After watching the title, don't be mistaken! This is definitely not an extramarital film. Japanese people have a very regular working life (although they can make a lot of money), get up, catch a car, change trains, and reach a far away place of work (Japan does have a good traffic!). ）...... There can be no other option of freedom in the middle, because the responsibility and burden of life of married men (supporting wives, daughters--- Japanese women generally do not work after marriage, mortgages, mortgages, cars, promotions, etc. problems---ooh, men are really tired! He could only have a thought shift on his way to and from work.
Sugiyama (string: Hiroshi Seisho) was still originally for a dance teacher, and then in the process of learning dance, he gradually began to appreciate the fun of ballroom dance itself and the spiritual dependence of Aoki, Fat Zi and others on dance. The dance teacher also began to ignite the confidence to return to the dance competition from the sincerity that Sugiyama put in, and even the private investigator invited by his wife was touched by Sugiyama's spirit. This is --- "dancing, talking about love".
Adam Smith said: Dance and music are things that human beings themselves create to bring people primitive pleasure. After watching this film, you will not only understand the basic knowledge of ballroom dance, but even learn a few steps! You will also understand how much people desire the most primitive and basic communication in the modern materially rich society! Otherwise it wouldn't be so popular.
let's dancing！hey！baby！
After reading it, I realized that this is the Japanese version of the shall we dance, and there is also an American version of the shall we dance, which is Richa. Jill and Jane Livre. Lobarts starred, the plot is exactly the same as the Japanese version, if it is the American version of the Japanese version of plagiarism, then I think the Japanese version plays the plot to the extreme!
I like the theme music of the shall we dance inside, whether it is tango or chacha, it is quite comfortable music ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~ ~