In order to inherit and carry forward the artistic spirit of Lin Sanzhi, encourage contemporary calligraphers to study their skills, cultivate their talents, pay attention to reality, and create more excellent calligraphy works that reflect the great new era, on the afternoon of September 4, the "First Biennale of Academic Nominations for Chinese Calligraphy" co-sponsored by the Chinese Calligraphers Association, the Propaganda Department of the Jiangsu Provincial Party Committee of the Communist Party of China, the Department of Culture and Tourism of Jiangsu Province, and the Jiangsu Provincial Federation of Literary and Art Circles opened in the new museum of Jiangsu Provincial Art Museum. Sun Xiaoyun, chairman of the Chinese Calligraphers Association, vice chairman of the Provincial Federation of Literary and Art Circles and chairman of the Provincial Book Association, Yang Zhichun, secretary of the party leading group and director of the Provincial Department of Culture and Tourism, Shui Jiayue, secretary of the party group, executive vice chairman and first secretary of the Secretariat of the Provincial Federation of Literary and Art Circles, Tiantao, second-level inspector of the Provincial Department of Culture and Tourism, Wei Tianchi, advisor to the Chinese Calligraphers Association and honorary chairman of the Jiangsu Provincial Book Association, Gao Min, director of the Literature and Art Department of the Propaganda Department of the Jiangsu Provincial Party Committee, Ding Shenyang, director of the China Book Association, vice chairman of the Shanghai Municipal Federation of Literature and Literature, and chairman of the Shanghai Municipal Book Association, and other well-known calligraphers, as well as members of the presidium of the Provincial Book Association. Experts and artists from all over the country and Jiangsu attended the opening ceremony. The opening ceremony was presided over by Chang Shengmei, member of the party group and deputy director of the Provincial Department of Culture and Tourism.
Sun Xiaoyun, chairman of the Chinese Calligraphers Association and chairman of the Jiangsu Calligraphers Association, delivered a speech
Sun Xiaoyun fully affirmed this exhibition. She said that in the exhibitions and activities sponsored by the China Book Association, the national calligraphy exhibition with the theme of cursive writing creation in the form of an academic nomination biennial was the first time in her impression. After research, the exhibition identified 80 calligraphers across the country who focused on cursive calligraphy, covering three generations of famous artists of the old, middle and young generations. There are cursive calligraphers who have worked in the book world for many years and enjoy a high reputation, there are also middle-aged calligraphers with fruitful results and strong creative strength, and there are young calligraphers who have emerged and won many awards in recent years. This is a concentrated appearance of the national cursive masters, and it is also the vitality of the national calligraphers in the new journey of setting sail.
Yang Zhichun, secretary of the party group and director of the Department of Culture and Tourism of Jiangsu Province, delivered a speech
Yang Zhichun said in his speech at the opening ceremony that last month, the Provincial Department of Culture and Tourism and the China Artists Association jointly held the "First Oil Painting Biennale of Sorrowful Grace". Today, together with the China Book Association, we opened the curtain of the "First Biennale of Academic Nominations of Chinese Calligraphy". So far, the Provincial Department of Culture and Tourism, the China Artists Association and the China Book Association jointly created the "Boulder wind bone • Chinese Painting Biennale", "Tragic Hong Demeanor • Oil Painting Biennale" (click on the main exhibition name review) "Scattered Wind God • Chinese Calligraphy Academic Nomination Biennale" three major national art brand activities have been brilliantly unveiled. This marks that Jiangsu has achieved fruitful results in cooperation with the "national team" in the field of fine art calligraphy, and also marks that the national activities of Jiangsu fine art calligraphy have formed a brand system. It is believed that in the new era and new journey, these three major art brand activities will surely inject new momentum and create a new logo for Jiangsu to build a highland for the creation of literary and artistic masterpieces.
Yang Zhichun said that the "Four Elders of Jinling", represented by Lin Sanzhi, were the peak of Chinese calligraphy in the twentieth century. Mr. Lin Sanzhi creatively developed contemporary cursive writing techniques, and his calligraphy style is simple and free, unrestrained and natural, and is known as the contemporary "grass sage" and has become an important banner leading the development of contemporary cursive art.
Yang Zhichun pointed out that the purpose of holding this event is: on the one hand, to learn from Mr. Lin Sanzhi's artistic spirit of planting tradition, immersing himself in art and tirelessly seeking, paying tribute to his artistic pursuit of poetry, calligraphy and painting, and highlighting his "wind god" of flowing and vigorous, elegant and simple cursive art; On the other hand, we should build a more high-end and more professional calligraphy art exchange platform, create the most academic spirit of the calligraphy creation activity brand, guide contemporary calligraphers to study skills and cultivate with great knowledge, create more excellent works worthy of the times, and vigorously develop the calligraphy art cause in the new era.
Yang Zhichun said that this exhibition of old and middle-aged cursive calligraphy talents has been successively blue, famous artists, and masterpieces, showing the diversified styles and rich techniques of calligraphy art, highlighting the spirit of the times and the magnificent atmosphere of calligraphy creation, and is a professional, academic, and innovative contemporary cursive art event. It is hoped that through this exhibition, the majority of calligraphy workers will be guided and inspired to bear in mind the great power of the country, shoulder the historical responsibility of inheriting and promoting the art of calligraphy, strengthen cultural self-confidence, adhere to integrity and innovation, consciously integrate their personal artistic pursuits into the development trend of the times, write for the times and express their feelings for the people, use calligraphy art to spread Chinese culture, inherit the spirit of the times, transmit the strength of endeavor, create more fine works in the new era and new journey, better help the construction of the pioneer zone of socialist cultural power, and welcome the party's twenty victories with practical actions.
