Nearly 20 years after the broadcast of the TV series "Young Heavenly Son", Hao Lei, who plays the empress, gave this evaluation when she saw that the old classics were reproduced by Zhang Meng and other actors:
I don't believe you're playing the nobility, because earrings don't just act as beauty, it also controls your behavior.
One sentence tells the details that the queen needs to pay attention to.
During the Qing Dynasty, most of the empresses were born extraordinary, so regardless of their respective personalities, their temperament and manners were more noble and self-sustaining.
Even after the abolition of Shunzhi in "Young Heavenly Son", daily travel is just as dignified and generous.
In the dynasties before the Qing Dynasty, the empresses had different origins, including commoners, slaves, and singers and prostitutes.
However, because most of them were Han Dynasties (non-regimes), the empress mainly focused on virtuousness and courtesy, so it was usually impossible to have a wandering skeleton.
In film and television dramas, it is easy to act as "facial paralysis" if you are not careful, so the role of the queen is not easy to play, but the show business circle is not without competent actors.
Next, this article will focus on acting skills, combined with fullness and styling, etc., to give a name to the 10 actresses who interpret the queen the most brilliantly:
10th, "Wu Zetian": Zheng Shuang as "Empress Wang"
First of all, let's explain that this "Zheng Shuang" is not the other "Zheng Shuang".
The 1995 version of "Wu Zetian" can be described as beautiful as a cloud, in addition to Liu Xiaoqing, there are Also Ru Ping, Li Jianqun, and Zheng Shuang, the "Empress Wang" who is to be talked about here.
In today's terms, Zheng Shuang is the standard "thick face system".
Coupled with Mao Geping's superb makeup skills, Empress Wang shows grace and elegance, as well as a variety of gorgeous and exquisite buns, which are beautiful to the point of aphasia.
Even after being abolished, dressed in a cloth skirt, she is still beautiful and dignified, not humble.
After Empress Wang was deposed, Wu Zetian came to see her, but she only raised her head slightly, and then looked at the other party with a plain but determined look.
In fact, Wu Zetian wanted to let her go, but Empress Wang's inner self-esteem and indomitability made it impossible for her to lower her head.
She walked slowly to Wu Zetian and talked about how he had been so cruel as to kill her own daughter, and her eyes were both shocked and ashamed.
Then he laughed a few times, and then returned to calm, which was in stark contrast to the frightened Wu Zetian.
In front of Liu Xiaoqing, who has superb acting skills, Zheng Shuang's performance is not inferior at all.
It is worth mentioning that Zheng Shuang is a knife and horse actor, with a good martial arts foundation, and there is actually a heroic spirit on his body.
But in this drama, her temperament and demeanor between her conversations are full of ancient charm, and there is still a bit of delicacy.
It can be said that it really performed the nobility of the daughter of the nobility in the prosperous Tang Dynasty, and it can also be seen that she was careful in the details of the performance.
9th place, "Yanxi Raiders" Qin Lan as "Empress Fucha"
For Qin Lan, from zhihua to "white moonlight" Fucha Rongyin, "Yanxi Raiders" undoubtedly successfully reversed the previous audience's screen impression of her.
Whether it is the deep affection between the early and the Qianlong Emperor and the envy of others, or the repeated tolerance of the villains in the middle stage, or the whole process of gradually becoming discouraged due to the loss of the son and the centrifugation of the empress in the later stage.
Qin Lan's performance is natural and smooth, so that the audience is deeply moved by such an empress who does not compete for grace and is not stained with the world, and even knocks the audience's heartache and is not willing to be willing.
Objectively speaking, the drama "Yanxi Raiders" still has a fairly strong cool drama style, which also has a certain impact on the actor's performance style.
However, Qin Lan still tried his best to collect and release the land, and completed the scenes in the play that had a strong emotional explosive force, such as the more classic bereavement plot, which earned a lot of tears from the audience.
Especially when Fu cha Rongyin asked Qianlong "who am I?", he got the answer that "you are the wife of Yuan, and the empress of the Great Qing Dynasty under the mother's world".
At this time, the queen instantly slid down tears, and this section of the screen can make people feel desperate.
Thinking that Qiong Yao had given a high evaluation of "Qin Lan a tear and a star in the sky" before, it can be seen that it is worthy of the name.
