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"Ping'an He Ru Feng Tangerine Three Theses" is a calligraphy work of the Jin Dynasty calligrapher Wang Xizhi, "Ping An" and "He Ru" are two letters, and "Feng Tangerine" was originally an appendix to "He Ru". The three posts are written with changes such as pen edge, speed and slowness, and square circles, and the single word structure is rigorous and interesting, showing creativity everywhere, setting an immortal model for future generations.
The Paper learned that on July 26, "Ping An He Ru Feng Tangerine Three Posts" was exhibited in the updated "Popular National Treasure Exhibition" in the southern branch of the National Palace Museum in Taipei, along with the Qing Kangxi 23-year "Royal Pen Book Wanshi Master's Table" and meat-shaped stones and other Qing Dynasty crafts. It is reported that the exhibition will last until January 29, 2023, and the national treasure "Ping An He Ru Feng Tangerine Three Posts" is limited to October 4, 2022 to October 30, 2022.
Yan Mei Li: Peace is like Bong Tangerine Three Thesis
Wang Xizhi (303?) –361), courtesy name Yishao, was a native of Linyi, Shandong, who later moved to Huiji, Zhejiang. After becoming famous, he once served as a general of the Right Army, so he also had the title of "Wang Right Army". Wang Xi first studied Lady Wei, and later learned from the strengths of all, studying the calligraphy of Zhang Zhi, Zhong Xuan, Cai Yong, Zhang Xu and others, creating a beautiful and beautiful calligraphy style, with the reputation of "book saint".
"Peace And He Ru Feng Tangerine Three Theses" is a method of double hook contour filling (covering the original work with transparent or translucent paper, first double hook outline, and then filling in ink one by one), and copied on hard yellow paper. Among them, "Ping'an" and "He Ru" are two letters, and "Feng Tangerine" was originally an appendix to "He Ru". The three posts are all Tang Dynasty double hook silhouettes, exquisitely copied. The writing is full of changes such as pen sharpness, speed and slowness, and square circles, and the single word structure is rigorous and interesting, showing creativity everywhere, setting an immortal model for future generations.
"Peace Thesis": "This rough peace." More than ten days after the repair, all the people have gathered recently, and the tomorrow should be restored, and there is no reason to be the same, and the indignation is increased. "How to Be Thesis": "Xi Zhibai: How is it better not to judge the body than to be restored?" Late reply. Cold rogue in the middle of the xi. Find the white. Xi Zhibai. "Bong Tangerine Thesis": "Three hundred Bong Oranges." The frost has not fallen, and it has not been much. ”
The first is the "Ping An Ti", which is a work of calligraphy and cursive writing. The second "Ho Ru Ti" and the third "Bong Tangerine Tie" are written in xingshu. Among the three posts, the pen of the "Peace Post" has more changes in the stroke of the button, and some cursive brushwork with silk leads is very dexterous; The glyph size of "Bong Tangerine Thesis" is very variable; In contrast, "He Ru Ti" is more modest.
Jin Wang Xizhi "Peace And How to Bong Tangerine Three Theses" (partial) Collection of the National Palace Museum in Taipei
According to the information retained in the post, it is speculated that these three posts were first collected in the inner mansion of Emperor Wu of Liang, and were escorted by the discerning artists Xu Shengquan and Tang Huaichong. In the Sui Dynasty, there was Yao Cha's office, as well as other other signatures after the three posts: "On march 27, the eighteenth year of the Sui Kai Emperor, Zhuge Ying consulted the scholar Liu Guyan zhiguo, a scholar who joined the army and opened the government. ”
The Bibliography of the Right Army compiled by Chu Suiliang in the Tang Dynasty included three posts, but he ru, feng tangerine and heian were separated. Apparently it was not framed on a hand scroll at the time. Later, Emperor Taizong of Tang had the collection of Fa Ti make a facsimile for reward. The three posts that have survived to this day may be such facsimiles.
Until the Song Dynasty, sixteen bachelors watched together, ten of whom signed the money in person after the post, and then the names of the other six people were read together with "the twenty-fourth day of the first month of the first month of the decoction". Because the collection of "Li Wei Books" is the earliest seal on the hand scroll, it may be collected by Li Wei at this time.
Decades later, this post entered the collection of Emperor Huizong's inner government and had the inscription "Feng Tangerine Thesis of the King of Jin" and two seals of "Zhenghe" and "Xuanhe". There is also a large northern Song Dynasty square jade seal next to the names of the sixteen people after the post. During the Southern Song Dynasty, there were two seals of Emperor Gaozong's "Shaoxing" and his empress Wu.
