1, "Raid 2: Thugs"; I heard that the story of Raid 2 was what the director originally wanted to shoot, but it was replaced by the B-grade script of Raid 1. Regardless of the quality of this plot, on the prison riot mud fight and the mad dog died in the street blood and snow in these two scenes can be seen that the director is a little bit of his own thing in the aesthetics of violence, the action scene of this film invited the master-level martial arts master to play the villain, plus the mad dog actor to do martial arts, the action scene is more poignant, the details to each role with a little shot has its own set of play style.
2, "No Sweat Party"; a deep film, the characters in it are sad regardless of their identity and role, and they cannot change their fate. Female police officers do whatever it takes to solve the case and psychologically distort them. In order to survive, the gang boss has long lived in the choice of believing in the people around him or not believing in it. The male protagonist and the little policeman are manipulated to manipulate the past, the police can't do it, and the bad guys can't do it. miserable!
3, "A Hammer"; the film itself is also very good. Generally, very few people have experience in prison, so there is an advantage of prison type films, that is, the audience's sense of substitution is easy to be guided, and this film adds a strong contrast setting, that is, a typical middle-class rich and handsome white man, who was imprisoned because of an accident, faced with gangs and violence, and had to take sides and integrate into the new environment. So the tension of the movie runs through the whole film, and the two-hour movie does not feel long at all, which is very good.
4, "Extremely Evil and Non-Tao"; straightforward, the Gang Contradictions of the Japanese Underworld Are Dark Conspiracies and Tricks betray and revenge, step by step without too many bells and whistles, the tone of black and white and gray and the stiff and rigid suits show the tragic fate of these gangsters wandering in society and finally returning to the same place. Methodical, the characters are three-dimensional and full, and the major peak supporting actors and Takeshi Kitano's brief interpretation makes people feel bored at all, and the face is paralyzed.
5, "Night of Love"; the biggest highlight of this film should be the hammer sister, her role is absolutely brilliant, more handsome than the male protagonist ~ Joe and Iko's little brother. The two scenes where she fights with the two villains of the Three Girls and the brother of Joepk Iko at the end are still good. And the final ending made me think that there might be a sequel, the little sister who was saved came back through the training of the hammer sister to get revenge, not bad.
6, "Mad Max: Fury Road"; science fiction film is shocking to make like this. At the end of the end of the world, human beings did not fly to the center of the universe with hope to find the next planet on which they could survive, nor did they flee the galaxy that was gradually collapsing with the earth, but festered into a rotten fruit, and even the water source of the basic survival became a tool for domination. This is the first and perhaps the only work that has made me look at the aesthetics of violence differently!
6 violent aesthetic films without urine spots, from the beginning to the end!