After being tied to the bed by Qianlong, the empress at this time was no longer as excited as before, but her eyes were dull and her lips were trembling, and she still did not hide her sorrow.
It is worth mentioning that Fu cha Rongyin is not the first time that Qin Lan has played the role of an empress, as early as in the movie "The King's Feast" and the TV series "The Legend of Chu Han", she has twice starred in the role of Lü Yan.
Interpreting such a completely different role from Empress Fucha, Qin Lan's performance still won the recognition of many audiences.
8th, "The Secret History of Xiaozhuang": Wu Qianqian as "Zhe zhe"
When talking about the play "The Secret History of Xiaozhuang", the first role that most viewers think of should be Xiaozhuang, played by Tranquility.
However, in the play, Xiaozhuang's aunt, Dolgun's fourth sister-in-law, and the first empress of the Emperor Taiji, "Zhezhe", can make several big people with the ability to rewrite history respect her incomparably, which shows her extraordinary wisdom and way of dealing with the world.
And let Wu Qianqian, who is known as the "first beauty of Hangzhou", play Empress Zhezhe, the casting vision of the crew is really amazing.
Wu Qianqian had a proper "zhenggong face", sitting there, without even speaking, she could make people feel the majesty and nobility of the empress.
Between her hands and feet, she was full of dignity and decency, and sometimes even the aura of Huang Taiji was slightly inferior.
Once, when she heard Emperor Taiji say after Dorgon's death (here Dorgon is actually only injured), "Dorgon I keep it and use it", Zhezhe suddenly felt that the husband in front of her was a little strange.
She stared at Huang Taiji and saw that the other party was a little frightened.
And when her husband explained to him the difficulties of a king of a country, the corners of her eyes and eyebrows gradually showed warmth and love.
However, after Hai lanzhu entered the palace, the emperor Taiji was extremely fond of him, and the relationship between him and Zhe Zhe gradually became cold, and even went to find a wife for Hai Lan zhu.
Despite this, Zhe Zhe still maintained the dignity of the mother of the country, and after saying a sentence of "I am also tired", he resolutely left with tears in his eyes.
In just two minutes of the clip, Wu Qianqian uses meticulous micro-expressions to process, allowing the audience to feel the disappointment of an empress in the emperor and the heartbreak of a wife to her husband.
After the drama was broadcast, Wu Qianqian also won the recognition of the Best Supporting Actress of the Chunyan Awards that year with the role of Zhezhe.
7th place, "Huan Zhu Ge Ge Ge " (Part 3) Jiang LiLi as "Following the Uranara Clan"
In the "Return the Pearl" series, the image of the queen in the first two dramas can be said to be classic to the point of being a household name.
But the end of the queen is actually not explained until the third part.
In this drama, the actor who plays the empress has also changed from Dai Chunrong to Jiang Lili, and from the temperament point of view, the latter is obviously gentle and elegant.
However, Jiang Lili is also a partial atmospheric appearance, so playing the empress of the prominent family, there is no sense of violation, and the appearance is also very classical.
This version of the queen does not have many scenes, but the actor's interpretation is not inferior, of which the "hair-breaking" trick scene is the most memorable.
It happened during the southern tour, Qianlong wanted to seal the singer xia Yingying as a noble concubine, and it was useless for anyone to persuade her.
At first, when the empress dowager came to the empress to persuade the emperor, the empress also refused.
But when the empress dowager mentioned that she was really a person for the good of the emperor, she was touched.
Then, she spent two hours writing a blood book with her own blood and playing it to the emperor in person.
When she handed over the blood book, she still had some expectations for Qianlong, hoping that he would understand something and take back his life.
However, Qianlong not only tore up the blood book in anger, but also insulted her loyalty and sincerity.
What follows is the classic "haircut" plot, and in this paragraph, I think Jiang Lili's performance is the most infectious of the various versions.
With some resentment, she first preached that "the love is over, the fate is over", and then she began to cut her own hair, and after cutting it, she crashed into the wall.
When all thoughts were gray, Aunt Rong mentioned the twelve brothers, and the queen was frightened, and a tear immediately slipped down.
At this time, the emperor said that he would not make a noble concubine for the time being, but would take the empress's throne.
After the empress heard it, it was as calm as relief, and one thanked the emperor and said "Goodbye indefinitely, the emperor cherishes" to bid farewell to her husband.
