White Feather Ping in creation
Bai Yuping, Oil painting "City", 2018
Shirahadaira Early Works
Shirahadaira Early Works
Part of Bai Yuping's ink paintings
Appreciation of works
Mountain residence 150x180cm 2019
Small Tower Fold Village 120x170cm 2020
Nameless ditch 150x180cm 2018
Drunken Autumn 180×130cm, 2014
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About sketching Bai Yuping
Sketching is the depiction of scenery, which is the only way for Westerners to learn painting, and capture the color changes and shapes of nature through sketching.
Taihang 100x80cm 2019
Nowadays, our art schools also use sketching to cultivate artistic talents, and sketching has naturally become an important course in teaching, and has produced generations of outstanding painters. The Chinese artists in the new era, influenced by international art, have entered a more prosperous and diversified era, with a variety of genres in the painting world and great changes in concepts.
Hammer Tree Garden 17x120cm 2019
Some paintings pay attention to symbolic reproduction, lacking the vivid intimacy of the picture, which has caused the concept of the picture to be empty for a long time, which has plagued the painter's true expression in emotion. Therefore, some artists realized the importance of sketching, and they carried up long-lost picture boxes, asked nature for teachers, and looked for the credible feelings of their respective pictures.
Cooking smoke 120x170cm 2018
With the popularity of sketching, I was no exception, joining the army of sketching, running around, and painting a lot in the past few years, I got inspired from it. Today's sketching is not only the rich colors of the painting, but more importantly, the "vivid" writing, the pursuit of traditional painting artistic expression, which may be more in line with the concept of Chinese sketching.
Taihang Cloud Mist 150cm × 180cm 2008
The sketching of Chinese painting is to depict the appearance of objects and images at the same time, focusing on recording the spirit of objects, it is through the realization to convey the vivid realm of the picture, to understand the vitality of the universe. Therefore, sketching and creation are inseparable. We know that Mr. Qi Baishi raised live shrimp in the studio, with the purpose of writing it vividly by observing the memory. "Teacher's creation" is a higher goal that my Chinese constantly pursues when sketching.
Winter cute 100×80cm 2009
Read the painting caprice White Feather Ping
I have loved Zao Wou-Ki's paintings for many years, and his pictorial temperament has always made me impenetrable, mysterious and unpredictable in my heart, and deeply attracted me. Although his paintings are abstract, they are different from any abstract painting in the West, with obvious Chinese meanings, or mountains and rivers, or the universe, similar or not, with thousands of changes and full of pulsating vitality.
From Zao Wou-Ki's early works, his understanding of traditional Chinese painting is shown, focusing on imagery and expression, so that people can feel the artistic conception of the picture from the heart. His evolution from Chinese hieroglyphs to ink-like air rhymes reflect Zao Wou-Ki's profound painting cultivation.
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Seeing his ink paintings this year confirmed his teachings and development trajectories of traditional painting. This is a development process of the artist in the process of continuous exploration, he combines the freehand lyricism of Chinese art with the Western self-expression, constantly absorbs the techniques of Western and modern painting and naturally fits, and traces the Chinese aesthetic heart, which is appropriate and true.
Cooking smoke 100×80cm 2009
I remember that he often mentioned the breathing theory of the picture in his lectures: the flow of brushstrokes, the penetration of qi rhyme, etc. all reflect his deep understanding of Chinese painting. All of this is speculative and interesting to Chinese painting.
Cold Clouds Desire Snow 100x80cm 2013
I tried to juxtapose Zao Wou-Ki's works with traditional Chinese landscape paintings, and found the similarities and feelings between them, rather than simply grafting and transformation, which is Mr. Zao Wou-Ki's accurate grasp of language and spirit.
Taihang Autumn 120x170cm 2019
From this, I am reminded that after the reform in China, a group of artists have discussed this aspect, all of which are superficial forms, making ink effects on the canvas to pursue the nationalization of oil paintings, thus misleading some artists to correct their understanding.
Northern Shaanxi sketch 100x80cm
The development of Chinese oil painting has been nearly a hundred years, and today, in continuous practice, we have truly and clearly understood the development direction of Chinese oil painting and the possibility of language conversion of oil painting.
Kill the tiger mouth autumn harvest 60x80cm
Mr. Zao Wou-Ki experienced the development of Western painting and mastered the characteristics of Chinese painting. Looking at the advantages of Eastern and Western painting, the integration and creation have opened up a new world for the development of Chinese painting and laid the foundation for the development of Chinese oil painting.
Autumn light 180×150cm 2007
Therefore, we adhere to sober and confident under the trend of pluralism, and think for thousands of years in artistic practice. From the inner spirit of Chinese painting and the linguistic characteristics of oil painting, it is discussed, so as to inspire the artist to express the artistic conception of painting.
Late autumn 100×80cm 2008
Golden rhyme 110x140cm 2014
Autumn rain 180x140cm 2016
Nikyo 120x170cm 2019
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Summer of Yuan Jia 170x120cm 2018
Northern Shaanxi sketch 180x200cm 2018
Jinbei sketching tiger mouth 60x80cm
Cold Mountain Snow Trail 60x80cm
Shanxi sketching
Sketching in Lishui, Zhejiang
Autumn sound 90x90cm
Warm winter 150x150cm
Autumn sun 150x150cm
Chun and Jingming 150x150cm
Sergeant 130x190cm
Li Jiashan 120x140cm 2020
Beijing Moxuan Zhenpin Art | Inheritance of cultural context and internet of printing and art
Focus on academics, digging for new talents, and leading collections
Picture | Bai Yuping