Bad Boy Sky is cloudy, empty and desolate. That kind of overdraft happy young life, the feeling of powerlessness after getting a little older, where the happiness is, or the rebelliousness of recalling youth is the happiest.
Takeshi Kitano's works from twenty-five years ago, without too conflicting plots, are plain and simple to narrate the slightly twisted but bland life trajectory of several high school graduates who can hardly see any hope. And this kind of ordinary people's life is precisely the real life portrayal of the vast majority of people, so it is more infectious and even has the shock of letting people see through the essence of life.
It just so happened that today's work saw a few big boys who had just entered the society working day and night without stopping and continuously running across the city to work, and the feeling was even more profound. If an ordinary person wants to live a slightly easier and decent life, studying hard when he is young may be the only way out. The soundtrack of the whole film is plain and soothing with a slight sadness and helplessness, which is completely in line with the film, and it is the work of Hisaishi Jean. In addition, Ando Masanobu's green age has been amazing.
Teenage youth, empty of energy and firm belief in their own unique self-confidence and confusion about the future, young people are obviously very precious, but they will not know when to make a mistake in day after day of life, and even embark on a different path with friends along the way, from the same in and out to the side of the difficult to see. I don't know if the old boxer is a bad guy, if he wants to destroy a teenager, it shouldn't be so natural. It was really very simple to ruin the future, starting with the first sip of the wine that the seniors persuaded.
True friendship is when you see your talent, although not willing but not hinder you from shining. The first half of the movie is fresh and silly from time to time, there are laughs, it is very happy to watch it to the calm brewing badly, more than 100 minutes let us see the youth of several protagonists, see the light being stepped out, and perceive cruelty is the main theme of youth. Fortunately, Takeshi Kitano's movie is not so desperate, and he can be optimistic in the mud, and the youth of the rotten tail has friends who have not changed.
Takeshi Kitano is indeed a very author-oriented director, sometimes brisk and sometimes slow to express the characters or the joy or confusion of the mood of Hisaishi let the soundtrack, careless jokes and cold humor, cold infinitely close to the melancholy blue tone, the sudden and abrupt violence in silence, the lonely and bitter taste of life and the sense of desolation are all inherited to the next film "Hanabi".
The film uses the experience of two "bad boys" to walk out of school and into society to show the helplessness, confusion and bitterness of ordinary people at the crossroads of life. One becomes a professional boxer but is frustrated on the field, the other becomes a gangster but is ostracized by impulsiveness, and they are marginalized on campus and self-marginalized.
In society, they have to follow the law of the jungle of "natural selection, survival of the fittest", "the weak eat the strong, and the king loses". Using the hormones of youth to powerlessly fight against the washing of time, after the bright and enthusiastic "red" of life has become the "black" of decadence and frustration, they have come to the conclusion that the essence of survival is "survival of the fittest", but the game has just begun.
Some people's youth is inspirational songs, some people are elegy. Every director's best work seems to be a memoir. Just like Jiang Wen's "Sunny Days", Kitano Takeshi's best is undoubtedly "Bad Boy's Sky". Double male protagonists, teachers, classmates, social people, etc., the underworld... The main line and the multi-auxiliary line are intertwined to outline the youth realism, and the vividness of the characters is like the classmates around you and me yesterday.
Narratives are sometimes like bystanders and sometimes like inner intruders. Skills such as the front by the taxi manager criticized to finish work early, the back night into the ditch we know fatigue driving, with only two echo shots can understand the causes and consequences, and the author wants to express the dilemma of the life of the characters to empathize.
Nobuji's pathos are near-Chu Chi's near-inky path of pathos, as most people are confused and have no firm goals. I think that the guys who didn't study well in school eventually have their own way of living in the sea, some may be like fish, some are just scaled, and I know that there are new idiots in the empty seats of the classroom.
A brutal youth epic, exploring and struggling in confusion. Hisaishi's variations of the main melody and different film situations have spawned a variety of unique and beautiful atmospheres. At the crossroads of life, sometimes the choice is often greater than the effort, whether it is a good child or a bad child, it will eventually go to the fate of the same destination under the shackles of life, and after the end of the thousand sails, I hope that we can still maintain the original heart with the courage to continue to move forward. Grow without fear, youth without regret, time flies, and there is no shame in the heart.
This work perfectly inherits the style of Takeshi Kitano. The path that one has set foot consciously or unconsciously because of youth cannot define good or bad. What is really touching is that young life can make amazing efforts for every trivial matter, and can bravely run towards every possible starlight until it is exhausted.
Thank you for watching, paying attention to me, and taking you to learn more entertainment stories!