Jiang Lili handled the emotions of this paragraph very well, which can be described as layer by layer and directly hit people's hearts.
6th place, "Emperor Wu of Han" Lin Jing as "Wei Zifu"
For historical dramas, it is not only necessary to pay attention to historical logic, but also to a large extent, it will also increase the difficulty of the performance.
Even in a man's play like "Emperor Wu of Han", playing Wei Zifu from the age of 16 to 56 years old is also a great test of the level of the actor.
Lin Jing, the actor who plays this role, is estimated to be "Ding Minjun" in the eyes of everyone, but the image of Wei Zifu interpreted by her interpretation is still a classic for many audiences.
As the second empress of Emperor Wu of Han, Wei Zifu's life is full of legends, and his single line can be very fulfilling and wonderful.
When dealing with this role, Lin Jing performed a staged performance according to the development of the plot.
In the early days, when Emperor Wu of Han fell in love at first sight, although there were also some daughters who were delicate, in most cases, Wei Zifu remained calm and introverted.
When she was sealed, even if the scenery was infinite, she still did not have a half-proud look.
Of course, as a tragic victim of imperial power, Wei Zifu's later experience is even more stifled.
At this stage, Lin Jing, who was still a young actor at the time, undoubtedly gave a satisfactory answer.
First of all, she handled the character's old age demeanor and walking posture very well, including the look and reaction when speaking, which can be seen that the actor has undergone some careful speculation.
Wei Zifu is not as domineering as Lü Yan and others, and her traditional femininity is quite prominent, so when playing such a role, the actor must know how to control and grasp the balance, which Lin Jing does very well.
In addition, even if Lan yin is fruitless and cannot die well, from a low-brow and gentle beauty to a mother of the country who rises up to seize power, Wei Zifu is also very strong.
When she said that "even if you want to die, you must die innocently", her eyes were full of determination and determination, which made the Han Wudi emperor on the side also shock the audience.
Lin Jing is a typical Dan phoenix eye, but the eyes are very large, narrow nose bridge, petal lips, very classical beauty charm.
Between the hands and feet, it also shows the ancient charm of the Han style, which can be described as a divine form and a tragic interpretation of the tragic life of a generation of sages.
5th place, "Ruyi Zhuan" Zhou Xun as "Ruyi" (i.e. the successor Uranara clan)
As a court drama, "Ruyi Zhuan" has caused a lot of controversy after it was broadcast, especially the girlish appearance of Zhou Xun in the play, which is constantly complaining.
But as far as performance is concerned, Zhou Xun's performance is really not questioned.
In the play, she interprets Ruyi's helplessness in marriage and the difficulty of survival in a rather delicate way.
Zhou Xun's performance is relatively gentle and introverted, she is good at eye drama, and often adds drama to the inner drama of the characters, which is very in line with the tragic and heavy tone of the whole play.
For example, after becoming a side Fujin, Ruyi holds her cheeks with one hand and looks at Hongli with affection, at this time, everyone can see her love and admiration for her husband.
After becoming a successor, Ruyi's eyes gradually became calm and calm, which not only gave Hyland and others in the play enough security, but even the audience would feel at ease.
After three years of cold palace, Ruyi never complained and felt self-pity, but when she sat alone and looked into the distance with tears in her eyes, a calm sadness still spread.
For example, when he was betrayed by Ah Zhen, Zhou Xun chose to use the detailed interpretation method with tears in his eyes and the twitching of the corners of his mouth to present the shock and disappointment of the character.
And in this section of hair loss, just from the look of the eyes, it can already make people deeply appreciate that Ruyi's former tenderness and sweetness are no longer there, leaving only indifference and disdain for Qianlong.
Here and Huan Zhusan's story and emotional preparation are different, such as Yi and Qianlong young couple so far, has only left tired and bored.
Whether it is talking about Qianlong's rigid nature, or lamenting that "two and two look at each other, only disappointment", Ruyi has always maintained a restrained calm.
There is no hoarseness, no collapse, naturally there is no so-called "acting explosion", but this does not mean that the performance is unqualified.
4th place, "Young Heavenly Son" Hao Lei as "Shunzhi After the Abolition"
Although the Shunzhi Emperor had only a short life of 24 years, the number of his harems was not small, as many as 30 or more.