Chang Shengmei, member of the party group and deputy director of the Department of Culture and Tourism of Jiangsu Province, presided over the opening ceremony
Li Xiao, director of the Chinese Calligraphers Association, vice chairman of the Jiangsu Calligraphers Association, and president of the Jiangsu Provincial Book Court, introduced the relevant situation of the exhibition
Ding Shenyang, representative of participating calligraphers, director of the Chinese Calligraphers Association and chairman of the Shanghai Calligraphers Association, delivered a speech
Li Xiao, director of the China Book Association, vice chairman of the Jiangsu Provincial Book Association, and president of the Provincial Book Court, introduced the relevant situation of this exhibition, he said that this exhibition invited more than ten experts and scholars from all over the country to discuss the theme of "Scattered Wind God", and after refining, everyone believes that "Scattered Wind" is: the vigorous and flowing style of books, the wind bone of Kai into the grass, the new style of scattered brushwork, and the picturesque charm of ink. The "God of Scattering" is the pragmatic spirit of the ancient law of the Master, the spirit of abiding by the righteousness rooted in culture, the spirit of innovation that is not the usual, and the spirit of great love for the people. Scattered Wind God, all in it!
Ding Shenyang, as a representative of the participating calligraphers, said that how today's calligraphers use their works to spread the positive energy of society is a topic that everyone must face, Mr. Lin Sanzhi has created a large number of works on the content of the poetry of revolutionary leaders, and when admiring his exquisite skills, he praised the era with pen and ink, and transmitted positive energy with works, which is the creative orientation that should be high in the contemporary book world. As a calligraphy worker, we should actively establish a people-centered creative orientation, take root in the people, keep the integrity and innovation, act steadily and far, and use the art of calligraphy to show our cultural self-confidence.
Showroom scene
Group photo of guests
In order to strengthen the theme word of "Wind God", this exhibition sets the book body of the work as "cursive", and the content of the creation is Lin Sanzhi's poems on the book, as well as the self-composed verses and self-selected poems of the bookkeeper, giving the bookkeeper a large creative space. The 80 nominated writers have been formed after many rounds of research and repeated deliberation by the China Book Association, covering three generations of contemporary cursive masters, mainly composed of some presidium members of the China Book Association, members of the Cursive Committee, winners of the "Lanting Award" and "National Award", and representative figures of different ages and styles in the field of cursive creation. The best of the best and the best. The 160 exhibited works have all kinds of chapter grass, small grass and large grass, or elegant and elegant, or unrestrained, which can be described as wonderful and excellent works, representing the highest level of contemporary cursive writing. The exhibition will remain open until 22 September.
Some of the best works exhibited are appreciated
Sun Xiaoyun
Lin Sanzhi's "Learning Book"
167cm×49cm
Wei Tianchi
Lin Sanzhi's "Treatise on the Book" two no. 2
181cm×97cm
Congratulations
Lin Sanzhi's "On Huaisu"
235cm×53cm
Liu Hongbiao
Lin Sanzhi's Extrajudicial Law
180cm×97cm
Generation
Lin Sanzhi's "Proposition"
136cm×70cm
Liu Yuejiao
One of Lin Sanzhi's "Two Treatises on the Book"
181cm×48cm
Ding Shenyang
Lin Sanzhi's "Painting Bamboo"
249cm×63cm
Liu Canming
Lin Sanzhi's "Occasional Formation"
234cm×53cm
Yuwen Jialin
Lin Sanzhi's "On the Book"
180cm×49cm
Zhang Xuguang
Lin Sanzhi's "Bookworm"
181cm×97cm
Chen Jialin
Lin Sanzhi's "Thirteen Songs on the Book of Absolute Sentences" No. 2
180cm×97cm
Chen Hailiang
Lin Sanzhi's "Thirteen Songs on the Book of Absolute Sentences" No. 3
181cm×98cm
Chen Xinya
Lin Sanzhi's "Thirteen Songs on the Book of Absolute Sentences" No. 4
180cm×97cm
Cao Yuanwei
Lin Sanzhi's "Five Treatises on the Book" No. 4
181cm×97cm
Lacquered steel
Lin Sanzhi's "Inscription Painting for Wei Zhizhen"
185cm×99cm
A wonderful review of past issues
🔗 Preview丨The "Scattered Wind God • The First Biennale of Chinese Calligraphy Academic Nominations" will be launched at the Jiangsu Provincial Art Museum
🔗 Preview丨 "Our New Era - Exhibition of Theme Works collected by Jiangsu Provincial Art Museum" will be exhibited in the new museum of Jiangsu Provincial Art Museum
🔗VR Exhibition Hall 丨Speak Hong Demeanor · The First Oil Painting Biennale
🔗 Information丨With the brush of the times to write about the spirit of the nation, the first oil painting biennale opened in Nanjing
🔗 Yi Ge Wu - A Preliminary Study on the Evolution and Artistic Characteristics of Jiangsu GongBi Painting in 600 Years (Part 1)
🔗 Six hundred years of work and writing
🔗 One of the two academies and one of the creative research | Liu Tongbin discipline construction and cross-border
🔗 Reading, Exchange and Sharing 丨 Review of the 12th Reading Club of Jiangsu Provincial Art Museum——"Zhu Shengzhai Ancient Calligraphy and Paintings"
🔗 Audio Edition 丨Jiangsu Provincial Art Museum Collection Appreciation Season 2(287-293)
Article source: Water Rhyme Jiangsu With you will be more beautiful
Producer: Zong Jie
Editor: Chen Xingyu
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