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Qing Wei | shenyuan poetry wall

Text/Tian Ying (Liaoning)

Autumn day trip to Shaoxing, to Shen Garden, viewing the poetry wall, Lu You's ancient singing of "Pluto Phoenix", leading me to a wisp of autumn thoughts, bringing into the poetry of autumn.

Shen Garden is facing the river, like a thick autumn map: clear water, flowers, grass and jade, in this quiet harmony of natural beauty and artificial carving beauty, the poignant image of landing tour and Tang Wan (Wan) emerges, which makes people have a sense of heaviness.

Entering the garden, you will be greeted by a glorious wood hibiscus, tall branches, green leaves, large pink, white, yellow flowers, competing for dazzling. From the humble and ancient sparse fence to the small and exquisite stone arch bridge, you can see the poetry in the Stone Wuli Garden, all of which seem to be pursuing the landing tour and Tang Wan's hatred.

In front of the Shuanggui Hall in the east district of Shen Garden, I saw the plaque of "Shen's Garden" hanging on the door of the black lacquer garden, and the house was two shades, quaint and quiet. In the back hall, a bust of Lu You stood in it, deep and resolute, as if issuing a tragic roar: "Thirty thousand miles east of the river into the sea, five thousand Yue Yue on the sky." The remnants wept in the dust, and looked south at Wang Shi for another year. ”

Stepping out of the Shuanggui Hall to the west, the gourd-shaped small pool comes into view, the blue water is a flood, and there is a cold green pavilion in the east of the pool, which is ancient and endless. The quaint Lone Crane Pavilion is located in the garden, with the Six Dynasties Pavilion and the Xianyun Pavilion on the left, the Songjing Pavilion on the right, and the Guanfang Building in the west of the pavilion. At this time, I remembered the words of Lu You: "Zero falls into mud and dust, only incense is as it is."

Qing Wei | shenyuan poetry wall
Qing Wei | shenyuan poetry wall
Qing Wei | shenyuan poetry wall

Walking past the Lone Crane Pavilion, a wall of poetry made of unearthed broken bricks was erected on the opposite side, and clusters of green bamboo and ivy stood in the air. The poem wall is inlaid with two pieces of black granite, flashing the dragon flying phoenix dance of the book Lu You's words "Chao tou Feng", reminiscent of the sad atmosphere when Lu You and Tang Wan met again: At the age of twenty, Lu You first married his cousin Tang Wan, a green plum bamboo horse, and was in love with each other, and the qin was even harmonious, but Lu Mu was disliked by "belonging to each other", and broke up the Mandarin Duck, so that the two were forced to separate. Later, Tang Huan had remarried, and Lu You had also married another. In 1155, one day, Lu Youhui tried to fail to come to Shen Garden, but he did not intend to meet Tang Wan. Thus, the sacred flame of love was rekindled in Shen Yuan and became a strong fire of life against the feudal tradition. Lu You's grief suddenly surged into his heart, and he put down his wine glass and was about to withdraw and leave. Unexpectedly, at this time, Tang Huan sent a glass of wine, Lu You's tears fell bitterly, and his feelings were mixed, so he raised his pen on the powder wall to compose "Phoenix" and said: "Red crispy hands, yellow vine wine, full of spring color palace wall willows." The east wind is evil, and the joy is thin. A few years of sorrow. Wrong, wrong, wrong. Three "wrong" words create a wall, a sad wall, a broken intestine poem, like an autumn wind drifting away. "Spring is as old as ever, people are empty and thin, and the tear marks are red and smothered." Peach blossom fall, idle pond pavilion. Although the mountain alliance is there, the Jinshu is difficult to trust. Mo, Mo, Mo!" A series of three "Mo" characters will have lovers beat each side, a feudal marriage shackle, an old moral barrier, and lock their respective emotions in the bottom of their hearts, but the affection is like fire, pressing down and not changing. In 1156, Tang Huan came to Shen Garden again to catch a glimpse of Lu You's inscription, and he was full of emotions, so he and Yi Yi "Baotou Feng": "The world is thin, people are evil, and the rain sends dusk flowers to fall easily." The wind is dry, and the tears are broken. Want to write a heart, monologue oblique. Hard, hard, hard! People are everywhere, today is not yesterday, and the sick soul is often like a swing rope. Horns are cold, and the night is dark. Afraid of people asking, tears filled with joy. Hide, hide, hide!" In the poem, Tang Wan's infinite thoughts about Lu You and the situation of wandering into a disease are expressed. Soon Tang died in melancholy. Lu You heard that it was extremely sad and difficult to let go, and Shen Yuan became the place where his thoughts and dreams haunted Tang Huan. One day, forty years after Tang Wan's death, Lu You visited Shen Garden again, and at this time, Shen Yuan, things are not human, Lu You sighed with emotion, and also composed "Shen Yuan's Second Song", one of which is "Forty years after the dream is broken, Shen Yuan Liu lao does not blow cotton." This body is like a mountainous soil, and it is like hanging a trace", expressing his deep affection for Tang Huan. One night at the age of eighty-one, Lu You sleepwalked in Shen Garden, and when he woke up, he composed two poems, one of which was: "The little stranger in the south of the city is in the spring again, only to see plum blossoms and no one." The jade bone has long been a spring under the soil, and the ink marks are still locked in the dust between the walls. At the age of eighty-five, Lu You was still worried about Shen Yuan, and when he visited Shen Garden again, he wrote "Spring Tour": "The flowers in Shen's homeland are like brocade, and half of them were the ones who knew and let go of the birds back then." I also believe that the beauty will eventually become the soil, and the dream is too hurried. ”

Lu You left more than ten poems in memory of Tang Huan and his encounter with Shen Yuan. This kind of deep and unspeakable, poignant but admirable love has become the song of love for eternity.

Wandering by the wall of poetry, everything flashes on the screen of history, but when people go to the garden, the sound of Lu You and Tang Huan's remains in the garden still exists, and what is left for posterity is a wisp of thought of "chopping continuously, rationalizing and chaos".

Autumn visit to Shen Garden, reading poetry wall, as if a thick autumn intention hangs in Shen Garden, everything seems quiet and serene, even the autumn wind is also creepy, come and go quietly, quietly listening to the ancient songs on the poetry wall.

About author:Tian Junming, pen name: Tian Ying, member of China Writers Association, director of Liaoning Writers Association. He once served as the vice chairman of Dalian Writers Association, the executive director of Dalian Entrepreneurs Association, and is now an advisor to Dalian Writers Association, a director of Liaoning Writers Association, and the president of Dalian Essay Society. He is the author of: "Durian Love", "Cherry Blossom Love", "Grass House Love", "Bali Love", "Angkor Love", "Kiwei Love", "Athens Love", "Sea sky Katayu", "Sakura" and so on.

Submission email: [email protected]

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