After the Song Dynasty, this post went through many turns, and the post had a Mongolian seal and a Bashiba seal. The seal of the Ming Dynasty inspector Yushi Zhang Peng, as well as some unrecognizable seals. In the middle of the Ming Dynasty, this post was passed through the hands of various collectors, and the collector Xiang Yuanbian wrote in a seal book after the post: "The Song Imperial Palace Zhenzhi Jin Right General Wang Xizhi Ping'an He Ru Feng Tang Tie, Ming Jia Jing Jia Zi Mid-Autumn Festival, Qiu Li Mo Lin Shan Ren Xiang Yuan Bian Appreciation." At the end of the post, he recorded: "The Song Imperial Palace Zhen Zhi Jin Right General Wang Xizhi Ping'an He Ru Feng Tang Ti, Ming Qiu Li Mo Lin Shan Ren Xiang Yuan Bian appreciation." The name is only two hundred gold. In addition, he also put sixteen stamps on this post.
On the side of the Xiang Yuanbi record, Zhang Xiaochen recorded: "In the forty-seventh year of the Wanli calendar, the winter of the tenth had five days to buy the Item Xuandu Zhang Xiaochenzhi for three hundred gold. The collector Zhang Xiaosi recorded after the names of sixteen people in the Northern Song Dynasty: "Runzhou Lazy Zhang Xiaosi Is Treasured." Later, he also said: "Fu does not write it in the book after the scroll, but it is known that Yu He Xing, in order to see this, also dares to respect his years and clouds when the eighth day of the Mid-Autumn Period jingkou lazy Zhang Xiaosi." In the same year, the collector Sun Chengze inscribed in his riding seam: "Beiping Sun Chengze Zengguan".
Jin Wang Xizhi "Peace And How to Bong Tangerine Three Thesis" Collection of the National Palace Museum in Taipei
Collector Shigemitsu also dropped the model and printed two pieces. In the Qing Dynasty, this post was included in the Qianlong Inner House, and Qianlong regarded it as a facsimile, leaving no inscription on this post, and only let people print four pieces. After that, except for the appreciation seals of Jiaqing and Xuantong, this post is rarely inscribed or printed. After the fall of the Qing Dynasty in 1911, the court collection was transferred to the predecessor of the "Palace Museum" ("Antiquities Exhibition Hall") in 1924. Until 1948, he was brought to Taiwan and hidden in the National Palace Museum in Taipei.
National treasure popularity: see Songlu Changchun from the Wanshishi watch
It is reported that along with Wang Xizhi's "Peace And How to Bong Tangerine Three Thess" are also exhibited qing kangxi twenty-three years of "Shengzu Royal Pen Book WanshiShishi Table", Qing gold inlaid gemstones Wanshou Ruyi, Qing filigree enamel Taiping Elephant, QingQianlong pastel Fulu Shou gourd bottle, Qing meat-shaped stone, Qing eighteenth-century wax pine deer Changchun Shanzi and other Fine Works of Qing Dynasty calligraphy and arts and crafts.
Qing Kangxi 23rd Year (1684) "Shengzu Royal Pen Book WanshiShi Table" Collection of the National Palace Museum in Taipei
Among them, the 23rd year of qing kangxi (1684) "Shengzu Royal Pen Book WanshiShiShi Table" under the pen is calm and steady, the strength is uniform, the pen is neat and refreshing, the ink color level is clear, the knots are correct and rigorous, the lines are thick and simple, and it is the original trace of the Kangxi Royal Pen Plaque of the Confucius Temple in various places.
In the twenty-third year of the Kangxi Dynasty (1684), he went to the Confucius Temple in Qufu, Shandong To worship, and presented the imperial book "Table of Ten Thousand Masters", and the following year he issued this plaque to the Temple of Heaven. The Taiwan region entered the territory of the Qing Dynasty in 1683, and the Tainan Confucius Temple was therefore also listed among the temples under the Heavens, and was awarded this plaque in 1685.
Kangxi (1654-1722), known as Ai XinJue Luo Xuan ye, was the longest-reigning emperor of the Qing Dynasty and had many important achievements. In order to win over the Han chinese, he especially advocated Confucianism and science, and was diligent in learning calligraphy.
Qing Gold-encrusted Gemstone Longevity Ruyi Collection of the National Palace Museum in Taipei
"Ruyi" is an auspicious blessing and the name of the artifact in front of you. This golden ruyi is inlaid with a large number of gemstones such as pearls, crystals, turquoise and lapis lazuli, decorated with flowers and leaf vines. The surface is also presented in the form of turquoise and hollowing out swastikas representing longevity, with bats and cloud patterns, conveying the blessings and congratulations of "ten thousand blessings" and "auspicious wishes".
