As a female star, Yuan Quan is so low-key that it is amazing.
As an actress, Yuan Quan's reputation is so good that people in the circle can't help but praise people.
"She is the best actress of this era, from being a person to acting, she is a role model, and she is her idol."
This is what Huang Bo said personally,
Sun Honglei said that she is one of the actresses she admires the most,
Even Wang Jing once commented: Watching Yuan Quan's play got goosebumps all over his body.
Why did Yuan Quan receive so much praise?
First, how good is Yuan Quan's acting skills?
It was so good that Ni Ping "stole the teacher", and Zhou Runfa couldn't catch the play.
For an actor, acting is the foundation of their career in show business.
Compared with the acting skills of many "plastic actors" acting cutouts, stand-ins and other hot eyes, Yuan Quan is a recognized acting strength.
Since his debut in 1999, yuan Quan has won the Honor of Best Supporting Actress at the Two Hundred Flowers Awards and the Best Supporting Actress of the Three Golden Rooster Awards with his superb acting skills, and has been praised by many peers.
So how good is Yuan Quan's acting skills?
We can look into her early, mid-, and present work.
Yuan Quan's first work into the show business circle was the film "Rhapsody of Spring" directed by Teng Wenji, in which she played the female second zhou Xiaomei.
Although it is the first time to act, Yuan Quan in the film is steady, the eyes are bright and hopeful, and he also won the Golden Rooster Award for Best Supporting Actress.
For Yuan Quan's performance, director Teng Wenji is also full of praise, bluntly saying that this girl is incredible, and will be very hot in the future.
The following year, Yuan Quan continued to contribute wonderful performances in the movie "Blue Love", and she gave the heroine Liu Yun the most authentic emotions.
It perfectly interprets her gentle temperament and rich literary atmosphere, as well as her entanglement of hoping for love and fearing being hurt.
In particular, the close-up shot of smiling, staring, and smiling brightly is really full of spirit, making it difficult to look away.
With her outstanding performance in the film, Yuan Quan not only won the best actress at the Beijing University Student Film Festival, but also received the Golden Rooster Award nomination for best actress.
Three years later, Yuan Quan became the Golden Rooster and Hundred Flowers Award for "Best Supporting Actress of Double Materials" with "Beautiful Bigfoot".
It is said that when filming "Beautiful Bigfoot", the heroine Ni Ping would watch and learn Yuan Quan's performance.
Only 4 years after his debut, Yuan Quan won 4 trophies, which is a remarkable achievement for a newcomer actor.
It is also the best recognition of Yuan Quan's acting skills at that time.
After entering the middle of the show business circle, after the tempering of the drama stage, Yuan Quan's acting skills have become more and more brilliant, and he can be described as comfortable in shaping the characters.
For example, in the "Great Shanghai" cooperated with Zhou Runfa, in the film, she played the first love of the male protagonist, a famous actor in Peking Opera named "Ye Zhiqiu".
Yuan Quan vividly interpreted the style of greater Shanghai in her smile and jaw, especially after many years, the two separated people met again.
Yuan Quan's look back at the killing is amazing, and the love and relief conveyed from her eyes hit people's hearts and made people unforgettable for a long time.
This retrospective performance has also become a peak of acting in the film, and even the film emperor Zhou Runfa of the play said that yuan quan's look at that time made him a little unconcealed.
There is also the blockbuster drama "The First Half of My Life", she played the double-sidedness of the role very well, and once overshadowed the limelight of the heroine Ma Yili.
As a company executive, Tang Jing, played by her, has exquisite and decent makeup, short and neat short hair, and gives people a sense of déjà vu full of elite fans as soon as she appears.
As a woman, when she faced He Han's empathy for Luo Zijun, she also showed a kind of vulnerability wrapped under the strong force.
Yuan Quan's weakness shows the true and vivid character of Tang Jing, allowing us to see a female image that is strong at work and proud and fragile in feelings.
At this stage, as a middle-aged actress, whether in acting skills or understanding of the character, Yuan Quan has ushered in the best state.
In "Captain China", many people were fans of the purser Bi Nanquan played by Yuan Quan, and in the face of aircraft failure, Yuan Quan showed the calm and calm of the role.
In particular, the firmness and fortitude conveyed by the eyes convinced both the passengers in the film and the audience off-screen.
It can be said that a look makes people into the play, and the acting skills can be called "textbook level".
In "Chinese Doctor", Yuan Quan can silently show the dedication of medical staff just by playing Dr. Ren Wenting, who was deeply indented and sweat-covered by the mask when he took off the mask.
Yuan Quan's performance even Academician Zhong Nanshan could not help but sigh after watching it, and what was particularly impressive was that the two protagonists, especially the role of Yuan Quan, although they were very haggard, but their two eyes were shining.
As many people have commented, having Yuan Quan is the guarantee of acting skills.
