Some netizens reminded me that don't forget South Korea's Han Hye-sook, she is also a Heavyweight Korean mother actor who cannot be ignored.
I just remembered, yes, I like her too.
I should have seen "Miss Mermaid", but after many years, the plot has been blurred; I only vaguely remember the scene of the heroine's revenge. Then in recent years, I watched a CERTAIN TV series in which Han Huishu participated, and I had a good feeling for her.
Han Huishu has an atmospheric, gentle face, and shows off huizhong. She will show cold pride when she purses her mouth, but when her red lips are slightly open, there is a gentle, intimate feeling. This is a beautiful mom actor with a double temperament.
In the 1970s, she was very arrogant as a young woman; because of her upright personality, she did not deal with the directors at one point. So much so that at that time, it mainly played a role with an arrogant and stubborn personality. She has a nickname called "Screen Kim Ji-mi". This has also brought no small obstacle to her acting development. Directors don't want to always suffer from actors.
Mainland audiences know her, probably because of the series "Miss Mermaid"; she plays Ruiying's mother Shen Xiuzhen in it; Shen Xiuzhen snatched Ya Liying's father many years ago; Ya Liying lives with her mother and brother, because of the difficulty of life, her brother died of illness, and her mother is also sick; Ya Liying works hard to avenge her father. The father's current Shen Xiuzhen and daughter (Ya Liying's half-sister) are both targets of Ya Liying's revenge.
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But I feel that Han Hye-sook is very suitable for the role of a rich wife, a chaebol lady, etc., but she is not suitable for playing a poor person, because her face is full of nobility; it is not like how she plays the role of wearing a traditional Korean robe and bending out of a low, cramped straw house; or, wearing fancy fat pants and a big plastic basin to sell soybean sprouts in the vegetable market.
Like Yin Meiluo, Han Huishu is in the 50th generation; both are the eldest daughters in the family, and they all have to bear the responsibility of supporting the family; they all have to help their younger siblings; they are all young and unmarried.
In recent years, Han Huishu has no longer been too keen on film and television participation. Instead, it was a conversion to the Dharma. There is even a desire to build a temple with the income from his performing arts work.
Perhaps, inner peace and stability are her pursuits.