The 1980s and 1990s were the era when Hong Kong dramas were introduced to the mainland the most, and just after experiencing reform and opening up in China, there were only a few mainland dramas, which could not meet the needs of the audience, so one Hong Kong drama after another was introduced to the mainland. As a member of the post-80s generation who watched Hong Kong dramas since childhood, one of the scenes is remembered in his carefree era, and he has not forgotten it many years later.
The urban women played by Xuan Xuan are always strong and painful, and sometimes wonder if people who are strong in their hearts and always think about others are not worthy of care? A pair of love enemies in the play can't say who is good and who is bad and who is right and who is wrong, but the scene where Wu Qiaojun lets go is painful, but I don't know if the moment when the ending shot is frozen will be a new beginning.
Qi Haonan should be one of the most attractive characters created by Wen Zhaolun. "After Qi Haonan, Hong Kong drama has no more love" This is the evaluation of this role by many Hong Kong opera fans, just like the title, he travels back and forth between good and evil, constantly choosing between love and family affection, and the extremely full character shaping has created the character's deep popularity. When he and another stubborn, love-hate girl overcome all difficulties and hug each other, the sunset reflects on each other's bodies, and the picture gradually loses color and becomes an eternal classic color.