Portrait of Wang Shizhen
1. Ancient Yimin during the Wanli period
Zhang Chao included many strange people in the late Ming and early Qing dynasties in "Yuchu Xinzhi", but did not include Chen Weisong's "Biography of Shaoshan People Hidden Fu".
Zhang Chao is very familiar with Chen Weisong, the "Phoenix of Jiangzuo", and volume 19 of "Yu Chu Xinzhi" published an article by Niu Qiu "Wu Yao", which is specifically about the rhyme of Chen Weisong and Xu Ziyun, and he also specially added a press to the text, revealing that when Chen Weisong visited the Water Painting Garden, he asked for more than 300 gold every year from the frontier for the best man's night. Zhang Chao has a different business in Rugao, adjacent to the frontier, and the two often gossip together. And the Shaoshan people and the Mao family are worldly friends, and in their later years, they live like Gao, and they are close to each other when they opened up the frontier, if Zhang Chao does not know the Shaoshan people, it must be a little difficult to say.
Perhaps this skinny old man did not attract Zhang Chao's attention at all, but his super idol Wang Shizhen was full of interest in this old man. In the winter of the second year of Kangxi (1663), Wang Shizhen was ordered to Jinlingchong Jiangnan Wuke to join the examiner, because he came to Rugao on business, and without saying a word about official affairs, he named and wanted to visit the Shaoshan people. Early the next morning, he arrived at the west committee lane of the city. This alley was too narrow for palanquins to pass, so Wang Shizhen came down on foot, and under the guidance of Mao Pijiang and others, he came to the front of the three huts. The hut was so simple that it didn't even have a latch, only a straw rope, and the room was dark as lacquer, piled with inscribed bookboards, and the earthen stove was connected to the bed. On the broken bed, there sat a thin old man with an expressionless face, and I saw that he had white hair and shawls, muscles like iron, and his eyes were as bright as electricity. Seeing that there were people in a room full of people, he did not speak, squinted his eyes and looked at Wang Shizhen for a while, scooped a bowl of cold wine with a dirty water scoop and handed it to him, Wang Shizhen did not say a word, and finished it in one gulp. The old man asked, "Can you still drink it?" Wang Shizhen replied: "Of course." "After a while, a bucket of wine was drunk. The old man pointed to the cold rice leftovers on the table, and Wang Shizhen gladly took a seat and ate as soon as he spoke. Everyone lingered until the sun turned west before leaving. Wang Shizhen used the phrase "having fun" to describe this visit, and later he talked about it many times in books such as "Poetry of Fishing Ocean", "Occasional Talk in Chibei", "Juyilu", "Notes of Xiangzu", "Old Record of Feeling of Fishing Ocean", and he was proud of it all his life.
Xincheng Bijiyou, Wang Shizhen's uncle, who was Tongzhou Zhizhou at the time, every time he came to Rugao, he must also visit this Shaoshan native. The Bi family in Zixi is not an ordinary family, known as "four generations and one product", and is a famous family in Luzhong. There is a private school gentleman, who has been sitting in his house for more than 30 years, was contaminated by the fragrance of books and ink, and later wrote a book that swept the world, called "Liaozhai Zhiwei".
It was just after that visit that the county ordered that the 83-year-old man be immediately exempted from all military service.
The old man still sat in the dark hut, ignoring all curious eyes. After moving to Rugao for more than twenty years, the surrounding neighbors still have no understanding of him, feeling that this old man is too eccentric, has a bad temper, and curses people at every turn; Although he is very poor, he is picky about eating, does not share a vessel with others, and when he sees onions, ginger and garlic, he angrily leaves the table; And extremely stingy, a grass and a tree, a piece of paper, never give away. The front of the hut was full of Yu Beauty flowers, and when the flowers bloomed, they were as bright as red light, and some people wanted to plant a few plants, but he would never agree, even if there were a few flower seeds, he refused to give them away, and said that they were carried away by ants, which really made people cry and laugh. In fact, someone had already seen that the seeds of the Yu Beauty were filled with a large urn.
"Fishing Ocean Poems"
Some people really don't understand why the merry Yangzhou Mansion Wang Tui official is so polite to this bad old man? When they read the poem he wrote to the old man that day, and said that "good neighbor with the prosperous period" - he actually looked forward to being a neighbor with the old man, everyone laughed dumbly.
What happened to the famous Wang Yuyang? And who the hell is this old man?
The expressions of the people around him became a little complicated.
It wasn't until the old man died three years later that everyone read Chen Weisong's biography and seemed to sort out a thread from a lot of chaotic days.
Shanren's surname is Shao Mingqian, the character Qianfu, born on the sixth day of November in the ninth year of Wanli (1581), from Tongzhou, Jiangnan. He was very smart from a young age, and when he went to school at the age of seven, he could recite hundreds of words a day, and his grandfather Shao Congdao liked him so much that he often held him on his lap and said, "Dawumen, this is the case!" "Shao Qian's fifth ancestor Shao Min, is a scholar of Yongle for 22 years, once served as the judge of Dali Temple, and was extremely gengjie, although he was a small seven-pin sesame official, but he did things sincerely, often saying "officials can be resigned, and my law cannot be violated", everything is written and unsympathetic. There was no accident, and he soon offended the minister, and he returned to his hometown in a fit of anger and has lived in seclusion ever since.
When Shao Qian was eight years old, his mother died. At the age of twelve, his grandfather, who loved him the most, also died. His father Shao Zhengxiu was very downcast, taking a few students to mess around, and never asked about his livelihood, resulting in more and more deterioration of the family way, and finally even his son's tuition could not be paid. Shao Qian has nothing to do, often mixed with the children in the market, cockfighting, lackeys, kicking, playing the zither, making pills, and striking, these games are proficient. He also has a hobby and likes to tell stories, so some young people often surround him and ask him to tell him some small history of barnyard officials. This scene was seen by a foreigner named Wang Sheng, who felt that this teenager was unusual and persuaded him to study again. One day, Shao sneaked out as a guest, and it happened that the house was inviting the fairy, and he also stepped forward to ask a few words when he was bored, but unexpectedly, the immortal left a message, and he also encouraged him to read. Shao Qian's grandmother, Li Shi, nagged all day, repeating his grandfather's words upside down. So, Shao Qian felt hard, sorted out his old business, picked up the book again, and worked very hard. He took the state exam, and the result was unexpected, and he fell behind Sun Shan. After secretly inquiring, it turned out that his place was squeezed out by a quite powerful person.
