Twenty-century Serbian realist painter Paja Yovanović's thirty-seven classic world-famous paintings
Art is a process of "enlightenment.". A person tells a story about what he loves in the form of literature, painting, music, dance, sculpture, architecture, drama and film, expressing his feelings about beauty and gaining the love of the public.
In the real world of art, there is no preparatory school, but there is one of the best ways to prepare, which is to have a most humble apprenticeship interest in the works of the artists. People who grind paint in this way often become good painters.
The premise of making dreams come true is inseparable from the time, place, and people. As the saying goes: "Reading ten thousand books is not as good as walking a thousand miles, walking a thousand miles is not as good as reading countless people, reading countless people is not as good as a high person's steps, and a high person's point is not as good as an epiphany." ”
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With the advent of the French Revolution, the field of literature and art was also full of changes. The rise of the bourgeoisie and the acceleration of the pace of industrialization have made this century a century of rich and varied change. Western fine arts also took advantage of this "east wind" to break through the tradition and classical style of reproducibility established by the Renaissance and embarked on the road of modern art. The genres of this period included many genres such as Neo-Classical, Romantic, Realist, Impressionism and Post-Impressionism.
French painting played a dominant role in Europe in the 19th century. Many painters went to France to study and live. Some painters who had an influence on world painting, such as Van Gogh in the Netherlands and Picasso in Spain, lived in France. Due to the changes in society and the change of literary and artistic thought, a variety of schools of painting appeared in France at that time, such as neoclassicism, romanticism, realism, impressionism, neo-impressionism and post-impressionism, which had a great role in promoting the development of Western painting.
The birth of Romanticism in the 19th century was a revolution in the neoclassical and academic art of the time. Romanticism was based on the pursuit of freedom, equality, fraternity, and the emancipation of individuality. The pursuit of fantasy beauty, pay attention to the transmission of feelings, like the passionate and unrestrained expression of temperament. Romantic art confronts stillness with dynamics, and with strong subjectivity against excessive objectivity. Romanticism in the subject matter, mostly depict unique character, exotic atmosphere, life tragedy, abnormal events, but also often from some literary works to find the subject of creation.
The pioneer of Romanticism was the French painter Cirique, and another French painter, Delacroix, brought Romantic painting to its peak.
The art of French Romanticism arose in the 1820s and 1830s. It was an era of corruption, chaos and regression. The romantic art that emerged in this era began with the courage to call for a revolutionary storm. The German philosopher Hegel said in aesthetics that the object of Romanticism was "the concrete life of the mind of freedom." Fundamentally, the emergence of romanticism in the nineteenth century was a demand for the emancipation of individuality and freedom of mind; The classical art of the feudal regime and the academy also made them feel that they had to get rid of the spiritual pressure. The Romantics' emphasis on color is consistent with their demand for attaching importance to feelings. Use color to shape the body.
Let's take a look at the paintings of the nineteenth-century Serbian realist painter Paja Yovanović
Paja Jovanovic Artist: Paja Jovanovic born: June 16, 1859; VRSAC / VRSAC, Serbia died: November 30, 1957; Austrian Wien nationality: Serbian genre: field of realism. He painted more than 1,100 works in his lifetime, and once painted portraits of members of the royal family in many countries, and the Austrian Emperor Franz Josef I commissioned him to paint 14 portraits of himself. In addition to the royal family, he has painted portraits of big bosses, bankers, chaebols, scientists, artists, etc. around the world.
Serbian realist painter Paja Yovanović's main paintings include: "Mrs. Hasen Zbik", "Master Painter Michael Pubin Zbilk", "Declaration of the Dushan Code", "Wounded Montenegrin", "Cockfight", "Dressing up bride", "Serbian immigrants", "Maria of Yugoslavia", "Brazil Bazouks in front of the door", "Traitor", "Sword Dance", "Serbian Migra", "Tarenge Snake", "Kas Machevanye", "Greek Soldier and Female Traitor"
"Market Scene", "Vika", "Flowers in a Vase", "Cluny Sanje Carla Dushana", "Landscape in the Storm", "Mill Interior", "Happy Soldier", "Portrait of Madame Gattenberg", "The Young Woman", "Portrait of the Lady by the Fireplace", "Portrait of August Hooker", "Portrait of a Young Woman in a Pink Dress", "Portrait of Baroness Elranger"
The NobleWoman and the Flower, Portrait of Queen Maria Karadorjevich, Saint Sava Miri Zavajenu Brachu, Portrait of Vlada Ilyich, Zenidba Kara Dusana, Orion, Needlework, Maiden, Vision, etc.
Serbian realist painter Paja Yovanović's "Madame Hasen Zbik"
Paja Yovanović's Madame Ofsan Zbik is hailed as Europe's leading portrait painter after 1905, and his portraits were popular all over the world, which allowed him to have enough wealth to live a free and happy life. Because of his fame, many european and internationally renowned museums are scrambling to collect his paintings as treasures of the town hall.
