On the evening of September 5th, Tibetan Jade presented a high-quality jade carving auction with a great visual impact for collectors, and the young jade carving artist Li Yitao surprised the audience with his representative work, and finally won a total turnover of 1.15 million.
Next, we use six works to review the timeless and avant-garde aesthetic journey of jade carving.
Contemporary jade carving inherits the ancient and seeks new, and young jade carvers interpret it from a novel perspective, just like this set of works, "Crane Shadow", which is Li Yitao's classic masterpiece, representing his increasingly mature design style.
"Crane Shadow" is composed of two jade medals, one large and one small, the back of the skin-filled Xinjiang Hetian white jade seed material small card and duck egg green jasper big brand contrast, the jade is delicate and condensed, no wound crack cotton imperfections, abstract design creates a strong sense of picture, is a unique set of Tibetan-grade artworks.
Teacher Li Yitao is good at controlling the overall shape of the work and the visual communication of the carved lines, just like the work "Dragon Out to sea", this square chapter, selected high-quality Russian jasper and material, jade is delicate and oily, jade color is clean and bright.
The author follows the shape, figurative dragon head, freehand dragon body, virtual and real combination, the dragon looms, at the same time, the big soft face, the jade face is like the sea surface floating, the dragon is mighty as if it is walking through the ocean, and the sense of artistic conception is full.
After reading the square chapter, let's talk about the same dragon-themed medallion, the work "Cloud Dragon Chapter" is made of superior Russian jasper, the material is quite top-notch, the jade color is rich spinach green, the ice bottom, the fineness is near the lamp, and the flaws of cracked cotton are harmless.
Seiko with good materials, the author with the type of dragon through the sea of clouds, the same figurative dragon head, virtual dragon body, polished in place, the work is integrated, square with circles, is very unique, is a collection-level work.
The work "Yunlong Pai" shows the collectors the author's exquisite carving, the jade card selection material is excellent, the red skin and white flesh of the Xinjiang Hetian seed material, the material is wide open, the leather is the same, the jade is condensed and fine, the front relief dragon, through the cirrus clouds, the combination of virtual and real, the fine work is in place, the gossamer wool carving process is used to make the dragon whiskers, showing the sense of elegance, the sense of picture is full; The back surface is left blank, showing the beauty of jade.
The work weighs about 115 grams and has a specification of about 89*37*16mm, making it a collector's work.
The jade carver uses jade to express his contemplation in the work, just like this set of works "Dragon", which has the meaning of "in the midst of planning, decisive victory thousands of miles away".
The work is made of high-quality green jade, the jade is delicate and condensed, composed of square chapters and wrenches, embossed dragons dotted on it, the form echoes each other, the weight of the square chapter is about 388.2 grams, the specification is about 69 * 69 * 37.2mm, the weight of the wrench finger is about 40 grams, the circle mouth is about 21.8mm, the literary atmosphere is timeless, and it is not domineering.
Finally, let's take a look at Mr. Li Yitao's control of traditional themes, the work "Rui Beast" is made of superior Xinjiang Hetian seed material, with a gram weight of about 84.5 grams, jade oil is moist and delicate, no injury cracked cotton imperfections, fineness is close to the lamp, local skin retention, jade color is clean.
The author embodies the charm of the face of the beast, and the intriguing charm of the spirit is intriguing, and it is a collection-grade red-skinned white meat handlebar.
Tibetan jade said: Combining jade carving and decoration, through the collision of design and line surface, the jade carving works are renewed, breaking through the inherent impression of traditional jade carving, and illusioning infinite possibilities in a square inch.
The ancient art of the teacher is not ancient, and the jade art should be given a new meaning, so that the works are more representative of the times in addition to having the value of taste, appreciation, play and collection, and are more in line with the aesthetics of contemporary collection.