"Donggao Shicun"
Shao Qian's poems are very well written, accurate to the ancients, shameful to write the language of the present, very Han and Wei flavor, especially the five-word ancient style, it is even more beautiful. There is a poem "Moving to Nanxi", which was later placed in the first poem of his anthology by "Donggao Shicun", which should be a work when he was very young:
Bu lives far away, and feels that the dust is rare.
The mountains and rivers are clear, and the trees are warm.
The skin is harsh and self-sufficient, and the quinoa talks to quench hunger.
Chao hired six art gardens, sunset poetry and book curtains.
I am against the world.
Send thanks to Yuntai guest, Wuzhigan Yuji.
People wondered how a young man who was so poor that he could only make ends meet by collecting fruit and grass could write such a clean word. Stuffed into the collection of the ancients, it is impossible to tell at all. Years later, Shao Qian revealed to Chen Weisong his innate talent for writing poetry: "Gu taught the scriptures and the sayings of the family, but he refused to read them. Or cast poems to give ancient words, then be happy, day and night to read without stopping. If you do it, you will do a lot of work. "I'm born with divine power, and there's really no way to do it.
In addition to writing poems, Shao Qian also engraved imprints. In his opinion, seal carvings are flourishing in the two Han dynasties, and since the beginning and decline of the Tang Dynasty, the Song and Yuan dynasties can not be seen. When it came to Daming, only Wen Peng and He Zhen were not bad, a little new, and everything stemmed from their creative concept of "transporting from the heart, not by mistake". As for the Indians after them, they are all muddy and ancient, and they are not worth mentioning at all.
Shao Qian was so poor that he was going to die, but he married a good wife. His wife is timeless and gentle and virtuous, and she works non-stop every day. One night after two years of marriage, his wife dreamed of a big star falling into her pregnancy, and soon became pregnant, became pregnant in October, gave birth to a son, named Chang Gung. In Shao Qian's poem, peanut trees began to grow, warblers began to fly and grass grew, there was the sound of flowers blossoming, and there was the brisk flow of streams.
The number of people coming to him gradually increased. They are Tang Youguang, Zhu Dangshi, Fan Fengyi, and Bao Zhuangxing in this county, as well as Rugao's Mao Mengling, Mao Yuechang, Zhang Yucheng, She Chongmei, Mao Riqian, Mao Qizong, Li Zhichun, Xu Zhi, Huang Yingzheng, etc., all of whom are famous local readers. They either came to ask Shao Qian to engrave a few square seals, or wrote a few fans or albums, often fighting for one or two words in a poem.
There were also dukes who came to his home, very respectful, for nothing else, to copy his poetry manuscripts, to ask for some Yintuo, it turned out that Lord Zhizhou also knew Shao Qian's name.
However, this day of blossoming water was soon destroyed by an unexpected storm and debris. The first is the death of his wife Cheng Wuxi, when his son was less than one year old, and he was still screaming? To be fed. Who knew that the ink marks of the poem "Mourning" had not dried, and the son also went with his mother. The death of two close relatives made Shao Qian feel that there was a mountain pressed against his chest, and he was always breathless. He was originally very impatient, talking to people, and when he had a slight disagreement, he opened his mouth to curse. Eat with everyone, and without his food, drink and ask people to take it away, not caring about the angry eyes of others. The villagers have long been unaccustomed to him, attacking and slandering him behind his back, and striking at him. Now, Shao Qian has become more obedient and angry at every turn, in the eyes of others, he is simply a madman.
II. The History of the Poetry and Printing of Foreign Ministers of the Five Mountains
Where could Shao Qian stand such a white eye, and shouted: "Don't return to the village children!" "Carry a sword bag, contain its poems in all directions, and make a trip to the five mountains." This trip to the Five Mountains is actually Shao Min's lifelong dream, he once wrote down in a poem the regret of "binding the hair and Mu Wuyue, the search is unreachable", time rubbed that slight sigh into a long rope, which has been tightly wrapped around Shao Qian. Today, Shao Qian is about to worry about this fifth ancestor. After drinking the farewell wine, leaving "Leaving You Wuyue Farewell to the Gentlemen in the Li", singing "There is no reason for survival, death should be left from now on", Shao sneaked on the road.
Regarding the trip to the Five Mountains, Mao Yingxiang said that he was "Yanqi and Wu Yue have no history", and Shao Qian himself also had the title of "Foreign Minister of the Five Mountains". However, judging from the existing poems, Shao Qian has not seen any other poems except for one poem "Wangtaishan". For Mount Tai, it is also "climbing to the unobtained, empty and far away", it is estimated that I looked at it from a distance a few times, and felt the majestic momentum of Mount Tai's "distant connection to the counties, high pressure and ten thousand peaks". Shao's travels were mainly in the land of Jiangnan, and he frequently appeared in Wuzhong, Wuxi, Nanjing, Songjiang, and Hangzhou. Along the way, he was a "gentleman and cloth without friendship", three teachings and nine streams, idle people, etc., often crowded at a table to drink and eat.
In the eyes of the world, Shao Qian is a tendon, a paranoia, and a walking joke. If you look at it another way, it may be a different story. In Shao Qian's eyes, maybe this world is a dark room, thick black boundless, the people around him are sleeping like death, but he can't do anything with his eyes open, but he doesn't know who to talk to about this painful taste. He once engraved a Zhu Wenyin of "I am alone", with three characters side by side, never interspersed with concessions, and the lines were straight and delicate, and at a glance, it looked like a lonely and arrogant gentleman who died and was independent. While displaying his artistic talent, the coldness and fortitude of his personality can be vaguely seen. Indeed, this "trip to the Five Mountains", Shao Qian has his own thinking. At the time of late dawn, the north is already a Jinge iron horse, the wind and rain are coming, and the south is still a warbler and swallow paper drunk gold fan, everywhere is filled with a strong aroma of fat powder, every corner of the winding path, there is a sound of sandalwood board and Kunhua intertwined. In this intertwined light, Shao Qian is like a calm fish, shuttling between the garden of the famous duke and the book. His stepping stone is his three-plated axe—poetry, seal, and history.
Poems, needless to say, years of accumulation, are thick enough. Now he added the word "mountain man" in front of his name, and the image was suddenly cold and compelling. Whenever he handed over the "Shao Shanren Poems" with an iron wire inscription on the cover and a small block copy, the whole collection of poems was like a piece of ripe ancient jade, exuding a warm luster, and others would take it very respectfully and then read it seriously.
