Regarding the TV series "Hunting Crime" starring Tan Kenji and Kim Se-jae, I would like to say a few questions.
First, du cheng went to drink that cup of wine, what is the motive?
I saw someone comment that in fact, Du Cheng went to drink that glass of wine, which was entirely due to his personality, because he was a big brother in the team, and he was a very righteous person, so it was a very normal thing for him to do this thing.
I'm honest with this statement, because Du Cheng himself really has these personality traits.
Will Du Cheng block the wine for Jiang Feng?
Yes, he certainly will. Jiang Feng himself was also very important to him.
But the difference was that he would definitely not drink the cup in Jiang Feng's cup, which had already been half drunk. I've been saying that this glass of wine is actually a residual wine.
What is residual wine? The residual wine was already half drunk, but he took it and drank it.
In fact, the focus is not on the wine itself, but this glass of wine has been drunk halfway, you still take it to drink, you can obviously not drink, you take it directly from his hand is not OK?
But he didn't, and he did it very naturally. In fact, this is a subconscious move to break boundaries.
There would be no such thing happening in someone else's place. Even if others are important to him, Yi Yi is very special to him. "Important" and "special" are not the same thing, but the difference between "majority" and "uniqueness".
Second, why is Yi Yi a very rational person? Artists are obviously more emotional
In fact, it is not, artists are not all emotional, there must be a rational component in the artist's thinking; if there is no rational component, he has no way to capture his ingenuity from sensibility.
At the beginning, Shen Yi, played by Tan Kenji, has already drawn a picture through the descriptions of others, which is dominated by rational thinking. And he has been preparing for this new work, he must have been practicing, being a portrait painter is different from being an art teacher, being a small painter, portrait is to do things with rational thinking. So at this time, the reason must be greater than the emotion.
And, from the moment he stepped into that place, he had been observing others. His observations of others are nuanced, and they are also dominated by rational thinking. What's more, he's a polyhedron, and he's not a single character. Rational when he is rational, emotional when he is emotional, just like his gentleness and his sharpness, the two aspects do not interfere with each other. He can do a good job of separating this "two-sidedness" or "multi-facetedness."
Third, it is the scene underwater
Ever since the screenwriter said that, I've understood.
At first, Shen Yi instinctively struggled, because he wanted to survive, but then when Du Cheng appeared and pressed his shoulder, he suddenly "woke up" and gave up the struggle very peacefully. I was quite shocked by this. For Shen Yi, Du Cheng was actually someone who could help him overcome his instincts.
In fact, I am quite envious.
I have always felt that Shen Yi is traumatized in his heart, and I even want to write my own to make up for this trauma, but I am afraid of writing him badly. But no matter what kind of trauma he had suffered, this encounter was really a cure for him.
Shen Yi is cold and gentle, and even I wrote that he is a person who really goes into the other person's heart to empathize with others, so his gentleness is extreme. But this tenderness comes from his ability to empathize, and does not mean that the other party can really enter his heart.
If a man really goes into his heart, he is more than just gentle. He is very agile. He'll be excited, he'll have a lot of subtle emotions, and he'll be childish, like he'll ask, "Why do you even have to hide from me?" ”
No one in this world is born lonely, even a bird flying in the sky will want to inhabit. The key is to see where he lives, whether it's where he wants to be.
Author: Xi Xi Xixi, produced by the bone film critics team