Since last July, the movie "Drive My Car" has won major awards internationally.
Director and screenwriter Ryusuke Hamaguchi has once again left a strong mark on his career.
The Japanese film newspaper has a long history of founding.
At the beginning of the year, the 95th Japan Top Ten Film Selection Event has come to an end, and "Driving My Car" has undoubtedly come out on top.
But another film that only came after it and helped Makiko Oino seal, I feel the need to say something about it-
Makiko Owano made her debut at the age of 16 by starring in director Naomi Kawase's feature film debut "Suzaku no Suzaku".
The film not only became the director's masterpiece that won the Cannes Golden Camera Award, but also made the young Machiko receive more attention.
Early fame and high starting point.
Although she has always been active in the field of film, she has played familiar roles, in addition to the gentle traditional housewife Nono miya midori in "Like Father Like Son", more on the TV screen.
In "The Most Perfect Divorce", a pot of soul broth is boiled, and in "Screaming" and "Killer Ghost Fujiko", the crime of evil women is confirmed.
Machiko's popularity is not low, but there is still something missing.
Debuted 25 years, all the way around.
It wasn't until this year that she finally closed the newspaper.
The title of the film is "Akane Like Burning".
The fierce crimson red is the main color of the sunset, and it is also the angry and tragic life of Ryoko (Makiko Oino).
Seven years ago, a car accident killed her husband, Yoichi (Oda Chejang).
Seven years later, the perpetrator of the car accident died.
Ryoko attended the funeral ceremony.
Witnessing the destruction of her family, the local high-ranking official successfully completed the farewell ceremony of her life.
Subsequently, she was expelled from the family of a high-ranking official.
The son of the sinner stands in the posture of the victim, and the presence of the good son is seen as having ulterior motives.
Do you have an ulterior motive? Maybe.
She wanted to see how the 92-year-old high-ranking official who had drawn the end of his life had retired in the eyes of everyone.
And her husband Yang Yi's newly started 30-year-old life came to a hasty end, all because the senior official mistakenly used the accelerator as a brake when driving.
Senior officials bowed down for the people, easily escaped the disaster of imprisonment, and incidentally appeared to say the word "grass and human life".
The future that Ryoko firmly believes that her husband will eventually become a superior person has been shelved.
And she made a surprising decision when the pillars of her life collapsed seven years ago: to refuse compensation from high-ranking officials.
Only because the other party has been indifferent to her husband's life from beginning to end.
Ryoko vainly tries to prove with her insistence that her husband Yang Yi is not an ant that can be looked down upon by them.
However, the hardships of her daily exhaustion and life could not be exchanged for the introspection of high-ranking officials and their families, leaving her life stretched thin and chicken feathers.
"The compensation is borne by the insurance company, whether you want it or not is your business."
The great gulf drawn between the two classes has long hinted at the outcome, with perpetrators not breaking out in a cold sweat in the middle of the night, while the families of the victims are struggling to survive under the weight of life.
Ryoko's son, Junpei, has grown to the age of 13.
His way of expressing anger is to simply and rudely interrogate his mother, Liangzi, who is always in a light and breezy state.
Seven years, falling on the timeline is a long distance.
Ryoko has long been accustomed to running the house alone every day, working part-time in a flower shop during the day and working at the Wind Moon place at night.
Flowers in the flower shop need to be dealt with in time after damage,
Liangzi looks at it with pity, but he will be accused of illegal operation when he takes it away without permission;
Guests of the Wind Moon Place spend money to spend,
Ryoko will hug each other after providing the service, and then exchange the other party's blank eyes.
Every trajectory in this world has its own direction of progress.
At the moment of the spread of the epidemic, the café that Ryoko had previously operated closed down, and only silently followed the rules formulated on different survival paths.
As sex workers, the epidemic and STD prevention are two hurdles.
Even if Ryoko does his best to please his guests, the income from his labor is only a drop in the bucket in the face of the embarrassing living conditions.
Rent water and electricity, food and clothing, ask for money.
The son is in school, the father-in-law lives in a nursing home, and asks for money.
The film notes every income and expenditure in great detail, even if it is an additional meal fee, which is also an important expense related to the livelihood of the mother and son.
The hard-earned savings are always flowing away.
Yang Yi's friends come every year to mourn before Yang Yi's death day.
A group of people drank around the table until the wine was smoked.
Talking about the events of that year, the interest is grandly laughing at Liangzi, and the private performance is even more arrogant.
In the name of Yang Yi's friend, he talked about Liangzi's bitterness in a hypocritical way, but what he was worried about was the little thing on the bed.
Ryoko was not annoyed either, but politely refused.
In the seven years since Yang Yi's death, she not only shouldered the responsibility of taking care of the family, but even sent living expenses to Yang Yi's illegitimate son every month.
The pain that came from her lover's deception, she swallowed it in one gulp, silent.
It wasn't until the fate of her first love returned to her life that she regained her enthusiasm for life.
In order to express her sincerity in continuing the frontier with her first love, Ryoko resigned from the job of the custom shop for the first time.
The emotional foundation that once took root in Ryoko's lonely life for a long time, but was crushed into smoke before breaking through the ground.
It was the night when she and her first love were about to warm up, and she took the initiative to confess her experience working in the custom shop.
The good son who is exhausted every day is not anyone's mother or daughter-in-law at this moment, but a woman who is ready to give her whole body to her lover.
But the response of first love is tantamount to a basin of cold water.
The words were stacked together, extinguishing Ryoko's hard-won hope.
Why is that?
The perpetrator is a high-ranking official, Houlu, and his merits are perfect.
The little sisters of Feng Yue, who have the same disease, have been raped by their father since they were young, suffer from diabetes, and live by selling their flesh.
The son used the reward she earned to serve men, but he hated her.
Her husband was unfaithful to her and left her a burden after his death.
Her husband's colleagues used her as a teasing talk, and when he was drunk, he used his hands and feet.
Now, even the first love that confessed that "I have always liked you" is just a vulgar embryo that makes fun of her.
Is this the end of her carefully following the rules?
Ryoko no longer had patience, and while hitting the scumbag, she was also embarrassed.
If the laws of social survival are forever stingy with the vulnerable, she decides to fight back after she has renounced her anger.
But will life get better?
The little sister of Fengyue jumped off a building to commit suicide, and the money left for Liangzi may help her alleviate the problem, but it cannot be cured.
The gods that everyone had heard of but had never seen had ever patronized her life.
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Under the scorching sunset.
Junpei sat in the back seat of Ryoko's car, quietly watching his mother's back.
This woman is always quiet to bear.
She had weak shoulders and carried too much on her back.
Along the way, was her persistence right?
Seen as an ant, is the life of an ant doomed to be futile?
Junping didn't know.
But her mother came over.