In the past few years, Shao Qian has been doing one thing, he has collected the history of the government and the opposition for more than 200 years, and wants to write a "History of the Ming Dynasty" to make up for the hatred of the country and the dynasty. It's a pity that the family has no books, people are not too history, this magnificent history can only be deduced in their own minds. He retreated to the second place, alluded to the history in the seal, selected all the famous ministers, shuofu, inkers, and sao people since the founding of the country, all worshipped and liked, and engraved one or several seals for each person, and formed them into one episode, called "History of the Emperor and Ming Seals". His selection has a strong personal color, such as Yu Yi, Xia Yan, Zhang Juzheng, Yang Shiqi, Yang Rong, Yang Pu these famous ministers, although the achievements are brilliant, he does not like it, sorry, not a single sword, not a word. And like Wang Shizhen, Shao Qian cut the five-square seal for him alone, and even engraved idle seals such as "Xiao Gilin" and "Yishan Garden Book Seal", and they were beautifully engraved. In Shao Qian's own words: "This is a small meaning, and I don't want to say it all." He always had his own set of views on all this: "There must be preaching in the world, there is no need to pass on, all meritorious articles are transported from the heart, and those who do not follow the law must pass on this; His cloth has been turned out to the dog, and he who picks up the predecessors will not pass it on. In his eyes, this "History of the Emperor and Ming Seals", engraved with my sword, will be passed down through the ages.
"History of the Imperial Ming Seal" book shadow
In addition to "The History of the Emperor and Ming Seals", Shao Qian is also writing a book about his hometown. The difficulty of writing a county chronicle with one person can be imagined. The collection of data alone has left many people helpless, because of the age, there is not much literature. His father wrote a volume of "Records of Calamity", which recorded the most detailed events between the fifth year of Tongzhou Wanli (1577) and the forty-fifth year of Wanli (1617), but it was seized by the tribe, and not even a single piece of paper remained. Therefore, since he was twenty years old, Shao Qian has paid attention to local historical materials, seeking from afar in historical brochures, and recently invading the elders, and recording them casually, especially all the history since the fifth year of Wanli, which is especially detailed. What makes Shao Qian most nerve-wracking is what kind of attitude to adopt. The biggest problem in writing history is whether you can write straight. Since ancient times, many histories have been distorted and deformed by conforming to the powerful, and behind every history book, there are unspeakable bitternesses. When many children of the Tongzhou family heard that Shao Qian wanted to write a county chronicles, they came to the door one after another, and they had to include their ancestors in the "Famous Records of Meritocracy", even if they had filthy deeds, they would not be forgiving. If Shao Qian did not agree, he first paid a bribe, then found someone to say something, and finally threatened him. Unfortunately, what they encountered was a rhinoceros tendon, and Shao Qian, like Shao Min, never bowed to the world. "This is the book of private people, it is controlled by nothing, and there is no distraction. Give praise, praise and criticism, nothing to hide, nothing to lend, the text is straightforward, right and wrong are upheld in the highest justice, the public is straight, the straight is the public, that is, the taboo of the prisoner, let alone the compassion! "This is my personal book, I can write it how I want, the only principle, is to speak with facts. Shao Qian divided the book into four volumes and thirty-eight categories, and there were no ranks, characters, customs, calamities, construction, military service, and art and literature. When he chose the title of the book, he humbled himself and called it "State Capital"—just to provide some information for the future compilation of state records. Therefore, before this "State Capital" was written, the fame was extremely loud, and everyone was whetted their appetites.
With these ancient books, Shao Qian knocked on one vermilion door after another.
"State Capital"
Third, the cloth does not allow the public secretary
Wumen Wang Wandeng, after Wen Zhengming, the main alliance of Zihan for nearly forty years, is famous for Wu Hui. Shao Qian came to admire the name and talked about poetry day and night.
He came to Songjiang East Sheshan to visit Chen Jiru, the "Prime Minister of the Mountains", without saying a word, he first asked a generation of grandmasters to write him a "Tomb of Life", which startled Chen Meigong, who had read countless people. Then he said, I wanted to learn from Xiang Ziping of the Han Dynasty to go on a trip to the Five Mountains, and Mr. Chen was taken aback and hurriedly stopped: "Five Mountains and put it behind, no one cares about the white hair?" Filial piety does not ascend to the heights, does not approach the depths, and this time is also. Shao Qian was noncommittal, took out a collection of poems, Chen Meigong flipped through it, and said "bitter groaning." Shao Qian took out the "History of the Emperor and Ming Seal" again, Chen Meigong looked at it very carefully this time, and only after a long time raised his head and sighed: "In the past, Han Changli was known for his history of many evils, and it is appropriate for history but not history; Su Zizhan offended with words and words, and did not dare to history without history; The submersible has historical talent and knowledge, and wants history but cannot history, but prints history. Belch! Sadly also. Then he said to Shao Qian, "Let me write you a preface." Shao Qian took the opportunity to ask the old man to proofread the book, but unexpectedly, Chen Meigong actually agreed. Since then, Shao Qianbu has often traveled in and out of the "Dongshe Mountain Residence", drunk on mountain fasting, and let loose and self-satisfied.
Proofreading the "History of the Imperial Ming Seal" is also Zhao Songguang. Zhao Songguang and Wang Wandeng lived across the river, Shao Qian came to his cold mountain and other industries, pine ancient stone cliffs, smoke and mist, springs flowing into the ears, Lingling Qingyuan, he lingered between the clouds in the clouds, the Danguan room, the frightening rainbow crossing, the green cloud tower, the flying fish gorge, the chiyan yi, the chenghuaitang, and the qinghui building, and felt that the whole person was wet. When he came to Zhao Songguang's "thousand feet of snow" these cliff stone carvings, he couldn't help but shout, who had always been quite reserved: "The cliff is full of bird fences, like seeing the hearts of the ancients." "Zhao Songguang is a descendant of Emperor Taizong of Song, his wife Lu Qingzi is Lu Shidao's daughter, and his daughter-in-law Wen Liang is Wen Zhengming's great-granddaughter, elegant and full of calligraphy and painting. Facing such a senior Coats, Shao Qian put away the light flames in his body, his posture was low to the dust, and Bi Gong respectfully engraved a few square printing stones to ask for the axe to be corrected.
