Li Xiaofeng was born in an agricultural family, and when he was a teenager, he went to his county town of Lintong to learn grain and art. One day, he received the news that his mother was seriously ill, and after rushing to the house, her mother had passed away, and he could not take one last look at her, which left an eternal regret in his heart, and he always felt that something was missing from his mother. For many years, he had missed his mother and had been looking for a play about his mother. Later, when he saw the play "Splitting the Mountain to Save His Mother", he had an inner impulse to act in this play, and Agarwood's saving mother seemed to be able to make up for his regret for his biological mother. Moreover, he also felt that if he acted three roles in a row alone to show his talents in learning art for more than thirty years, such as his mother's knowledge of the spirit of heaven, it would also be the best comfort for her old man.
In fact, from the fact that many audiences like Li Xiaofeng, especially like Li Xiaofeng's rehearsal of "Splitting the Mountain and Saving The Mother", I think this is not only Li Xiaofeng's personal glory, but also a new highlight in his artistic career, and it is also a certain inspiration and thinking effect on the current situation of today's Qin Cavity. First, the audience expects that the actors should have excellent skills, not only to sing well, but also to have certain specialties in the "four skills and five methods" of opera. Second, the audience always likes to see new plays, but this "new play" is not necessarily a new creation, it can be a new compilation of old plays, new arrangements of old plays, new performances of old plays, in short, we should use the consciousness of modern people to care for old plays and their characters. Li Xiaofeng's plays that are popular with the audience, whether it is a folding play or this play, including "Splitting the Mountain to Save the Mother", are all to give a certain new meaning to the old play, or to add some new things on the modern stage. Third, and most importantly, actors must have a spirit, that is, the spirit of tireless, continuous struggle, and the courage to challenge themselves. All those who have achieved great things, whether they are actors of the older generation or new contemporary actors, all have this spirit. Li Xiaofeng can be regarded as a success, but he does not want to lie on the existing fame and fortune, but constantly challenges himself and puts pressure on himself, so that he will have greater success today. Isn't this worth pondering among our young actors?
Li Xiaofeng,"Splitting the Mountain to Save Mother"
An excerpt from Su Yusheng's "Li Xiaofeng Constantly Challenges Himself Artistically"
Editor/Liu Jun Review/Yang Yao Final Review/He Jun