Dense Yūryū Mural Painting 5
The entire Jingquan Temple mural is left on the east side of this back eaves wall, which is easier to distinguish. The dragon girl holding the bottle of willow, the boy with good fortune with her hands folded, and in the middle is Guanyin Bodhisattva.
In the Journey to the West, the boy of good fortune is the son of the Bull Devil King, the red child, who is naughty and vicious and captures the Tang monk, even Sun Wukong can't beat him, and finally is accepted by Guanyin as Guanyin's assistant. In fact, in Buddhism, the virtuous child is not so bad.
When Shancai was first born, the Seven Treasures Pavilion naturally appeared in his family mansion, and there were all kinds of treasures in the pavilion, so his parents and good teachers called him Shancai. After being taught by Manjushri Bodhisattva, he visited the fifty-three virtuous beings and finally went to the Puxian Bodhisattva Dojo and attained positive results.
In the small temple on the outskirts of Beijing, the murals of the Fifty-three Ginseng of the Virtuous Fortune Boy have also been preserved, and the Best Preserved one is the Changping Mercy Yufu Qing'an. Unfortunately, the story of the upper layer of the mural at Jingquan Temple is completely different from the cultivation process of the boy with good fortune, so I can't guess which character it is.
Speaking of this dragon girl, that is definitely a genius, and in terms of strength, Sun Wukong is far worse than her. In the Journey to the West, Sun Wukong ate the loss of the red child's sanwei true fire, went to Guanyin for help, Guanyin took out the bottle and threw it into the sea, and an old turtle drove the bottle up. Sun Wukong wanted to take it, but he couldn't move it, and said awkwardly, "Don't hide from the bodhisattva that you can take it on weekdays, but you can't move it today." I think it is a loss of goblins, and the muscles are weak. ”
Guanyin Bodhisattva said, "The bottle was thrown into the sea, and at this time, it turned between the three rivers and five lakes, the eight seas and four lakes, and the xiyuan pond cave, and borrowed a seawater in it." Do you have a weight of the sea there? So this can not be moved also. ”
Then he said, "If you want to take this jade bottle over, you can't move it, and if you want the Dragon Lady to go with you, you are not kind." This sentence shows that the Dragon Girl has no problem holding the bottle, and her strength is much greater than that of Sun Wukong.
Originally the daughter of the Nineteenth Heavenly Dragon of the Twenty Heavens, the Dragon Girl, she heard Manjushri Bodhisattva preach a sutra and became a Buddha at the age of eight. Some other bodhisattvas questioned her, "The Buddha went through countless calamities to cultivate the right results, she is just a little girl, how can she become a Buddha so quickly?" ”。
The Dragon Lady took out a jewel worth three thousand worlds and offered it to the Buddha, who gladly accepted it. The dragon woman suddenly appeared as a man, with a bodhisattva line, and took the Seven Treasures Lotus flower to the southern world of untainted land. The bodhisattvas silently believed.
The one in the middle is definitely Guanyin, but this Guanyin chest is not a gorgeous jewel, but seems to be a golden lock. He actually held a teacup in his hand. There are also many books behind Guanyin Bodhisattva, and the bodhisattvas in Jingquan Temple are all well read, and behind them are all sutra scrolls.
If you want to distinguish whether it is Guanyin Bodhisattva or not, the purple bamboo forest behind the bodhisattva and her pet white parrot are the symbols of Guanyin. In this Guanyin mural, in addition to the willow branch purification bottle held by the dragon girl, there is also a large porcelain jar, and there is also a bunch of willow branches, and it seems that the willow branches are still spare. There is also a divine beast in front of the Guanyin Lotus Platform, which looks like a lion, so it should be a golden retriever.
Jingquan Temple mural is finished, this mural is relatively well preserved, the content of the painting is innovative, if you like it can also come to see. The mountain village is quiet, the villagers are simple, and the small temple is quiet.