In Zou Diguang's memory, Shao Qian was a little thin and weak, but he was very generous when encountered. I usually don't open my mouth, but as soon as I open my mouth, I can make people enchanted. If we talk about the famous mountains and rivers, customs, and literary circles where he has visited, he will gush endlessly and have witty words. Shao Qian is not good at drinking, every time he drinks, he just dips his lips to make a appearance, but he is happy and drinks it all. Zou Diguang likes his poems very much, saying that his poems are just like his people, loud and fierce, but it's a pity that the world is long, who is the child? Once, Shao Qian wrote nineteen poems in ten poetic styles, and someone ran over to Zou Diguang and said that Shao Qian was showing off his skills, and in order to express himself, he had used all his talents. Zou Diguang smiled, did not speak, turned around and wrote a "Shao Qianfu Ten Body Poem Preface". At the end of the prologue, he wrote a somewhat tongue-twisting sentence: "Shao Qianfu committed suicide, and people can do their best?" "-Shao Qianfu can still use his talent, and you? Shao Qian has a book of poems, named "Eyebrows Like Grass", saying that his poems are as useless as eyebrows. Zou Diguang found out and wrote another "Eyebrows Like Grass Order". "The eyebrows are not really useless, Sun Shou's sorrowful eyebrows, Wenjun's distant mountains, can make people intoxicated, such as Zhaohua Jicai, dreams but not necessarily obtained, which is useless?" Finally, he said excitedly: "The poem of the submersible is also a distant mountain frowning, why not admire it." The first fear "eyebrows like grass" comes out, and people are jealous, such as jealous eyebrows. "Shao Qianfu, just wait for others to envy you!
After returning from the deputy envoy of Huguang Tixue in the seventeenth year of Wanli (1589), Zou Diguang built the Yugong Valley under the Huishan Mountain, and he and the scribes chanted during it. Shao Qian ran here when he had nothing to do, and chanted poetry and wine with Zhu Jian, Chen Jinqing and others. On the eve of the New Year in the forty-second year of Wanli (1614), Shao Qian came again, and it happened that Zhu and Chen were also there. They first listened to the preamble of the Lotus Sutra at Zhenxi Nunnery, and then went to Yijitang to watch the "Legend of Wang Yishao". Chinese New Year's Eve went boating together on the pepper pan that day, and in the evening they were together at the Elephant Nunnery. After the New Year, on the fifth day of the first lunar month, Zou Diguang took them to climb the mountain, and only Shao Qian and Xin'er went straight to the highest peak in one breath. On the seventh day of the first year, they went to Shen Yuanyuan's house for a spring drink, and then it was not worth visiting the prostitutes. These days, they are very happy and write many poems. Zhu Jian and Shao Qian are old acquaintances, and they have met in Chen Ji's Confucian family and have made friends from this. Zhu Jian is eleven years older than him, famous for his seal carving, and the printing style is sluggish. After reading Shao Qian's seal, he said that this is He Zhen's style - since then, the rivers and lakes have classified Shao Dian as a "snow fishery school". Before the first month had passed, Shao Qian got up to say goodbye, he was going to Nanjing to visit friends, and the sixty-six-year-old Zou Diguang wrote a poem for him "Send Shao Qianfu to Swim in White". Shao Qian looked busy.
Among the seniors Shao Qian's relationship, Zou Diguang can be said to be the best person for him. Not only did he work hard to promote himself, but he also wrote letters everywhere recommending him. Li Weizhen, the shangshu of the Nanjing Ministry of Ceremonies, who is nearly 80 years old, once received such a letter, saying that Shao Qian vomited his chest for poetry, did not make pompous words, and also vomited his chest for people, did not make pompous attitudes, and people and poems were first-class, that is, they mixed very badly, and some people persuaded him to change his career, Shao Qian was unwilling, and I did not agree, so I asked Mr. Li to help him choose. Li Weizhen has been in the political arena for nearly 60 years, and he is also the leader of the literary circle after Wang Shizhen and Li Panlong, and all illusions of truth and falsity cannot escape his eyes. He looked at the "Beggarly Preface Poem" and "Shao Shanren Poems" on the case, and then looked at Shao Qian himself, who was sitting in front of him, as if he saw the blue strip stone in front of the door that was washed hard by the wind and rain. He understood the purpose of his old friend, nothing more than to give young people a chance. But he knew better than anyone that the empire did not lack wind and rain, nor did it lack bluestripes, let alone those feet that stepped on them. How many bluestrips were trapped in the mud, buried in the ground, and crushed into powder, only God knows. Li Weizhen was very polite to Shao Qian, and he should write two articles for him, one is "Shao Qianfu's Poem Preface" and the other is "Inscribed Shao Qianfu's History".
Shao Qian suffered from thirst quenching disease after the death of his wife and children, and thought that he would live as short as Wang Bo and Li He. After abandoning home and traveling, it is often said that the body disappears faster than the morning dew. He once went to Yunqi Mountain in Hangzhou to pay homage to Master Lotus Pond, and before he joined his palms, he wished to see the pure name and cultivate his head. Master Lotus Pond just dusted up and looked at him without saying a word. What kind of metaphor is this? No one knows. According to the records of Li Weizhen and Mao Yingxiang, Shao Qian was also relatively speechless, and suddenly seemed to have an understanding, and people seemed to be open-minded all of a sudden. He wrote a self-narrating "Records of Qiao" very seriously, and once he encountered an accident, he was buried together with his "Jinlan Coupon", "Eyebrows Like Grass" and the golden stone seal, with the dashing of "famous mountains and hollows hiding my remains", if a confidant could write a line "Ming poet Shao Qian's tomb", it would be too satisfying. After that, he often held this "Records of Qiao" and asked famous artists to write inscriptions. Shao Qian was eager to see what others said of him, and he asked Zou Diguang's nephew Mao Yingxiang to write a biography for him. Write a biography for a big living person? Mao Yingxiang couldn't write, Shao Qian didn't care, every three to five urged, Mao Yingxiang had to write a "Biography of Shaoshan People in Guangling", which was the first biography of Shao Qian's life, when he was only forty years old. In fact, after his death, Chen Weisong and Fan Fang wrote biographies to him separately, but he himself had not read those two articles, especially Fan Fang's one, which adopted the style of Shaw's direct book based on facts, without any concealment, so realistic that he couldn't bear to look at it directly, if Shao Qian read it, I don't know how to feel.
In that "Biography of Shaoshan People", Fan Fang recorded a little-known secret. He said that the mountain people "indulge in prostitutes, every guest in Jinling, infatuated with Beili, and receive gifts from all directions, all of which are spent on it, and those who cover it like this, they also count." Shao Qian, who usually spends as much as his life, actually spends money on the wind and moon field, and again and again, this rather nonsensical style picture really makes people feel absurd.
Indulging in sound and looking down on life and death, is this Shao Qian's understanding? At the end of "Inscription Shao Qianfu Qiao Zhi", Li Weizhen said unceremoniously: "Life and death are like day and night, and long nights and desires will be revealed. Walking in the sky by day will be called death, but can it be born? It's smelling, not being tatsuya. Please refer to the lotus pond more. "At such a young age, you are talking about death, this is not the so-called Daguan, your metaphor for Master Lotus Pond, you should ponder it again."
