Jiang Shuying is in the workplace drama again, performing her acting skills to charm sentient beings!
After watching "Lady's Law", after a few episodes, it is Jiang Shuying's fiery red lips, the attitude of defiance of sentient beings, the arrogant style, and the ubiquitous honey smile.
Looking back at her play, all these expressions, the performance of the action, as if they were all artificially cut out, the movements were uniform, and the performance was surprisingly consistent before and after.
It is hard to imagine what this drama would look like if Jiang Shuying was a fan of the hit drama "Thirty Only".
If "Sweeping Black Storm" is not a group portrait play, will the audience abandon the play because of Jiang Shuying?
Women in the workplace seem to be the best and most suitable role positioning for Jiang Shuying.
But no matter what kind of professional role, in her way of acting, it is the same shape and expression.
Beauty is beautiful, but see more, but it is the feeling of wanting to throw up!
I have to say that the workplace drama is really a performance of middle-aged female stars. All occupations are expressed by them as a consistent logic of stylized behavior.
They are all gold, strong, rely on beauty to get career help, and in various conflicts of interest, they come out on top!
Yin Tao's acting skills are obvious to all, right? Zheng Juan in "The World of Man" was expressed by her in the slightest.
It is hard to imagine that Yin Tao, who is known for her beauty, plays such an uncultured housewife, and can also achieve a perfect fit between the role and the actor!
But in the workplace drama "Zheng Youth", Yin Tao, who combs her big oil head and wears a coat, seems to have become a female black boss in the workplace, and the pompous breath comes to the face, making people can't bear to look at it directly!
However, in the period drama, whether it is "The World of Man", "Chicken Feathers Fly to the Sky" or "Wenzhou Family", Yin Tao's performance is like the existence of the acting ceiling.
Similarly, in "The Law of the Lady", as a second-time Liu Mintao, acting skills have always been recognized.
Whether it is the big sister Spiegel in "The Pretender", the jing concubine in "Langya List", or the female teacher who can't see the position in "Parental Love", Liu Mintao's acting skills are not a problem.
But when it comes to workplace dramas, Liu Mintao's acting skills have become the memes that squeeze their eyebrows and make eyes in the Jiangsu Satellite TV party.
Gu Jie in "Elite Lawyer" and the top executives of foreign companies in "Zheng Youth", the acting expressions are the same. Under the appearance of the powerful aura, with a hint of insidiousness, this is Liu Mintao's label in the workplace drama.
Even in "Lady's Law", Liu Mintao is performing, but he can't escape the appearance mode of walking the model step and the three characters' herringbone positions.
However, compared with Yin Tao, Liu Mintao, Jiang Shuying, whose acting skills are mediocre, every workplace drama is basically the same as the existence of a rollover.
The unpleasant character design, the beautiful shape, the look of Gu Pansheng's eyes, and the fan smile that hangs on her face at all times will always make people feel that she is not in the workplace, as if she is in the night show.
The most normal performance of domestic middle-aged actresses in workplace dramas may be Chen Shu.
This is because, in her temperament, there are professional women who are cool and capable, and at the same time, there is no so-called workplace strong woman, exaggerated big sister big pie.
In the so-called office politics, in the same male role, it does not give the impression of "Israel seductive".
To put it bluntly, this is the actor's own temperament, the perception brought to the audience. Even in a bad drama like "Perfect Relationship", Chen Shu did not lose the audience's popularity.
And middle-aged actresses like Yin Tao and Song Jia, in workplace dramas, behave too hard, and like Jiang Shuying, they behave too greasy.
The effect of such expression is to make the audience not believe in the character. At the same time, I don't like the character much.