After all, Hong Kong music and movies once led to the entire Chinese pop culture, not only in cantonese and Chinese areas, but also in the entire East and Southeast Asia.
In addition, this year is the 25th year of Hong Kong's return to the motherland, hunan radio and Hong Kong TVB jointly created music programs, and there are not low-level guidance units, the program grade has suddenly improved a lot.
In the pilot film, there is also carrie Lam's special blessing, which is already of great significance for the entertainment variety show of a local satellite TV, because no matter how hard it is to set different meanings and connotations, at present, this administrative level is also the end.
The first day of the online program, divided into a pilot film and the upper and lower two levels of the main film, the broadcast platform adopts the "first network backstage" broadcast mode in recent years, online on the network at noon, and broadcast on Hunan Satellite TV and TVB in the evening.
On the day of the launch, the number of plays exceeded 100 million, although it was not as high as the super high data of Lang Jieyi that year, but it was already destined to be a blockbuster variety show in the first half of 2022 or even the whole year.
It's a race and not a race, it's a tribute and an innovation
Although the program sets up the distinction between the men's team and the women's team, and competes in the same field, the mechanism of on-site scoring is obviously weakened, but the program obviously weakens the atmosphere of the game, and from the perspective of the audience, it is indeed not the most concerned about the result of the game, but is attracted by the music.
Ye Xuanwen's "Blessing" and Mao's "Distant Him" have become two songs that touched the audience, blessing because it is too classic, the words, songs and singing are intoxicating, especially the part of the words, just like Li Jian commented that the lyricists of Hong Kong music in the 1980s and 1990s were mostly literati, with a good foundation in traditional Chinese studies, and wrote out words between ancient poetry and modern poetry, which is both lyrics and modern poetry.
And Mao's "Distant Him", through his unique narrative of soft light singing, bring a strong sense of entry, not only the live singer sang crying, but also let the audience re-recognize a Mao is not easy, before Mao is not easy to give people the impression of always outstanding creative ability, but the scene is slightly worse, but through such a live interpretation, let the audience see Mao's change and progress at once.
In addition, as the host of the program is He Jiong and Wang Zulan, after Mao is not easy to sing, He Jiong's earthy love story style of stalking, let people once again sigh, Teacher He's excellent hosting ability and as an experienced entertainment host, becoming the only remaining pillar of Hunan TV is the reason.
When Mao Buyi finished singing this song, He Jiong first conveyed Wang Zulan's affirmation of Mao Buyi's Cantonese pronunciation, and then said that there was a lot of classic evaluations of this song "Distant Him" on the Internet... Eason Chan sang the parties, Jacky Cheung sang to be the person who came over, Li Keqin sang to understand the people, and then asked Mao who was not easy to sing, obviously Mao was not easy not to know this problem, the audience on the scene was a northeasterner... He Jiong went on to say that he thought it was "People Like Me" that he thought he could rap, and cleverly integrated Mao's hard-won songs into this classic evaluation without losing his original sentence-making style.
Positioning "Hong Kong Music" is non-Cantonese, exposing the future trend of the program
Of the 16 solo performances sung in the first period and the final chorus beyond the total of 17 songs of Beyond's "Sea and Sky", there is a song that is completely ordinary, which at first glance seems to be inconsistent with the temperament of the entire program positioning "Hong Kong music", but from the definition and summary of Hong Kong music in the pilot film, it is also in line.
Although Hong Kong music is dominated by cantonese songs, although Cantonese is also Chinese, it must conform to the theme of the 25th anniversary of the return, so the concepts of Hong Kong music and Cantonese are suddenly distinguished, the two are not equal, since the return, the future trend is bound to be Chinese or Mandarin music gradually increases its proportion, or even occupy the mainstream, so you can also judge the trend of future programs, after all, there are more and more Mandarin songs.
Although the show is a tribute and nostalgia, it is not all an antique style, touching, emotional and not rotten, it is worth watching. In the final chorus session, the middle part directly released the original Beyond, once again as if it was hit, just like the Hong Kong music of those years, even if they could not speak Cantonese, almost everyone could sing a few beyond the songs of Beyond.
Finally, sigh the production standards of Hunan Satellite TV programs, which are indeed super first-class in China, and can create a serious gift program so variety, which is also disseminated, which is really unique, and other beautiful textures like program links, stages, scenes and equipment are considered routine operations.