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Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

When you are chasing fans, will you abandon the fans because you don't like the "theme" of a drama? I will, and I won't. Just like this quarter's "Party Wanderer Zhuge Kongming", there are works that are rated as "there are some viewing thresholds", he believes that this work is very friendly for lovers of the Three Kingdoms, but for friends who do not know anything about the Three Kingdoms, or for people who are not interested in the Three Kingdoms themselves, it is more "dissuaded".

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

I agree with half of them, but the counterexample is myself. I don't like the male protagonist in the ancient style, nor do I have any interest in the story of the Three Kingdoms, but the main theme and laughter of "Party Langke Zhuge Kongming" are completely acceptable, because it can be said that it has little to do with the Three Kingdoms...

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

Like my favorite anime, Blow! According to its content, compared with other animations, it can already be regarded as a more hardcore wind music theme animation. But I, who know nothing about wind playing, still get extremely moved in my works, and blowing music is only a material, not a threshold. If you really want to talk about the "threshold", it is the accumulation of animation knowledge, such as the appreciation of painting, performance, and scripting, rather than how much you know or are interested in the subject of wind music...

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

Although I have no interest in the Three Kingdoms' life of Zhuge Liang, when he hears Eriko's singing and remembers the feelings he felt when he was alive, when he shed tears, the emotions conveyed by the story are transmitted through pictures and sounds, and I think this is what animation needs to do...

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

Another example is the first season of Sword Art Online. In fact, the original novel of this work is also more watery... The story is the rotten dragon auror story, the animation production is not so gorgeous, but the rotten story, with an excellent sense of rhythm, relying on the momentum of the music, vivid dubbing, just the right picture to connect, in the audience most hope that the male \ female protagonist to open and hang, relying on a variety of plots to please the audience, the rotten story does not look so bad... When I had not been exposed to too many films during the pit period, "Sword Art Online" was undoubtedly the touch at that time...

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

Back to "Party Langke Zhuge Kongming", in fact, it is not the Three Kingdoms element that occupies everything in the work, the music and dance elements, the wisdom fight, the Three Kingdoms, and the mild funny integration, should not lack the trust and understanding of people to produce the touch, coupled with the overall brisk atmosphere, is the reason why I follow the fan, and will not lose its fun because I do not understand the Three Kingdoms Terrier.

When everyone chases after it, do they pay special attention to the theme of the story itself? For example, sports are not watched, or harems are not watched? Welcome to leave a message to let me know.

Is the Story of the Three Kingdoms really a threshold for watching? A brief review of "Party Wanderer Zhuge Kongming"

But one thing, the magical girl without tentacles, I don't look at.

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