The warm colors of Wu Zi are warm and refreshing, and the "City of Glass" is warm and refreshing.
A car accident leads to a story. The New Year's bell of 1997 is about to ring, and a couple of lovers are driving to the squares of the city of London, speeding up the throttle and speeding up the mood. They have been delayed for too long, and the happiness that has been delayed for twenty years is about to take off, and they are facing the ups and downs of life and the thousands of turns, and they are only a few seconds away from happiness.
Both died in the car accident, and he smiled when He caressed his lover's face with his bloodied hand at the last moment of his life. Maybe there is no chance in this life, maybe the next life will continue, and such an end is the most beautiful eternity.
Meet on a free and simple college campus, love in the turbulent fishing era, separation is due to each other's choice and helplessness in life, reunion is the destiny and arrangement of fate.
"This is, this is your hand!"
"Yes, this plaster mold is my hand. Like? ”
"Well, like. This, this is. It's all my name?! ”
"Yes, my life, my love, my career line, are all yours."
The director of "City of Glass" is Zhang Wanting, and her style of work is as gentle and moving as the name. The film spans two eras, one is the 70s where Hong Kong sheng is located, and the other is The son of Hong Kong sheng, which is the 97 years after their death. In the treatment of the two eras, Zhang Wanting differentiated with her almost paranoid style, one is a warm orange-yellow tone, and the other is a cold ice blue tone. Zhang Wanting loved, and even fascinated, the beauty of the 70s, the canteen at that time, the dance party at that time, the simple and naïve students at that time. Her preference for simplicity and simplicity is unreserved and eclectic.
The story uses the framework of flashbacks and the splicing of countless interludes to complete the entire work process. Let people reproduce the warm beauty in contrast and memory, in this contrast and memory, mixed with a hint of helplessness, a hint of vicissitudes, a hint of lamentation of fate, a hint of regret of reality. The same dormitories, different times, reflect different warmth to each other.
At the end of the story, The son of Hong Kong Sheng falls in love with Yunwen's daughter, a pair of lovers who did not walk together before they were born, and fulfill each other's expectations for love in their next generation. The fireworks celebrating the return of Hong Kong on Victoria Harbour illuminated the whole of Hong Kong, illuminating the warm faces of the young couple on the yacht, as well as the memories of The Harbor students and Rhymes in Paradise, their past, their love.
The film ends with an extremely beautiful picture, and even the subtitles at the end of the film melt into a ripple with fireworks reflections. Maybe time will change, maybe fate will change, but what remains unchanged is people's expectations for the moment of fate, the desire for love, the strength of the future, the unchanged is this person and love, the unchanged is this warmth and happiness.