Shao Qian was not angry, but to some other celebrities, he was not so polite.
In the autumn of the forty-third year of Wanli (1615), he went to Yushan to visit Qian Qianyi with a letter from Zou Diguang, and the concierge of the Qian Mansion reported more slowly, Shao Qian was furious on the spot, scolded the concierge, and then walked away, making Qian Qianyi very embarrassed, and hurriedly "provoked with books and cited guilt", Shao Qian did not pay attention to it at all. It was not until 45 years later, when Shao Qian crossed the river with a book and saw him in a collection of poems, that Qian Qianyi breathed a sigh of relief: "White-headed new knowledge, touch the present and the past, toast to each other", relieved and overflowing.
But Tan Yuanchun didn't have such luck because he didn't live long enough. He became famous at the age of 20, and his poetry was spiritual, opposed to imitation of antiquity, and deeply lonely; after co-compiling several collections of "Tang Shi Gui" and "Ancient Poems Return" with his fellow townsman Zhong Yi, he became famous, and was known as the "Jingling School" and was known as "Zhong Tan", so that "the scholar did not talk about Jingling as a custom, and Wang Li's banner was almost exhausted." He himself is also the "first in the rural test between the apocalypse", and his spirit is magnificent and unmistakable for a while. No one expected that his artistic proposition of "the law is not predetermined" and "the words are not accurate" deeply angered Shao Qian. Once, Shao Qian came to Zhong Yi's boat, cut his head and covered his face to make accusations against Tan Yuanchun, and then counted the fallacies of his poetics, which made Tan Yuanchun, who has always been lonely and arrogant, very unable to get off the stage, and could only smile bitterly "Superior to the trees in the mountains, tourists or unknown", and soon broke his dream and passed away.
Huzhou Shen 㴶, in the first year of the apocalypse (1621), was worshipped as a scholar of the Ministry of Ceremonies and a scholar of Dongge University, known as "Shen Xiangguo". His father Shen Jiefu served as the right deputy capital Yushi, and his younger brother Shen Yan served as the Shangshu of the Nanjing Criminal Department, which can be described as full of hairpins. When he taught the inner study hall as a courtier, there was a student named Li Jinzhong, that is, the "nine-thousand-year-old" Wei Zhongxian, and the two of them could not move their eyebrows, which made Shen Xiangguo very popular in the imperial court. Shao Qian once cast "Midnight Song" to visit him, but was thought strange by Shen Yu, and later inquired about Shen Xiangguo's good health preservation skills, often met some cyclamen and people who were good at writing "green words", so he mixed into the mansion on the grounds of learning cultivation skills. After coming in, I found that the guest sat in the west and the host sat in the east, and the conversation between the guest and host was extremely awkward, and the seats were far away. So Shao Qian said loudly, the first time I visited, I really want to talk to you, but this is extremely inconvenient, can you move your seat? Shen 㴶 was in a very good mood that day and said "from the mountain to the life of the people". Just as he moved his seat, Shao Qian whispered a few words to him about the cultivation guidance technique, and Shen Yu immediately became excited as if he had taken an aphrodisiac. That day, Shao Qian got up to say goodbye, and Shen Yu was sent to the door, and he was still unfinished. After that, Shao Qian no longer went to the Shen Mansion. Others were very strange, and he asked rhetorically, will there still be the treatment of "sending relatives out of the country"? When telling this story, Fan Fang said "lure to the door and say goodbye", a word "seduction", highlighting that this is a contest of courage and wisdom under the shroud of power. Sometimes, Shao Qian is also a big white goose full of wildness.
In the impression of later generations, Shao Qian was far away from dignitaries. This was not the case, and to the surprise of many people, Shao Qian had close relations with many imperial officials, such as Wang Yangde and Wang Minghe, the chief soldiers of Wolf Mountain, Zhou Changying and Chen Zuxun of Tongzhou Zhizhou, Mao Qizong, deputy envoy of Shandong, Wang Xiangjin, political envoy of Zhejiang Youbu, Wu Yongxian, governor of Sichuan, and so on. Zhou Changying once donated money to help him engrave the "Xun Zhi" and "Friendship Record", Wang Xiangjin wrote the preface to the "Zhou Chengzhi", and Mao Qizong engraved the "Shaoshan People's Poems Collection", and when Wu Yongxian was the envoy of Zhejiang Bu, the poems of the two flew like snowflakes.
"State Riding History" Wang Xiangjin order
Shao Qian also visited some celebrities such as Dong Qichang, Huang Ruheng, Cao Xuetao, Zhu Zhifan, and Lin Gudu. From youth to middle age, Shao Qian has been carrying out his "Tour of the Five Mountains" plan, and the Five Mountains in his heart are actually the Taishan Beidou in these cultural history. Time flows through everyone in the same way, and everyone spends it in different ways. No one expected that in the midst of the water sending the mountains and greeting, a cloth-clothed Shao Qianfu would become an eyewitness and witness of the late Ming cultural history, a living late sixteenth century Jiangsu and Zhejiang art and literature, a non-mainstream poet, and a founding ancestor of the Indian school.
The whole of Jiangnan lives intact in his writing.
Fourth, the fine fragmented flow of flow
I've been floating outside for too long, and there is nothing but poetry. Remembering that he was nearly fifty years old and had no children, he really had no face to meet the ancestors and ancestors. He married another wife, also surnamed Cheng, named Cheng Xian, and he wanted to start a new life full of poetic flowers. However, life was not as splendid and open as he presupposed, but bore a bitter fruit that was dry and deflated, and the new wife did not want to live with him for a day. According to Chen Weisong's account: "Woman, the young and middle family son, the husband of the vulgar slave, begged to go every day. As for the reason for leaving, it is "to hate poverty and old age." Shao Qian is poor and old, but his heart is as soft as a teenager's long hair, a friend gave him a handwritten copy of Tang Xianzu's "Zi Ju Ji", he read it countless times, he yearned for the days in the story when men and women forget time in the ecstasy of love, he fantasized about the smoke and rain and misty clouds brought by love, and he believed that love could reverse time and make him return to youth. But Cheng's head did not look back, and he felt extremely defeated. He lost not only a woman, but also a youth that could have been regained. He wrote "Lost Will" to relieve the sorrow and anger in his heart. He couldn't help but think of his ex-wife Cheng Wuxian and often dreamed of seeing her, in which she was a disciple of Daxueshan and was still so gentle and kind. He also often talked about her with his friends, crying as he spoke. He wrote many poems for her, and he made these memories composed of words into a "Shuyuan Liufang Book", and he wanted to pass on his wife's virtues forever.