The first empress was the Horqin Borjigit clan, often referred to as the Shunzhi Emperor.
Her date of birth is unknown, and the historical records record only a few simple information: beautiful appearance, but jealous and extravagant, only two years as empress, she was deposed and demoted to a concubine.
In the drama "Young Heavenly Son", the image of the empress is shaped to be very full and three-dimensional, which is not only due to the skill of screenwriter and director Liu Heng, but also can not ignore the excellent performance of the actor Hao Lei.
Watching the whole drama, she and Shunzhi only talked and laughed on the wedding night, and then there were various conflicts and conflicts.
The empress grew up in the Horqin grassland, violent and fierce, stubborn and paranoid, she dared to say no to the emperor, and she dared to say no to Xiaozhuang.
In the play, the clips of her anger at Shunzhi and Xiaozhuang are sparkled and full of tension, which makes people enjoy watching it very enjoyably.
Hao Lei's original lines are sonorous and powerful, and the emotional transformation is clearly layered, even in front of the drama bone Pan Hong, he has not been suppressed for half a minute.
In addition, when she went to visit the pregnant Concubine Tong, she spoke in a flat tone and with a gentle attitude, but she could make the audience, like Tong Fei, frighten the atmosphere and dare not breathe.
By the middle and late stages of the plot, the queen sits in a rocking chair and sniffs melon seeds like the wedding night, but her eyes have become like a dry well.
When she starred in this play, Hao Lei was 24 years old, whether it was her line skills, body language, whether it was the overall aura or the details processing, she was the best among young actors.
She uses a slightly "neurotic" way of performing, showing the harem women who have gradually alienated under the oppression of the feudal dynasty, which is sad and lamentable, hateful and pitiful.
3rd place, "Huan Zhu Ge Ge" (Part 1 and 2) Dai ChunRong as "Successor Uranara Clan"
For many post-80s and post-90s audiences, the most impressive and classic queen image should be the successor Uranara clan played by Dai Chunrong in the 1st and 2th parts of "Huan Zhu Gege".
In both plays, darkness and evil are often seen as synonymous with queens.
From the moment she appeared, the empress gave people a sense of oppression that was not easy to provoke, and there were few opportunities for calm conversation with the emperor.
In fact, this role is not only evil, but also its actor Dai Chunrong, who also interprets other characteristics of the role very well.
It's just that under the filter of "truth, goodness and beauty" promoted by the protagonist group, these qualities are often ignored.
First of all, although it is a different drama, the subsequent Uranara clan is the same self-esteem is stronger.
When Aunt Rong told her that the other ladies were doing everything in their power to please the emperor, she sneered and said:
Clever words are really detrimental to my dignity, and I can't do it.
Looking closely at Dai Chunrong's performance, you will find that she often arrogantly looks down or contemptuously in front of Xiaoyanzi.
In front of the emperor, even if she was afraid of the emperor's power, she rarely bowed down and humbly flattered the emperor.
But the queen's loneliness and heartache are still everywhere.
As if she were alone in the palace, she couldn't help but sigh: This Kunning Palace is really very cold and cold.
The cold, of course, is not just her body, but her heart.
When the plot reached the palace of The Fragrant Concubine, Qianlong fell in love with her at first sight, and at the fireworks party, the empress seemed to have an inductive look at the emperor.
The result, of course, was to see her husband staring at Xiangfei, and her eyes were instantly dim, and the change in the eyes in these few seconds of the play, Dai Chunrong handled it very well.
Of course, the deepest love between this drama and the queen is Grandma Rong, and the relationship between the master and the servant has been sublimated into family affection.
In order to accommodate Mamma, the empress rarely burst into tears and knelt down to beg for forgiveness, and it is not an exaggeration to say that it is the most tearful fragment in the pearl.
It is worth mentioning that after filming the Return pearl series, Dai Chunrong played many roles of harem concubines.
For example, Lü Yan in "Beauty And The Heart", the lonely empress in "The Imperial Princess of the World", etc., and gradually became the "queen professional household" of domestic dramas.
2nd place, "The Biography of Zhen Huan" Cai Shaofen as "Yi Xiu" (Empress of the Uranara clan)
Although the famous line in the play, "Concubines can't do it" has become a funny hot meme, it must be admitted that Cai Shaofen's acting skills in this drama can be called free and relaxed, and her image outside the play is like two people.
