This one is the ultimate spit.
Then the previous part, continue to talk about the reason why the play "The Rest of My Life" saw that it was like a big female protagonist in the end.
Not only because the characters in the play exaggerate lin zhixue to the heavens and the earth, but also because the plot and atmosphere always stand in her position to express and render.
Corroboration 1: The home of Lin Zhixue is the home of the protagonist.
Lin Zhixue's home is the absolute protagonist family in the play. The daily mode of getting along is common for ordinary people, "hitting is kissing and scolding is love", warm, but not special.
Moreover, the Lin family sits together, the topic will never go beyond their own chai rice oil and salt, mood and sorrow, it can be seen that the family cohesion is very strong, but also can show that Lin Zhixue loves his home. But when it comes to the pattern, it is inevitable that it will be small.
Especially compared to Gu Wei's Kochi family.
Gu Wei's parents are typical Kochi elements, and each appearance is a decent and elegant dress, calm and restrained expression. When the family sat together, it was always quiet, not like the Lin family.
But the Gu family's parents never directly criticized or ordered Gu Wei. Gu Wei looked for a house, looked for a girlfriend, all kinds of things that did not meet their wishes happened, they only asked Gu Wei for verification first, and after getting a definite answer, they no longer carried out unnecessary obstruction, at most a sentence to shelve the dispute, let time prove.
Not suppressing in language, not controlling in action, in my opinion, that is, Kochi parents have the cultivation to give their children the greatest freedom and respect. And this upbringing comes from the inside out - the scene where the parents of the two sides meet is not so much a discussion as it is that Gu Wei's parents were "notified" of the marriage by their son and the Lin family. Although Gu Mu euphemistically proposed that the two people could get along for two more years, Father Lin's words made her completely compromise. And Gu Father, who is the head of the family, has no objection from the beginning to the end.
They respect not only their own son, but also the family behind the girl his son loves.
However, such a family is implied to be a negative representative in the play. Why would Gu Wei envy the family atmosphere of Lin Zhi School? Why did Lin Zhixue openly say in that useless oath that Gu Wei lacked love, lacked popularity, and poor empathy ability since childhood? Is it only in this way that the Gu family is hidden in the whole drama, the male protagonist revolves around the female protagonist all day long, and even gives the audience an illusion of "marrying into the Lin family" when they are married, which is reasonable: people go to a high place, and sunflowers go to the sun!
Perhaps this is indeed the fantasy of many girls: never leave their dear parents for a lifetime, even if they get married, they will only add a dear person into their dear home... As for the other person's family, do you need to understand and integrate? Just think it doesn't exist.
As long as you find a reason to belittle the other person, you can safely let the other person move in the direction of yourself - in the name of yearning, you don't have to jump out of your comfort zone. Such thinking, is not the big heroine what?
It's not impossible, but there must be a limit to self-talk. Can a family that lacks love cultivate such a good male protagonist? If you have to be ruthless and indifferent to the Family, the Lin Family has love, then it is not only self-aggrandizement, but also the taste of self-deception.
Corroboration two: Lin Zhixue's shallow love expression is the redefinition of "plain happiness" in the play.
There was a scene in the play that gave me goosebumps.
Father Lin knew that he would soon die, so he left many letters for Lin Zhixue. Fist and fist father love, it would have been very touching.
But the first letter mentioned a "dull afternoon" I remembered, and it choked me.
The so-called dull afternoon naturally refers to the bland scene in the eyes of Father Lin that afternoon, that is, the so-called bland happiness.
I thought that the so-called plain happiness was a relatively wordless tacit understanding. Let's say he's reading a book and she's cutting apples. She handed him an apple, and he shook her hand and said it was windy, a little cool. She said it was all right, the windows in the back room were closed, and the children's quilts were covered. He said, "Your hands are cold," and got up and took a piece of clothing and draped it over her.
etcetera. The heart has a sharp spirit, and the water is long.
But what kind of scene is in the play? The Lin family's "family of four" sat on the sofa, and Lin Zhixue and Gu Wei hugged each other tightly, sticky like conjoined babies - they were not married at that time, but this posture was obviously quite "familiar and informal".
Therefore, the daughter and the son-in-law are so blatantly "showing affection", Lin Father and Lin Mother do not think anything of it. Lin Zhixue and Gu Wei also did not have any embarrassing feelings, and Lin Zhixue also took the opportunity to "educate" his father, and he was not affectionate enough to his mother all his life. So Father Lin embraced his wife with kindness - ah, the family is so sweet!
I can't imagine how a middle-aged man who is about to die understand "plain happiness" as a family together, and the old two families and two young people kiss and hug the game together?
Are you sure this is Father Lin's unforgettable, not Lin's school yearning?
Or is it certain that the screenwriter did not customize the "happiness" through the mouth of the characters in the play? The specific performance is: spending time with the person he loves, the handsome boyfriend loves himself very much, and he is never tired enough, and this "sweet" is envied all over the world - including the traditional perception of parents who may be old-fashioned.
I don't deny that sweet love is a kind of happiness, but this happiness is neither bland nor everyday, exclusive to girls in love brains. The expression of love is not only the intimacy of the body, but also more mature deep conversation, heart-to-heart, common adventure, common progress and retreat, etc. If you only use the former to prove love, it can only be said that such a love brain girl has no connotation, and her understanding of love is very superficial.