While wandering outside, there was a rumor that he was dead, and he wrote a poem, "There is no woman and no grandson in life, and there is no reason for death if the sky wants to die", and laughed at it. He wrote "State Capital", and the voice of denigration has been heard incessantly, and he has not taken it to heart. One day, he saw such a poem: "Coats Hu is a messenger, and he expects to keep the public will in the past." Hundred schemes will be included in the constitution, and they are bent on repairing the state will. Wuyou Mingyue did not know one, and the third Ling wife had reached the second. The seal engraved Zhou Qin Xiao was ashamed of it, and the poetry of Han Wei was as good as before. Why pray for the year and send mayflies with the king. "The poem is extremely poorly written, but each word is like a sharp arrow with barbs, which makes him pierce his heart with arrows. What makes him even more unacceptable is that the person who wrote this poem is surnamed Tang, he is a fellow poet friend of the society, and the two have a very good relationship on weekdays, who would have thought that he would write such a poem in private to satirize him! During the time he left home, the house left by his ancestors was also occupied by the clan, and he was later regained with the help of his friend Fan Fengyi. The villagers did not like him, often quarreled over some small things, and even attacked him for the sake of the alliance, no matter what he said, he would be mercilessly ridiculed and laughed at by the neighbors. My hometown will definitely not be able to stay, "where can I live in peace" - although the heaven and earth are big, where can I still accommodate a Shao submarine?
At this time, a Shandong man named Wang Yusheng came to his door and asked him if he would like to live in Rugao, and if he agreed, he was very willing to help. This Wang Yusheng is the Wang Jinshi in "Liaozhai Zhiwei Fangdi", who was in Rugaozhi County at the time, he valued Shao Qian's talent very much, sympathized with his suffering, and couldn't bear to be swallowed up by the mudslides of society. Shao Qianrugao had a large number of friends, especially Huang Yingzheng, and promised to cede a piece of land to him as a cemetery, which he always remembered, although Huang Yingzheng had been dead for fifteen years, his eldest son Huang Fu patted his chest to reassure him. To Rugao, Shao Qian has always had an inexplicable sense of closeness, and now that Rugao has opened his arms to him, what reason does he have to refuse! Therefore, Wang Yusheng "styled his house, signed his door, and lived in Donggao" - Yingshaoshan people lived in Donggao. It was for the fourteenth year of Chongzhen (1641), the age of Xinwei, that year Shao Qian was sixty-one years old.
Bidding farewell to his hometown, Shao Qian was extremely painful, and he said in a poem to Fan Fengyi, "Who is not far apart? This is the most bitter", but this awl digging heart feeling no one can see except yourself, let alone care. As the sun sets, a small boat sails towards Rugao. "A hundred years of moving only a piece of stone, half a life capsule stores only a new poem", this poem of a friend is not pretentious, it is indeed a true portrayal of his moving. "The flat boat is carried, and there are no books and flowers and stones", Shao Qian stepped on the land of Donggao alone. What he didn't expect was that a large group of Rugao's friends had long been waiting there, and Huang Fu, who was not yet forty years old, was particularly enthusiastic, and recited a song "Mr. Xi Shao Qianfu Comes to Live" on the spot, "If you call the first son to be there, you will welcome each other on three paths", if my father is still there, I don't know what to be happy about. Fan Fang, who was not yet weak, also followed the elders, secretly looking at the legendary strange man. Yugonglu (also known as Zhigonglu) is located in the east of the city, which is very close to the dirt garden, can Shao Qian escape this world full of dirt?
Shaoshanren started a new life, he found an old lady surnamed Liu to help him cook, made Mrs. Liu's son a doorboy, and adopted a little girl named Lantern as a maid. Wang Xian Ling came to see him every three to five, and sent some silver taels from time to time. Friends often visit to talk about new poems and drink new tea. Fan Fengyi also came from Tongzhou, and every time he would leave some money and persuade him to return to his hometown. Every New Year's Day, Huang Fu would invite Shao Qian to his Shuzhai to Panhuan for three or two days, look at the plum blossoms, order a small wine, let the old man feel the festive atmosphere, or call him to Liu Shikuang's tea house to chant poetry together. Huang Fu's younger brother Huang Jing, as well as Xu Rong and Tong Changling of Tongli frequently came to ask the mountain people for advice on seal carving, and Shao Qian took out the "History of the Imperial Ming Seal" and "Character Study Examination Errors" to explain to them, and personally demonstrated them. The gentle breeze blew away Shao Qianjiuo's frowns. He planted clumps of turquoise bamboo around the house, erected Taihu stones, and planted Yu Beauty flowers, and his face gradually turned red.
The small days were as quiet as practice, but the situation took a sharp turn, and the huge shadow rising like flames had already swept over everyone's heads. Gossip is flying all over the world, one moment is Emperor Sizong in Coal Mountain Bintian, another moment is the disappearance of the crown prince and King Ding and King Yong, another time is Xu Zhi's suicide and martyrdom, another time is King Fu in Nanjing, that is, the emperor's throne, and another time is General Wu's Great Destruction Thief Army. Shao Shanren cried and laughed for a while. He was worried about the Daming rivers and mountains, and for those who hated him, he could only see each other in flesh and blood in words. He felt more and more uncontrollable about life, and he feared that the words that had been gathered for many years would one day become refugees fleeing all over the place. "History of the Emperor and Ming Seals", "Shao Shanren Poems", and "Lost Li Zhi" have all been engraved, only "State Capital" is still in the middle of the fire, Shao Qian feels that he can no longer wait, and must be engraved and printed as soon as possible.
In February 1645, the second year of the reign of the Great Qing Dynasty, everything was ready, and he wanted to write a preface to end the book, which had been written for forty years. At the end of the preface, he wrote very seriously "Hongguang Yiyou February Fang Spring Festival Wuyue Foreign Minister Shao Qianshu sent in Rugao Yu Gonglu no mayflies", he used the very sensitive word "Hongguang" to pay tribute to the era that gradually drifted away. He wrote not only about his attachment to a dynasty, he wanted to fight the nothingness of life with the aria of life. In fact, he didn't know how terrifying his emotional impulse was, if he learned that more than ten years later, Zhuang Tingxuan of Huzhou used the Nanxian name in the "History of the Ming Dynasty", which triggered the largest literary prison case in the early Qing Dynasty, killing the heads of Jiangnan scribes and wailing all over the place, he should be glad how lucky he was, and thank that there was no pair of sinister eyes in this world to focus on him.
