It is said that the probability of a person being hit by a meteorite is 1 in 100 million.
It's harder than winning the lottery, but on the contrary, it makes Fumi meet...
Before she reached the age of 50, Fumi no longer had unrealistic illusions about life and was used to living alone.
She moved from bustling Tokyo to a small coastal town and lived a regular life every day.
During the day, I go to work in the factory in the town, and everyone will do health exercises together before work;
Have lunch with the little sisters at noon, bask in the lazy sun on the embankment, and chat about gossip while eating;
In the evening, I will report to the alcohol club on time, which is the second week of Fumi's abstinence...
If it weren't for being hit by a meteorite that night, she felt that she would probably be like this for the rest of her life until she was old...
I would not have thought that I would have a chance to meet love.
It turned out that this dead heart could beat so violently again...
The movie "Dewgrass" was released in Japan on April 29, starring Satomi Kobayashi and Yutaka Matsushige, with a Douban score of 7.6.
The heroine Satomi Kobayashi often participates in the slow-paced healing of Japanese Xiaoxing, and her works are full of life atmosphere, which makes people feel warm.
Like "Watermelon", "Seagull Canteen", "Forest Homestay", "Bread and Soup and Good Weather for Cats", etc., although they are the same type of heroine, you will be moved by her unique temperament.
Japanese drama "Seagull Canteen" and "Forest B&B"
The male protagonist Matsushige Yutaka is a golden supporting role among middle-aged Japanese actors, who relies on foodie uncles to set up the circle.
He starred in "The Lonely Foodie", which has eaten for ten seasons and scored more than 9 points in each season, so that if he plays other roles, he will still be affectionately called "Mr. Goro Inokashira".
Japanese drama "Lonely Foodie"
In this film, Matsushige has white hair, the wrinkles on his face and neck are also obvious, and he looks much older, and he is a middle-aged man who has been devastated by life and has no strength to be angry.
This film is only 1 and a half hours long, the style is very life-like, the rhythm is bright, there are no embarrassing and deliberate contradictions, and the look and feel is very comfortable, but some people will feel that it is "clear soup and water".
If there is one sentence to sum up this story, it is "the story of a woman hit by a meteorite."
Fumi, 50, who lives alone and has an alcoholic problem, fled Tokyo to this town.
Because she was afraid to hear the warning sound of the level crossing fence falling...
Her son died when he was 7 years old.
That day, Fumi asked her son to help buy a bottle of soy sauce, but he was reluctant and complained that the bicycle kept dropping the chain.
Later, I mixed my mouth and went out, but I didn't expect everything to come so unexpectedly.
Since then, Fumi has anesthetized herself with alcohol, as long as she doesn't live so awakely, it won't be so painful.
She often drank until she became unconscious, and even fled to the countryside and continued to drink heavily.
Once when I was drunk, I slept all night on a stone lion holding a wine bottle, until I was seen by a passing child in the morning...
Before being hit by a meteorite, she had quit drinking for two weeks and her life was slowly returning to normal.
Colleagues occasionally ridiculed her: if there is a suitable man at the drinking party, she will start, anyway, she is single.
But Fumi laughed and said: I really just went to quit drinking, not to find a man...
Living to this age, Fumi is no longer so stubborn about some things, and although she sometimes feels miserable and lonely, she can cope with it.
After quitting drinking, Fumi would go to a tavern from time to time to eat, but would never drink again.
That night, she went to the tavern again to find food, and happened to meet Wulang, who was good at playing the leaf flute.
Gorō had just arrived in the town, but he was very friendly, and the tavern owner asked him to run errands, and he did not refuse.
Fumi was a little impressed with him, because when I went for a morning jog before, I saw him playing music with leaves, and the sound sounded very special.
Everyone had a good chat that night, and before leaving, Fumi gave Goro two bitter melons, because there were too many plants to eat...
Later, when Gorō saw a discount on hollow cabbage in the supermarket, he bought a large bag as a gift and gave it to Fumi, but he didn't know how to fry it to be delicious.
But Fumi was very happy, she excitedly held this bag of greens and said to Goro: I know how to fry!
Gorang once asked Fumi to order a song, and he came to accompany it, but he didn't expect Fumi to hum two sentences, and Gorang followed suit.
He taught Fumekop plants suitable for playing the leaf flute, and taught her how to play music with a leaf...
Adult love seems to be uneventful, but every inch is the reality of life.
The two never noticed each other's hearts, did not ask each other's past, did not think about the distant future, just shared the present together...
In fact, before coming to this town, Gorō was a dentist and opened a clinic.
His wife is suffering from depression, he doesn't know what to do, he can only help her see tooth decay...
But the wife eventually committed suicide.
Unlike Fumi, who anesthetized himself with alcohol, Goro did not continue to work as a dentist when he came to town, but found a hard job, often facing the dilemma of being scolded.
He chose to use the tiredness of life to slightly stop the pain in his heart.
It can be said that this coastal town has sheltered some unsatisfactory middle-aged people, but they are also looking for an outlet for life.
Gorang said that I had shown people my teeth for most of my life, but I couldn't treat my own toothache.
It sounds very philosophical, a person who helps others solve pain, but cannot digest all the pain alone.
Fumi's injuries are in different places than Goro's, but because they have similar wounds, they have the opportunity to see each other...
Haruki Murakami wrote in "Tasakisaku Without Color and His Year of Worship": Hearts and hearts can not only be united through harmony, but can be more deeply integrated through pain. Pain and pain, vulnerability and fragility, let each other's hearts connect. In every tranquility, there is always a cry of grief; Every time you accept, you always have to experience a painful loss.
It turned out that Fumi thought that the reason why she could meet Wulang and be moved again was because she was hit by a meteorite, and she also made the fragments of the meteorite into a necklace, believing that all good luck was brought by it...
But then Goro chose to return to Tokyo, he did not plan to live in the town for a long time, and he did not expect to meet Fumi.
The two tacitly shared a particularly good time together.
Fumi had always relied on her happiness on the meteorite necklace, but looking back, the necklace was nothing more than a psychological cue.
Being hit by a meteorite is a probability of one in 100 million, and it is impossible to hit it a second time in her life, but this does not mean that she cannot make herself happy.
Don't be afraid to walk forward with pain, those scars are the special mark of life, it makes you depressed, painful, helpless...
But you no longer passively hope that someone will come to save you, but when happiness comes, even if you are terrified but firmly grasping.
At the end of the film, Fumi throws the meteorite necklace into the sea, takes some detours, bypasses some long distances, and learns the ability to regain happiness in the painful process.
No matter what age, there is a possibility of heartbeat.
As long as you can still love, life will not be desperate...