Especially Yi Xiu's "calm", she handles it very layeredly and holds the role quite well.
TVB gold medal producer Qi Qiyi once commented: Cai Shaofen has superb acting skills and can control the wire freely, which has proved to be true.
And how not to play "calm" into "facial paralysis", other actors can learn from Cai Shaofen.
Micro-expression changes, eye changes, and even the size of the mouth opening and closing, the amplitude of head movements, can all be used to interpret the emotions of the characters.
And several scenes in which Yi Xiu is not calm have also become the famous scenes of "The Biography of Zhen Huan".
One is the rivalry with Yongzheng after the bad things have been exposed.
When it comes to the death of her own son, she is sad; when she looks back on ChunYuan's past, she is angry and hateful.
And when she dissected her feelings for the emperor, she was heartbroken.
The phrase "concubines can't do it" is what she has always said: she can't resent, let alone get revenge on her husband.
The excitement of this scene is no less than any famous scene in the play, and Cai Shaofen and Chen Jianbin can catch each other's scenes and cooperate very well.
And then there's the Queen's last scene:
Zhen Huan came to visit, and at this time, Yi Xiu no longer had the same radiance as before, but he was still unyielding and resentfully confronted Zhen Huan.
She first squinted disdainfully at Zhen Huan, then walked down step by step from the collapse, and then approached Zhen Huan and looked down at her.
The two-minute clip, the position is perfect, the performance is in place, it can be seen that the director's skills are deep enough, and the actor's acting skills are online.
No. 1, "Song of the Great Wind" Wang Ji as "Lü Yan"
In the history of domestic dramas, Lü Yan has been put on the screen dozens of times, and there are also many actors who have performed brilliantly.
The reason why Wang Ji is ranked first here is first, first of all, the drama "Song of the Great Wind" has nearly 10 episodes, which is to describe the stage of Lü Yan's appointment as empress.
Secondly, Wang Ji's resolute appearance and temperament are very suitable for Lu Lu.
In the end, of course, her acting skills are enough to support the image of Lü Hou, and Wang Ji is also the only leading actor in the play who does not use dubbing.
When starring in this drama, she said that in addition to the general impression, Lu Lu also has a fairly feminine and maternal side.
In the play, there are many scenes depicting Lü Yan and Liu Bang getting along with each other, and When Wang Ji deals with these scenes, she will put away her domineering and perseverance, showing the gentleness and virtuousness of being a woman.
Unfortunately, Liu Bang was annoyed with her, and even when he helped him wash his feet, he still picked and chose vigorously.
In this fragment, Lü Hou was first a little surprised by her husband's dislike, and when Liu Bang called a maid to serve and wash her feet, she could not hide her grievances, and her voice gradually became choked.
At this time, although Lü Yan's wrist was very comparable, he had not yet fully become a political figure in the impression of posterity.
After Liu Bang's death, the harem concubines guarded his soul, and Lü Yan dealt with everyone's whereabouts one by one, including Naturally Lady Qi.
This paragraph is very nervous to watch, although Mrs. Qi's ending is mostly clear to the audience, but Wang Ji's aura is still chilling.
After Liu Ying ascended the throne, Lü Yan threw herself into the government of the dynasty, and Wang Ji's aura became more and more powerful, making the audience believe that this was the first woman to take the throne after Qin Shi Huang unified China.
It is worth mentioning that the focus of the drama "The Song of the Great Wind" is actually on the rule of Wenjing, but Wang Ji still recommends herself to play the role of Lü Yan, and even it does not matter if the salary is reduced.
Judging from the presentation effect, the Lu Yan she portrayed was not only god-like, but also truly performed the domineering spirit that the ruler should have.
It is often said on the Internet that the empress cp is the best.
As for the point of goodness, it should be that the story of the empress is often tragic, usually ending with the tragic end of the empress.
If the role of the emperor focuses on weiyi, then the focus of the empress lies in the dignity of the mother of the country. But people are complex, not to mention the queen in the center of the whirlpool, whose intensity is no less than that of the emperor, and the multi-faceted display under the dignity tests the interpretation of the actor.
Several of the empresses listed above have their own outstanding performances, and the interpretation is amazing.
So the question is, in addition to the above ten, what other actresses do you think have impressed you and deserve to be on the list?
Bluestone Movie | Ke Tang
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