Since ancient times, special groups such as "scholars" and "poets" seem to have a close connection with the word "poor", and the labels that people label them as "poor students", "bitter poets" and so on are indeed summarized from real life.
However, while the poor life tempers the flesh and bones of the poets, it also tempers their poetry, so many poor poets can always write good poems that make people shoot; even though the years have turned and changed, even though the personnel has gone, the works of these poets are still brilliant and nourish generations of poets.
There was a poet in the Tang Dynasty, who was poor all his life, and when he was young, he used to make pots and pans; although life did not take care of him materially, it gave him a spiritual amount of food, making him a great poet hidden in the folk.
Who is this poet? It is Hu Lingneng of the Tang Dynasty. What Shi Xiang wants to share with you in this issue is a very valuable poem from Hu Lingneng; this poem is also a well-known work that everyone is very familiar with, the author cuts out the most simple and unpretentious paintings in life, writes it with fun and fun, and embodies a bit of liveliness in vividness, which is not strangely called a classic.
Kids fishing
Don Hu Lingneng
The unkempt-headed child learns to be weeping, and sits on the side of the berry moss grass.
Passers-by beckoned, afraid to be frightened.
It is said to be a valuable poem because it is one of the only 4 surviving poems of the author. Perhaps because of his authorship, there are not many records about him in history, and many of his poems have been lost.
The theme of this poem is relatively novel, mainly depicting the picture of a child fishing, there is no worldly hustle and bustle, and some are just quiet and pure breath of life. The first sentence of the poem is simply thrown out: The unkempt child learns to be long; the author presents a child with typical characteristics in front of our eyes at the beginning of the chapter, and the word "unkempt head" directly portrays his distinct image, which is very grounded.
Children have always been caused by nature, do not deliberately modify the "edge", they are not like adults who have experienced the world, they will invisibly put shackles on their hearts and images, children are casual and natural, even if they are disheveled, they can become the most beautiful freeze frame in life, because from them exude enviable truth, simplicity and ease. Therefore, the author here only borrows the word "puff head" to reflect all this information, giving the reader a kind of spiritual release to return to nature.
"Xue Chu Lun" is a portrayal made from the aspect of action, the author uses specific actions to set off the character's temperament and image, combined with the front "unkempt head", the blind "innocence" is fully revealed on the paper.
The poem continues to describe the characters on the basis of the first sentence: sitting on the side of the berry moss, the child sits on the side of the berry moss, and his body is covered by the surrounding flowers and plants. From this sentence, we find that although the author's brushstrokes do not leave the portrayal of "children", the space in his pen is quietly expanding, and the first sentence is only a freeze frame of the child itself, and this sentence has the addition of other objects and environmental descriptions.
"Berry moss" and "grass" not only reflect the quiet and remoteness of the fishing place, but also naturally add eye-catching colors to the picture, so the picture has a lot of beauty here, and it no longer looks single.
The poem has a sense of layering to have a sense of richness, so it is necessary to have a different content conversion, to see the last two sentences of this poem: passers-by borrowed remote beckoning, afraid of the fish should not be frightened; the author wrote people, not only grasped the characteristics of the character itself to copy, but also intended to borrow people and things related to the character to do further enrichment and sublimation. However, in the internal vein through, the author also handled it well, without interrupting the front and back qi veins. Therefore, the first two sentences write about "fishing", and these two sentences are immediately around "fishing", thus tightly holding the topic.
In the distance, someone asked the child for directions, and the child only waved and did not respond, because he was afraid of catching the fish under the fishing rod. This is another grounded natural picture, without any embellishment, but it feels vivid and interesting. The author uses the picture of pedestrians asking for directions to capture, and easily shows the appearance and mood of children fishing.
And this description of the author also happens to show the image of "children" more in place and concretely, reflecting the innocence of the characters and the happiness and beauty of childhood life.
Then, from the content and context, the previous sentence and the last sentence are also very rigorous, and the two are causal and causal, one quote and one answer, smooth and compact.
A vivid and lovely child is thus displayed in the author's pen, and the author has both a solid image of the surface and a display of the state of the soul, which can be said to be more divine to see its appearance.
The author has a unique vision, he frames a seemingly ordinary school fishing child with the vision of discovering beauty, and integrates the most neglected corner of life into a poem, thus making it a remarkable work.
Yerba Buena reflects people in painting, a pole of fun to cultivate innocence; dear officials, I wonder if this small poem full of fun brings you good enjoyment and many memories? If you like it too, feel free to leave your own reading insights and let's savor the poetic good times together.