"State Capital" Shao Qian's self-order
Fifth, this life is a mayfly sending
There are really no eyes to take care of all this, and the following days are spent in panic. On 18 April, Shao Qian learned that Gao Jie, one of the "Four Towns," the "Harrier Over the Mountain," had been booby-trapped by Xu Dingguo, and the Shi Ge Department ordered his family to be resettled in Rugao, and the panic in his heart could no longer be concealed. At this time, the whole city was frightened birds, as if the roar of thousands of iron horses had come from far and near, and the entire Rugao city trembled, and everyone was like ants on a hot pot. In a panic, Shao Qian took Liu Concubine, Liu Concubine's son, and the lamp and rushed to the east. As soon as he arrived at Jijialeng, he couldn't withstand the hard work and fright, and Liu Concubine's son, who was not familiar with the world, fell first and never stood up again. There was no time to grieve, they went all the way to the east, to He Pengzhuang, to Yangzhuang, to Huangjiazhuang. "Mercedes has no fixed day, where can you hide", "tired and thinking frequently, the heart can't help but beat". Along the way, they were terrified and prepared for hardship. It wasn't until half a year later that he received a letter from a friend in Gaocheng, saying that the door of the residence was open day and night, "the poor and scoops were feathered, and the curls were half dusty", "hungry rats walked through the walls, and the cobwebs were low", the tables and chairs were all thick dust, the stove was crawling with moss, and the "History of the Emperor and Ming Seal" had long disappeared, Shao Qian decided not to hide anymore, he had to go back immediately, he did not want to lose this only place to live physically and mentally after a difficult life of loneliness.
Finally ending the turbulent days of exile in 1645, Shao Qian took Liu Concubine and Lantern back to the apartment, hoping to settle down from now on. Who knew that on the fourth day of returning to the city, Liu Concubine suddenly died of an emergency, which made Shao Qian re-experience the tearing and despair when his relatives died. In the chaotic times, this illiterate old woman in the countryside made him have a deep sense of dependence and became the closest person in the world. Shao used his best energy to find the coffin and bury her in the cemetery that Huang Yingzheng sent him. At night, he sat in the hut, and the past and the future were like a tide.
What hit Shao Qian again was the departure of the lamp. Since Liu Concubine's death, Wang Xian Ling has also left office, and his life has become more and more poor. He had dozens of taels of silver in his possession, and usually lived on loans to obtain interest, but one night, he was served by a thief. He had to take out the dozens of volumes that had been with him for more than 30 years and sell them for a while, "although the clouds are rich, they can be read and eaten", and no matter how rich spiritual food is, it is no match for a thin bowl of porridge in reality, Shao Qian can only smile bitterly. But life is like a hungry tiger, always pressing each other. In order to let Lantern and himself live, the Shaoshan people, who really had no way, sold the apartment where Liao Yi lived and moved to live in three huts in the middle of the west of the city. However, there are always many accidents waiting for him in life, and the most unexpected is that the lamp that has been raised for seven years has to leave him. After seven years of dependence, he regarded the lamp as the most important part of his life, and he could not give it up. Regarding the reason for the lamp's departure, everyone said that it was "abduction for the sake of the heroic power", and Fan Fang explained the most real reason for this incident in the "Biography of the Shaoshan People": "When he was nearly eighty years old, he drowned a female slave, sold her old residence, and lived in the west of the city, and the female slave drowned for a year. Who would have thought that the "so-and-so" in Shanren's "Lamp for So-and-so" is not a strong man at all, but a teenager full of youth and vitality. - The old man was once again defeated by the years and had no power to fight back. A little overwhelmed, he wrote to the boy many times, asking him to return his lamp, but who cares about his poor and ugly old man?
He was seriously ill. After recovering from the disease, the mountain people became more and more eccentric. He only cooks one meal a day in the morning, goes to a friend's house at noon to catch the autumn breeze, and a little later, it is closed. At a friend's house, as long as he saw green onions and garlic that he didn't like, he began to curse and curse, causing the servants at the friend's house to be bored with him. He cooks by himself, the rice is counted, and after the firewood is bought, it must be divided into small bundles, and for each meal, three small boxes of rice, seven small bundles of firewood, not a little more, and others laugh that this is "rice beads and laurels". He has a bookkeeper, everything is registered at home, and someone looks at it, it is nothing more than some bamboo sawdust, a torn piece of paper, a bad pen, and he also records it seriously, and everyone who sees it is hilarious. He also has a habit of having a fixed place for everything, not mixing with each other, and checking anything in the account book first. Fan Fang had seen this scene with his own eyes: Shao Shanren used an awl, did not put it back in its original place, remembered this incident when he went out, and had to open the door and put it away again before he was willing to stop. He often saw the old man for a thing, one moment to start, one moment to close, the other to seal.
He began to talk about the previous dynasty when he met people, about the literary circles sixty years ago, about the friendship of the legendary old-timers for him, about the light breeze in the world's famous gardens, and began to shed tears as he spoke, and then he was silent alone. Some people say that what he misses is not the dynasty that is gradually disappearing, but the self who has just opened his emotions.
He always ran to the water painting garden. A young man came to the water painting garden and liked to hear these old words from him. Before dawn, the old man came, and the young man was still sleeping, and he sat there and waited, sometimes until the sun tilted to the west without a word of complaint. The young man was reminded to keep his distance. What is strange is that in the seven or eight years that this young man has been in Rugao, the old man has never scolded him, always spoke softly, talked all day, and talked about everything. This young man is Chen Weisong of Yixing. In November of the fifteenth year of Shunzhi (1658), he came to Rugao to visit his father and brave the frontier, and he stayed in the deep green mountain house of the Water Painting Garden to study.
Portrait of Chen Weisong
The world knows that Chen Weisong likes to accompany Xu Ziyun, but in fact, the mountain people have the same "sleeve fetish" as him. In the past in Zou Diguang's Huixi Garden, Shao Qian also liked a song boy there and wanted to take him out, but in the end the shy money bag made him cut off this idea. It was Fan Fang who revealed this secret, and this young man was also inseparable from the Shaoshan people in his later years.
