, there is always an inexplicable female competition.
The second point is that I obviously want to emphasize women's independence and unwillingness to admit defeat to their own fate, and as a result, they are often saved by the male protagonist.
The third and most controversial point is the stereotyping of women. Repeatedly emphasize the "innocence" of the heroine, and even distinguish a "high and low" between prostitutes and tricks, step on one and hold one, in the final analysis, it is still the invisible discipline of women under the gaze of men.
On the surface, whether it is these film and television dramas or star Internet celebrities, they are "valuing" women in various ways, men deliberately dwarf themselves, and the status of women is also elevated in film and television dramas.
At first glance, it seems that women are finally ushering in "spring".
However, in depth, this is just another form of prejudice, this kind of "flattery" is not the same thing as what we call a flattering man in our daily life, and it is still branded with a deep flattering man in the bones.
For example, in "Desperate Master", the men in the world of female superiority and male inferiority only know how to wear flowery green clothes, their eyes stay in the family's "one acre and three points of land", and they are vexatious to women who work outside, isn't this the stereotype of women in reality?
There is also "Menghualu", under the banner of women's independence and unity, the female protagonist still relies on the male protagonist to save again and again to achieve self-reliance, and finally has to show "loyalty" to the male protagonist: My body and my heart belong to you alone, and I am "clean and innocent"; Also look down on the prostitutes of the Israeli servants.
This kind of flattering behavior in the entertainment industry actually exposes the fact that with the development of the times, women's self-awareness has risen, but many people's inherent cognition is still stuck in the thinking that "women can only rely on men", but unfortunately, people have become less and less willing to pay for this prejudice.