Serbian realist painter Paja Yovanik's appreciation of the master painter Michael Pubin Zbilk
Born in 1859 in a town called Vlak in Serbia, Paja Yovanović loved to paint from an early age, and at the age of fourteen, the town's church municipality commissioned him to paint saints for the church, the first order of Paya's artistic career, and also received an admission permit from the Vienna Academy of Fine Arts.
Appreciation of the Serbian realist painter Paja Yovanović's "Declaration of the Duchamp Code"
Paya Yovanović's Declaration of the Duchamp Code, Matika Srpska Gallery. At the Academy of Fine Arts, Paya studied under the famous painter and educator of the time, Christian Grippenkel, and after completing three years of studies, he still followed the teacher to study history painting. He also studied with Professor Müller, who was known for his Orientalist style of historical and genre paintings, and soon became one of the best of his students.
Serbian realist painter Paja Yovanović's appreciation of "The Wounded Montenegrin"
Paya Yovanović" The Wounded Montenegrin Paya loves to travel and has been to many places in the world. During his travels, he drew a lot of sketches. The landscapes, people, national costumes, costumes, and daily life and customs of various countries and cities along the way are recorded. He found creative inspiration from his travels, creating things like "The Wounded Montenegrin", "Guslar", "Dress up the Bride", "Cockfighting"... And many other excellent paintings, at a young age it became famous throughout Europe.
Serbian realist painter Paja Yovanović's appreciation of "Cockfighting"
Paja Yovanović's Cockfighting Paja became the pride of Serbia, when reproductions of Paja paintings hung in almost every household's room, and the people of Serbia were proud of him. The Serbian government approved him as a member of the Serbian Academic Association in 1884, when he was only 25 years old, and only 4 years later, Paya, who was under the age of thirty, was elected a full member of the Royal Academy of Serbia.
Serbian realist painter Paja Yovanović's appreciation of "Dressing up the Bride"
Paja Yovanović's "Dressing up the Bride" Paya created many famous historical paintings, such as "Serbian Immigrants", which is known as the immortal giant. After 1905, Paya began to focus on portraiture, which included many nobles, celebrities and, of course, his beloved wife.
Serbian realist painter Paja Yovanović's appreciation of "Serbian Immigrants"
Paja Jovanović's Serbian Immigrants Began in 1895, When Paja Jovanović painted historical works, in the same year he received two important commissions for the Millennium Exhibition in Budapest. The Serbian patriarch Georgyje Branković commissioned him to paint an immortal historical work 'Serbian Immigrants' under the leadership of patriarch Arsenije III Čarnojević. Another commission was made by the town of Vršac for the drawing of 'triptych'. After a long period of scientific research and travel and ten months of hard work, the painter was satisfied, but not the patriarch.
An appreciation of "Maria of Yugoslavia" by the Serbian realist painter Paja Yovanović
Paja Yovanović "Maria of Yugoslavia" Paja Yovanović became the most important painter in the history of Serbian painting and a representative of the realist and classicist styles, in recognition of his great achievements in art, in 1949 the Serbian government awarded him the title of "First People's Merit". In 1957, Paya died, and 20 years later, Serbia hosted the exhibition "Permanent Memorial of Paya Yovanović" to commemorate the greatest artist in the hearts of the Serbian people.
Serbian realist painter Paya Yovanović's appreciation of "Brazil Bazocz in front of the door"
After graduating from secondary school, He studied at the Academy of Fine Arts under the study of the respected painter and educator Christian Griepenkerl. He completed his studies in three years, but he continued his education with the same professor, taking special courses in historical painting.
Serbian realist painter Paja Yovanović's "Traitor" appreciation
At the same time, He took several important courses taught by Leopold Carl Müller, when he was a very popular and famous historical and genre painter, who was particularly known for his paintings of oriental motifs, especially from Egypt. Soon, Paya became his best student.
Serbian realist painter Paja Yovanović's "Sword Dance"
Paja Yovanović (1859 1957) Sword Dance, private collection. He found inspiration for his work in numerous travels. As a student, he traveled to Montenegro, the coastal regions, Albania, Bosnia and Herzegovina, and southern and eastern Serbia. During his travels, he sketched daily life and customs. He recorded in detail the landscapes, people, folk costumes, jewelry and weapons.
Serbian realist painter Paja Yovanović's "Serbian Migra"
Paja Yovanović's Serbian Migra he created is full of impressions: 'Wounded Montenegrin' (he received an Imperial scholarship for this painting), 'Guslar', 'Decorating the Bride', 'Arnott and Zibuk', 'Cockfighting'... These paintings made Paja Jovanović famous, especially in Europe, which was very interested in the Balkans at that time.