When the old man was 80 years old, Chen Weisong wrote an article for him "The 80th Birthday of Mr. Shao Qianfu". Chen Weisong was surprised to find that this old man was familiar with the articles of the Zhou, Qin, Han and Six Dynasties, especially the "Selected Works"; Five words of ancient poetry, quaint and wonderful; The seal book and the eight-point book are even more speechless; The most powerful thing is numerology, thousands of strokes, without the slightest error; It is a pity that he has written no less than hundreds of thousands of books in his life, and many of them have been taken away. Chen Weisong was very emotional: "There are many literati in ancient and modern times who are poor, but there are no poor people like Mr. Shao. ”
Rugao City, which had received the sword light and sword shadow, returned to its former calm, and the chanting of high and low Xu Qiao and the soft and long chanting sound came one after another. The gentlemen here have another good taste, they grind stones, sweep chips and expand money, and indulge in the hardship and pain of the blade swimming on the stone. The wind is prosperous, almost every Qin Han, every household is Sixi. Just as the knife rose and fell, a school of seal carving was quietly born. Huang Jing, Xu Rong, and Tong Changling were like the noon sun, warm and bright, and they were revered by later generations as the founding three ancestors of the "Donggao Yin School". And that Shaoshan man, the whole world has almost forgotten him, who else will think of him?
Perhaps there is one person, that is, Wang Shizhen, the official of the Yangzhou government, since that visit to the west party committee of the city, every time he writes to the frontier, he has to greet Senior Shao by the way. Two years later, at the end of February of the fourth year of Kangxi (1665), the peerless Wang Shizhen once again came to Rugao, braved the frontier to welcome him, and held a meditation gathering at Shuiyuan on the third day of March. On that day, the clear silk fluttered, the prosperity occasionally fell, the air floated with the faint and shallow smell of spring, Chen Weisong, Mao Shizhu, Xu Silong, Mao He Shu, Mao Danshu were all there, everyone first tasted tea in the Hanbi Hall, folded into the pillow smoke pavilion, watched Wen Zhengming's "Orchid Pavilion Cultivation Map", and then boated to wash the pool. Just when he was about to untie the cable and board the boat, Wang Shizhen suddenly said: "Zijiye, is there no submersible?" So someone hurried to the west of the city. Eighty-five-year-old Shao Qian had been ill for several months, and when he heard that Wang Shizhen had invited him, he came in a small sedan chair with a sick body. The arrival of the mountain people made Wang Shizhen very happy, and proposed on the spot that "poetry is not limited to rhyme, and people are not one". That day, he was extremely interested, and I saw him sitting in the Xiangzhong Pavilion, hiding his side hat, looking like a fairy man, and waving his hand was the ten songs of "Shangwei Frontier Recruitment with Shao Qianfu Chen Qinian Cultivating the Water Painting Garden". His poems are like the wind returning to the sea, the dragon is unpredictable, and everyone is shocked. The Shao Shanren was also infected, and he, who had not given a poem for a long time, also trembled and chanted:
The mountain garden is full of winds, not reducing the Lanting past tour.
The year seems to be eternal and around the beautiful scenery, and the guest is the same as the celebrity.
The song seems to come out of the clouds, and the smell of wine floats on the water.
But he blamed the monarchs for being too rogue, and the poem was instantly proud.
The title of the poem, "Shangwei Water Painting Nunnery with Wang Ruan Ting", was specially written to Wang Shizhen. Although there is no emerald distant mountains in the early years, after all, it is the smoke that has been cultivated since the Wanli years, and there is always an indescribable elegance between the lines. Wang Shizhen sincerely praised: "Good poetry is still Shao Qianfu!" Years later, he talked about this incident in "Chibei Occasional Talk", and also lamented that "I can still give poetry to the elders". His respect for the mountain people was completely from the bottom of his heart.
Frontier portrait
"Water Painting Nunnery Yajitu", (Qing) Dai Xun
Next is to watch the Mao family class's performance, that day the performance is the old man's favorite "Purple Notes" and "Peony Pavilion", but the old man had to go back first, he was already physically exhausted.
Wang Shizhen borrowed a copy of "State Ride" from the old man and brought it back to Yangzhou. Twenty-seven years ago, in March of the tenth year of Chongzhen (1637), when his grandfather Wang Xiangjin wrote the foreword to "Prefecture Capital", he was full of praise for this book: "Beautiful but not overflowing, ironic but not avail, honest and sufficient, quality and transmittal, the southern Dong Ya in the dead will!" Wang Shizhen wanted to copy a copy, but he did not expect that he would never have the opportunity to return it to the old man, and the year after returning to Yangzhou, the "ancient Yimin" who had read all the vicissitudes passed away. He always took this book with him and proofread it himself, and later he became a criminal department shangshu, and also stamped a "General Xian Shangshu" on the book, which was treasured and stored in his Chibei library. Every time he saw the book, the lake of memory sparkled.
The cultivation of the Water Painting Garden is the last appearance left by the mountain people to the world. After that, few people saw him. According to Chen Weisong, the mountain people have been suffering from stagnation for more than a year, and although he has braved the frontier to send him medical advice, he still clearly feels that the old man's health is getting worse and worse. In a gossip, the old man who had never said deflated words in his life suddenly sighed unabashedly: "After Gu Qianqiu is long lived, who knows that there are Shaoshan people?" ”
In the rusty mirror, the mountain man saw an old tree, youth and talent leaves falling one after another, leaving decaying trunks and withered branches, and could only stand alone but helpless. Looking at the stories all over the place, I wish they could be blown away by the wind. However, he painfully found that the story was piled up higher and higher like fallen leaves, until it flooded the top of his head.
No one knows the scene when the old man left. After his death, a man named Shao Maoyuan came from Tongzhou, claiming to be a nephew of the mountain people, and Huang Fu sent him away. He buried the mountain people in the southwest of the Huang clan's ancestral home in Tangjiawan in the east of the county, only twenty steps from the tomb of his father Huang Yingzheng, and Liu Concubine's tomb was close to him. The mountain man was too lonely in the world, and he didn't want him to be lonely in another world. Huang Fu's heart ached faintly, he didn't know if it was that messy era that failed the mountain people, or the unpleasant mountain people who failed that era.
More than 130 years later, a famous man named Xu Guanzheng in Rugao found Tangjiawan after leaving his post as deputy envoy of the two Zhejiang salt transports, and he paid for the refurbishment of the tomb of the Shaoshan people. When Fan Fengyi's sixth grandson, Fan Chongjian, heard about it, he was quite moved and wrote a poem: "Heaven punishes Xu Sima, search for curiosity to the ancient tomb." Add three more feet to protect the clouds for a hundred years. The beautiful couple is divided into ghosts, and the high love is unheard. The night platform should masturbate and never lose Sven. ”
If Chen Weisong was still there, he would definitely say that the mountain man named Shao Qian had just gone far, but in fact he was not dead.