And the play not only defines this superficiality as "plain happiness", but also forcibly rises to the status of truth: Father Lin, who has not smiled for more than half a hundred years, has been surrendered, and when he is seriously ill, he can't forget the intimacy of his daughter and son-in-law; Gu Wei, a serious doctor in his thirties, has also been surrendered, cooperating with his little girlfriend to perform the drama of "the domineering president falls in love with me" in public, skillfully but not numb.
I originally thought that Gu Wei's rejection of Gao Huan's sentence "I don't want to find another self, we are too similar" is just a pretext, who would not like themselves? Who wouldn't want to find a soul mate? Who knew that he followed Lin Zhixue more and more, and finally used the word "leading" to describe Lin Zhixue, how much he hated his original self?
Speechless, is the screenwriter trying to prove that Gu Wei's mind is actually very compatible with Lin Zhixue? Such a high-quality male protagonist who pressed his head was pleasantly and sincerely "led" by the little girl, and had a sense of accomplishment?
It can only be said that it is appropriate to cater to the dream of the great heroine of the Puxin woman.
Corroboration three: The waywardness of Hayashi's school and his sisterhood is confused with the cuteness and frankness of young girls.
The Lin School in the play is a little girl with limited experience and knowledge. The circle of life she is familiar with is not only her parents, which are those girlfriends. Her parents apparently never taught her how to fall in love, but what about girlfriends?
Sansan didn't say anything, and taught her to teach her this and that way, but the fact was always helpful.
Yin Xi, I suspect that Lin Zhixue's "love is kissing and hugging" cognition comes from her words and deeds. The degree of intimacy between her and Jinshi in front of people is even greater than that of the male and female protagonists. When I saw that Jinshi finally broke up with her because she couldn't stand this suffocating love without a little free gap, I thought that this drama had finally begun to normal: the love affair of the "model model student" had collapsed, not only would she reflect on her previous cognition and practices, but also lin zhixue, who had been learning to imitate her, would also understand that her love demonstration was wrong, and would understand that Gu Wei was right that even lovers wanted their own space, right?
Who knows not.
The three girls got together, still putting gold on the faces of themselves and their sisters. Girls are never wrong, wrong is always a negative man, not worthy of their man!
Regardless of whether there is introspection in the heart, on the surface, it is never wrong. Not only did they not recognize it, but through mutual encouragement, they strengthened the confidence that the sisters did not recognize it - this is a group of little girls who refuse to grow up.
I know that most girls are naturally arrogant, and that's a girl's prerogative. But life will always teach people to grow up, either passive maturity or active advancement.
In the play, these girls not only do not need to grow up, but also can in turn let others change for them.
Needless to say, Gu Wei was almost trained by her to become the Lin family's son-in-law. As for the seal, he could actually wait until the golden stone turned back--naturally under the premise that the seal always clenched his teeth and did not admit his mistake.
She didn't admit it, he looked back, it must be that he confessed it. He gave up his feelings and principles for her, accommodated her as she demanded, and was not allowed to complain any more—since he turned back, he meant that he had submitted to the side of the truth, didn't he?
Therefore, the wayward sisterhood was a great victory. Moreover, Lin Zhixue still expressed his attitude to the sisters on the eve of the wedding: men can not be, sisters are a lifetime - is this not an expanded heroine's declaration? I don't want to say that this is already a bit of a pastoral feminist taste, but on the eve of marriage to emphasize this, sure that this is the right attitude to rush to get married, to run to "please advise more for the rest of your life"?
It seemed that she had "instructed" Gu Wei for the rest of her life, and Gu Wei only had to obey. The question is, is she worthy of this dominant role?
Everyone who watches the show has a number in mind.
Although I was disappointed when I watched the play, I didn't dare to complain, because I heard that the original work was a real person, which somewhat subverted my cognition.
It wasn't until I saw some of the original party come out to speak, saying that the original character design was not like that at all, and I breathed a sigh of relief.
According to the introduction of the Online search, the female protagonist in the original work was originally a graduate student of geology, both of whom were calm and rational, good at jumping out of their emotions to see the overall situation, and the girls took good care of the male protagonist.
It is much more reasonable to say this: the same science thinking, with a balanced mind and mind, both mature and independent, but also know how to support each other, so that they can resonate with the same frequency. With a similar driver core, being able to keep moving forward in tandem is the basis for being able to work together for the rest of your life and "ask for more advice for the rest of your life".
Unlike the magic drama, it is necessary to pull two people with huge differences together and play a "true love invincible". Originally designed as the weaker party to follow the stronger side to make rapid progress, can reasonably prove the beauty and power of love. However, the play should do the opposite, just because the female protagonist is forcibly set as the sun and the center, so that all the people and horses, including the male protagonist, are brainwashed and generally revolve around her. Unfortunately, I couldn't convince me to watch the drama, and I still had to send a text to spit out.
As a road fan, I sincerely hope that Xiao Zhan will not take on such a drama in the future. This plot is too convenient for Puxin female fans to dream about the gods and flowers on the screen, since it is said that idols should guide fans, let's start by breaking their unrealistic fantasies and letting them learn to be down-to-earth.
Attach the links to the previous two complaints:
"The rest of life is very long, if there is no equal strength, synchronous growth, why ask for more advice?" (Spit 1))
"The rest of life is very long, if there is no equal strength, synchronous growth, why ask for more advice?" (Spit 2)"
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