In each issue of "Ace to Ace", Hua Chenyu will basically sing a song, but sometimes the singing is not necessarily purely singing, more is the performance. And this time," "Broken Cocoon" is very different, quite a brilliant scene, the male version of "Broken Cocoon" can still have a very powerful sense.
1. Break the cocoon original.
"Breaking the Cocoon", "Douluo Continent" 2020 version of the theme song, Cao Dezhi, Guo Deziyi lyrics, Wen Yingqiu composed, Zhang Shaohan singing. This is a powerful song, and the voice of the original Zhang Shaohan adds more power to this song, sharp, concentrated enough, and the chorus is full of explosive power, which is what Douluo Continent needs.
It is also because the original is good enough that the cover version is rarely brilliant. For example, the false tone of the chorus part is cut and remixed, and many times the sound will feel abrupt, and it seems too painful to sing completely with heavy functions. The reason why Zhang Shaohan is powerful is because of his good enough singing skills, even if the live version, there is basically not much gap with the original version.
2. Brilliance Chenyu "Breaking the Cocoon"
The reason for Hua Chenyu's choice of the song "Breaking the Cocoon" is not clear to me, but from the perspective of adaptation, this version is good enough, and we will talk about it from the two aspects of choreography and singing skills.
There is nothing particularly noteworthy about the main song part, and the overall arrangement makes the first half sound depressing, and the drum beats slowly enter. Brilliance Chenyu's voice control is also very in place, and does not deliberately add any power, simply closed and slightly with a slight head sound, and the proportion of chest life is more.
[Still brave, go to battle]
Listen carefully to this sentence can hear a lot of details, [courageous] two words weak singing, after [go to fight] real singing, here is the main chorus articulation part, a beautiful transition.
Chorus part: "Defeat, Curse of Fate Makes the Story Immortal".
This sentence is very difficult to sing, the word "defeat" weak function can rise D4 to B4 to continue to bite the word, [fate's] turn solid singing, and then the word "curse" rise D4 to rise A4 weak function can continue to bite the word. The final "Immortality of the Story" is turned to reality again. In this paragraph, if you really want to experience the difficulty, the male voice can sing with Brilliance Chenyu, and the female voice rises to three semitones.
[Even if the future is like a torrent, it has never retreated.] 】
The pitch of this section is the same as the previous one, but the handling method is quite different. The word "curse" in front of it is a weak singing, and the [torrent] here is directly mixed with more chest sounds, and the sound texture is more realistic and more difficult. The final [after] word tears the end of the sound.
Why do I say that this song is arranged with great care?
In the second chorus part, let's not talk about singing skills, you pay attention to the arrangement, and have you found that when the arrangement is weak, the shock level has gone up, how is this done?
Harmony, chorus.
Until the "Let the Story Immortalize" section, the electric guitar enters, and the mood of the song continues to progress. From here, the direct rise of half a tone, the song is more difficult, [even] directly portamento to HighC.
【I have not retreated】
[After] the word elongated the highest note HighC.
After the "No Matter Laughing", the word HighC elongated the weak function of the end, followed by a continuous biting of the word in the voice change area, completing the whole song.
In general, Brilliance Chenyu's version of "Breaking the Cocoon" is sincere enough, and the degree of completion is very high! I don't know if you like Hua Hua's "Breaking the Cocoon"?
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