Serbian realist painter Paja Yovanović's "Tarengar Snake"
Paya Yovanović's Tarunge Snake Serbia is proud of its young and famous artist. Almost every household has reproductions of some of his paintings, which represent themes in Serbian history or everyday life. The Serbian government was proud that he introduced Serbian history and culture to the world, and in 1884 made him a corresponding member of the Serbian Academic Association. Four years later, in 1888, he was elected a full member of the Royal Serbian Academy.
An appreciation of the Serbian realist painter Paja Yovanović's Kas Machevanje
Paya Yovanovich "Kas Machevanye"
Serbian realist painter Paja Yovanović's Appreciation of Greek Soldiers and Female Traitors
Paya Yovanovich's "Greek Soldiers and Female Traitors" Paya once confessed that he liked the creation of female themes the most, because he felt that the beauty of women was the real beauty, and his wife Mooney had been his model for a long time, and she could often be seen in Paya's works.
Serbian realist painter Paja Yovanović's "Market Scene"
Palya Yovanović's "Market Scene" Due to his complaints and remarks, mainly of a political nature, the paintings of 'Serbian immigrants' were not exhibited at the Millennium Exhibition, but rather 'Vršac Triptych': 'Mowing', 'Harvest', 'Market', which is seen as an expression of good relations between Serbs, Hungarians and Germans.
Serbian realist painter Paja Yovanović's "Vika"
Paja Jovanović's Vika After 1905, Paja Jovanović devoted himself to portrait painting. He painted many rulers, politicians, aristocrats, scientists, artists, and most importantly he liked to draw female characters because, according to him, he was painting "beauty"!
Serbian realist painter Paja Yovanovic's appreciation of "Flowers in a Vase"
Paja Yovanovich, "Flowers in a Vase"
Appreciation of the Serbian realist painter Paja Yovanović's "Cluny Sanj Kara Dushana"
Paya Yovanovich, "Cluny Sanje Kara Dushana"
Serbian realist painter Paja Yovanović's Appreciation of Landscapes in a Storm
Paja Yovanović, "A Landscape in a Storm"
Serbian realist painter Paja Yovanović's Appreciation of The Mill Interior
Paya Yovanovich," The Mill Interior
Serbian realist painter Paja Yovanović's appreciation of "Happy Soldier"
Paya Yovanovich, "Happy Soldier"
Appreciation of the Serbian realist painter Paja Yovanović's Portrait of Madame Gattenberg
Paja Jovanovich's Portrait of Mrs. Gattenberg
Appreciation of the Young Woman by the Serbian realist painter Paja Yovanović
Paja Yovanović, "The Young Woman"
Serbian realist painter Paja Yovanović's Portrait of the Lady by the Fireplace
Paja Yovanović,Portrait of the Lady by the Fireplace
Appreciation of the Portrait of August Hooker by the Serbian realist painter Paya Yovanović
Paja Yovanovich's Portrait of AugustE Huker, 1914.
Serbian realist painter Paja Yovanović's Portrait of a Young Woman in a Pink Dress
Paja Yovanovich, Portrait of a Young Woman in a Pink Dress
Serbian realist painter Paja Yovanović's Portrait of Baroness Elrango
Paja Yovanović's Portrait of Baroness Elranga
Serbian realist painter Paja Yovanović's Appreciation of The NobleWoman and the Flowers
Paya Yovanovich, The NobleWoman and the Flowers
Serbian realist painter Paja Yovanovic's Portrait of Queen Maria Karadorjević
Paja Yovanovich Portrait of Queen Maria Karadorjević
Serbian realist painter Paja Yovanović's "San Sava Miri Zawajenu Brachu" appreciation
Paja Yovanović, "Saint Sava Miri Zavajenu Brachu"
Appreciation of the Serbian realist painter Paja Yovanović's Portrait of Vlada Ilyich
Paja Yovanović,Portrait of Vlada Ilyich
Appreciation of the Serbian realist painter Paya Yovanović's Zenidba Kara Dusana
Paya Yovanovich, Zenidba Kara Dusana, 1901.
Serbian realist painter Paja Yovanović's Appreciation of The Hunter
Paya Yovanović in "The Orion"
Serbian realist painter Paja Yovanović's appreciation of "Needlework"
Paya Yovanovich's Needlework
Serbian realist painter Paja Yovanović's "Maiden" appreciation
Paya Yovanović in "The Maiden"
Serbian realist painter Paja Yovanović's "Sight" appreciation
Paja Yovanović's "Sight"
Pakhayovanovich was a painter of great talent and was very successful nationally and internationally. Always praised and loved. Although later in his life, his art criticism and some were dismissed by the 20th century as an outdated, dry art critic, staged, detached from real life and sterile models of academic realism. Regardless of the academic art establishment point, but the truth is that his art is loved by people.