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The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

If you want to see film and television dramas with superb actors, well-made dramas, and the ability to learn historical knowledge by the way, then I strongly recommend the recently popular "Mountains and Rivers Moon Ming".

Produced by Huanrui Century, with Gao Xixi as the general director and Gao Xinjie as the producer, "Mountains and Rivers And Moon Ming", revolves around the growth history of Zhu Di, the fourth son of Zhu Yuanzhang, the grandfather of the Ming Dynasty, but does not deliberately render the "protagonist aura", but presents a vivid and profound picture of the history of the Ming Dynasty through the careful depiction of the group portraits.

Among them, the pen and ink depicting Zhu Yuanzhang are particularly heavy, and combined with the vivid interpretation of teacher Chen Baoguo, we feel Zhu Yuanzhang's proud and regretful life.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

As the founding emperor of the Ming Dynasty, Zhu Yuanzhang's great achievements need not be said, today I just want to focus on his regrets in "Mountains and Rivers and Moon Ming" - the pain and helplessness of important people around him leaving one after another.

According to the line of relatives, the first person to make Zhu Yuanzhang suffer the pain of life and death was his wife Empress Ma.

In order to take care of her grandson who was infected with smallpox, Empress Ma herself was unfortunately infected, and she knew the contagiousness of the disease, so she refused everyone's care and closed the door.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

I was impressed by the affectionate glance at Empress Ma and Zhu Yuanzhang before closing the door, when she had already stepped into the ghost gate, but still tried to keep her sanity from zhu Yuanzhang close.

Zhu Yuanzhang, as the emperor, saved the people of Li, but he could not get close to his wife, who had lived with him for most of his life, and could only call for "sisters" from a distance across the door, both distressed and desperate.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

Before Empress Ma died, she only left Zhu Yuanzhang a few last words, and she did not even see the last one.

Historically, Zhu Yuanzhang did not stand after Empress Ma's death, and in "Mountains and Rivers and Moons", Zhu Yuanzhang's tone when he announced the dictation sounded calm, but in fact he was stoic -- when it came to the four words "Empress Xue's death", his slightly trembling eyebrows still "betrayed" him.

Ruthlessness is the most imperial family, and only love is heavy eight.

In my dreams, I often think of bigfoot horses, and I never appreciate the flowers.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

The second relative who left him was his eldest son, Zhu Biao. Zhu Yuanzhang carefully cultivated Zhu Biao with the goal of taking over his position, and zhu Yuanzhang in history did spend more thoughts on Zhu Biao than other sons.

However, Zhu Biao had a serious illness after the death of his son Zhu Xiongying, and his physical condition has not improved since then, and he finally walked ahead of Zhu Yuanzhang.

At this time, Zhu Yuanzhang was already full of white hair, changed into a regular dress, personally wiped Zhu Biao's body and wore accessories, and the pain of losing his son was no less than the pain of losing his wife.

At this time, Zhu Yuanzhang was older and did not care about the hiding of emotions, he looked even more sad when he faced Zhu Biao, and he couldn't help but fall when he saw Zhu Biao's tears.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

But he quickly relented. After all, after the death of Prince Daming, many plans were disrupted, and there were more important things waiting for Zhu Yuanzhang to arrange - he had to be worthy of his children, and even more worthy of Daming.

However, as an ordinary person, he may only need to bear the pain of the death of his relatives, but Zhu Yuanzhang, as the king of a country, also needs to bear the helplessness of the close ministers around him.

Therefore, I saw the scene in "Mountains and Rivers and Moonlight" that made me cry the most.

Xu Da (Zhang Fengyi) is an important hero who fights side by side with Zhu Yuanzhang, Xu Da's daughter Xu Miaoyun married Zhu Di and the two formed a family, not relatives but better than relatives.

After knowing that his fate was shortly over, Xu Da and Zhu Yuanzhang chatted about the past, talking about interesting things about their youth and couldn't help but laugh out loud... Zhu Yuanzhang complained that these old ministers had to walk in front of him, knowing that he already had tears in his eyes, and he also comforted Xu Da to let him "don't cry."

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

Different from the previous parting, Zhu Yuanzhang here is more like a child who has lost his precious playmate, lost his regretless youth, and lost the only youthful spirit he has.

After Xu Da's death, Zhu Yuanzhang sat alone in the palace to reminisce about his old friend, and at this time, this scene combined with Chen Baoguo's vivid acting skills set off the loneliness of Zhu Yuanzhang's "lonely family".

He, at the moment, is really old.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

But the counterpart to Xu Da is the departure of another old friend - not so much "departure" as more like "departure".

The "departure" of South Korean Gong Li Shanchang is really a heart-wrenching parting pain for Zhu Yuanzhang.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

One is still eager to return to his hometown to raise his family after corruption, and the other is sad about the irresponsibility of his old brothers, Zhu Yuanzhang has always hoped to make some achievements during his reign, and Li Shanchang has long lost the ambition of that year.

For the "betrayal" of his friends, although Zhu Yuanzhang was sad, he still put Jiangshan Sheji in the first place.

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

In addition to death, there is also life and death.

In the latest plot, after the death of the prince, Zhu Yuanzhang and Tang He met in the snow, announced that Tang He would restrain the soldiers and horses in the capital, and also called Tang He an "old brother", indicating that his life now depends on him.

After Tang He was ordered to leave Beijing, Zhu Yuanzhang had one less person to talk to, and the helplessness of the superior was nothing more than this!

The death of his wife, old friend and son, Chen Baoguo's third version of emotional acting skills in "Mountains and Rivers Moon Ming" can be called classics

Under the superb interpretation of Teacher Chen Baoguo, Zhu Yuanzhang's emotions when he faced the departure of important people one after another were different:

In the face of the departure of his wife and son, he was painful but difficult to say, and the identity of the emperor made him hide too many emotions; in the face of the departure, betrayal, farewell and other situations of his close subjects, he was even more unwilling.

Different emotional expressions, Chen Baoguo made me deeply feel the pain of Zhu Yuanzhang, which can be called a model of acting.

With the deepening of the plot, Zhu Yuanzhang, the emperor of a generation of storm clouds, himself is also coming to the end of his life, and he does not know how Teacher Chen Baoguo will interpret his "departure"?

The follow-up story is all in the "Mountains and Rivers Moon Ming" that is popular every night at 19:30 on Beijing Satellite TV and exclusively launched on Youku at 22:00, and we are looking forward to the next plot together!

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