Qing silk enamel Taiping has an elephant in the collection of the National Palace Museum in Taipei
The docile elephant carries a gorgeous bottle on its back, which means "large (too) bottle (flat) with elephant". In the center of the bottle is inserted a "halberd", and a "磬" is hung on the halberd, which is the harmonic sound of the words "Ji" and "Qing". Next to it are four ruyi, hung with "swastika" and "pisces" charms, combining the meaning of "Taiping Auspicious Celebration, Peace ruyi, Nian Nian Youyu", symbolizing "The World Is Peaceful" and "Guotai Min'an".
Qingqianlong Pastel Fulu Shou Gourd Bottle Collection of the National Palace Museum in Taipei
The gourd is pronounced "Fluke", and this work is decorated with large and small gourds, as well as a continuous stream of flowers and vines, plus a ribbon with a "swastika" tied to the bat mouth, indicating "Fluke Mianmian" and "Fluke Wandai". The gourd bottle wears a pink-purple bow ribbon around its waist. Silk is the harmonic sound of "shou", which has the meaning of longevity, and the ruyi cloud pattern on the ribbon adds an auspicious meaning to it. The whole apparatus is colorful and lively, and the shape and ornamentation present the image of "Fulu Shou continues".
Qing Evergreen Bonsai Collection of the National Palace Museum in Taipei
Evergreen is a decoration plant for festive days, the harmonic sound "Wannian Qing", with its symbolic meaning of "evergreen does not wither" and "Wanzai Qingping", conveying the wishes for eternal well-being from the individual to the home country. This evergreen bonsai is an imitation of jade jewelry. The pots are made of red carved lacquer, and the evergreen on top is made of jasper and is accompanied by red coral fruits embellished with gold wire. The pot is also lined with lapis lazuli, white jade, tourmaline, and a strange stone reishi made of opaque glass. The overall work is colorful, rich and gorgeous, making people feel the joy and joy of the festival.
Qing flesh-shaped stone Important antiquities Collected by the National Palace Museum in Taipei
The flesh-shaped stone is the superstar of the Forbidden City, and it looks like a piece of "Dongpo meat" that melts in the mouth.
This piece is made of hard chalcedony. The appearance is layered, and the epidermis is densely covered with pores. After craftsmanship and dyeing, the texture is fat and thin, as if it has been boiled, emitting a smooth and tender taste of Q, giving people a rich and satisfying sense of happiness. Careful scrutiny reveals a layered stacked texture during the formation of jade, consisting of natural rough at the bottom; Drilling and dyeing to the top reveal a vivid and ingenious combination of nature and artificiality.
Su Shi once wrote when he was in Huangzhou: "When he is self-familiar, he should not urge him, and when the fire is full, he is self-beautiful." ...... Full of their own Jun mo guan. "Ode to Pork"; And the Song people also have: "The steaming place has wrapped the banana leaves, and when ripe, it is also poured with apricot pulp." Red fresh ya is called golden plate dumplings, cooked soft and really can be picked. "Verse describing pork cooking.
In addition to reflecting the relationship between "people and beautiful stones" in China, "flesh-shaped stones" also fully demonstrates the characteristics of food culture, and it is no wonder that Su Dongpo once praised: "The beauty of the cover gathering, to nourish my old food." ”
Qing Dynasty 18th century Wax Pine Deer Changchun Shanzi Collection of the National Palace Museum in Taipei
This is a beeswax mountain with the theme of wishing for life, and the surface is embossed with pine trees, deer herds and reishi and other animals and plants of longevity and auspiciousness, symbolizing the good wishes of "pine deer changchun".
Using natural beeswax as a canvas, the craftsmen cleverly conceive and integrate pines, deer, flying waterfalls, cliff rocks and even crevices into the painting, as if it is a three-dimensional microcosm of a landscape painting. It not only presents the meaning of auspiciousness and wealth, but also has a strong literary taste. With a hollowed-out rosewood seat, it has become the best micro object for the furnishings of the study room.
(Note: The graphics and text of this article are compiled from the official website of the National Palace Museum in Taipei and related calligraphy historical materials, and the materials of Wang Xizhi's "He Ping He Ru Feng Tangerine Three Posts" and so on.) ）
Editor-in-Charge: Weihua Gu
Proofreader: Ding Xiao