Second, Yuan Quan's specialness reflects the sadness of the entertainment industry
In recent years, the topic of "middle-aged actress crisis" has been frequently searched and has attracted the attention of many people.
In 2019, at the closing ceremony of the 13th Youth Film Festival, Haiqing called out to the directors and producers present.
We are a group of actresses who work very hard and are keen to perform, we will definitely be cheaper than Hu Ge, and it will be just as easy to use, I hope you will give me more opportunities!
In the "I am an actor" program, Yang Rong also said, please give more opportunities to actresses of 30+ and 40+.
Yao Chen said bluntly in his speech entitled "The Embarrassment and Confusion of a Middle-Aged Actress" that it is obvious that an actor is in the most mature state, but there are very few plays suitable for actors of this age.
Frankly speaking, in the entertainment industry, compared with male actors, the development age will be relatively short, especially some actresses will come back after marriage and children, and will face the situation of no drama to shoot.
But in variety shows or interviews, we will also find that many middle-aged actresses will blame the current environment when facing the mid-life crisis.
They think that the market and the subject matter have kept them away from excellent works, which has led to their dilemma of having no drama to shoot, but is this really the case?
Let's start with an interview with two middle-aged actresses.
"Qiong Girl" Chen Derong said in an interview that she would not want to play someone else's mother, not only stressing that she would not take this play when she died, but also bluntly saying that it was a great shame for her.
In the variety show "Director Please Advise", Ni Hongjie also said that now there are fewer and fewer plays, assuming that I don't play my mother or the big villain, I have no drama to act.
From the speeches of these two middle-aged actresses, it can be seen why they have no drama to shoot, because as a middle-aged actress, they are unwilling to adjust their mentality to broaden the drama road.
I am not willing to act in a supporting role with less part, nor do I want to play a villain who is scolded, and I am even more unwilling to play an age-sensitive role like my mother.
Then when he could not receive a work that matched his heart, he complained that "there is no play suitable for middle-aged actresses".
As actor Feng Yuanzheng said when talking about the crisis of middle-aged actresses, some actresses are not without drama, but just want to play the main role.
And the same middle-aged actress, Yuan Quan has almost no mid-life crisis, this "special" treatment, I have to say that reflects the sadness of the entire entertainment.
When asked about the age crisis, Yuan Quan once said:
In fact, there is no so-called crisis, and I feel that as an actor, I will meet different roles at each age.
In "Beautiful Bigfoot", she played a literary and artistic young woman Xia Yu who was similar to her own image.
In "After Forever", she is liu yingying, the female boss who said that "if you like it, you will be arrogant, but love is restraint".
In "The First Half of My Life", she transformed from an elegant woman to a strong workplace woman with a tough style, Tang Jing.
In "Meet the Season", she played a middle-aged mother role who was betrayed by her husband, and Yuan Quan in the play did not use various filters to beautify herself.
Instead, he presented his most authentic state in front of the camera, sunken eyes and crow's feet, and the whole picture was the most real appearance that a middle-aged woman should have.
At the same time, unlike many actresses competing for positions and starring roles, yuan quan often looks at not the role, but the resonance with the role, and has the desire to express himself.
Therefore, Yuan Quan once said that for actors, there is no difference between the protagonist and the supporting role, and cherish every opportunity to star.
In "The First Half of My Life", Yuan Quan played the female second Tang Jing, when the director Shen Yan actually had no bottom at all when he invited Yuan Quan to star.
Because he was rejected for cooperation with Yuan Quan before, not to mention that this time he was still a female number two, but unexpectedly, Yuan Quan read the script and read it happily agreed.
Shen Yan couldn't believe it and asked, really? This is female number two.
Yuan Quan smiled and responded, it is true, as long as it can impress me, I don't care if it is a female number.
In this way, Yuan Quan took over the role of "Tang Jing", and through wonderful performance, this female second was radiant and countless fans.
Whether it is Ye Zhiqiu, a generation of Peking opera celebrities in "Great Shanghai", Haojie Zhou Susu, the heroine of "Dangerous City", or Bi Nan, the calm and atmospheric purser in "Captain China".
Although most of these characters are supporting roles, Yuan Quan has vividly performed each character, making the role a highlight in the play.
Seeing this, we can also find why the "crisis of middle-aged actresses" in Haiqing, Yang Rong and other populations is not at all obvious in Yuan Quan, and even becomes a false proposition.
The reason is her excellent acting skills and sober understanding, and this sobriety does not know how many middle-aged actresses who shout that there is no drama to shoot blush.
It is precisely because of these "bottoms" that Yuan Quan will calmly say that I am not in a hurry at all about the common phenomenon that middle-aged actresses do not shoot.
So I hope that those actresses who shout about the dilemma of middle age can realize that for an actor, age should be a valuable asset, not a stumbling block to the progress of her career.
In the case of not being able to change the environment, only by continuously improving their acting skills and strength can they break the so-called "mid-life crisis", because good actors will never be eliminated by the market.
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