This [disjoint] expresses "disjoint", is this a hint at the relationship between two people? Or something else?
We don't know.
All we know is that the relationship between the two is like the mutual prime number implied by the creator, "adjacent but not close" (as Naoko Yamada put it in an interview).
We only know that the eyes and hearts of [Kazuka Kaoru] are full of "Umbrella Mu Ximei", and she listens to every word of Ximei and does not want to miss it.
It's just that Ximei next to her seems to be so far away from herself—she doesn't know how to get closer to kasumi, who is delicate and sensitive. This article is exclusively published by the up master [LSmiler], welcome to follow and comment.
What she could feel was that Ximei's attention was not on herself, but she was particularly lost.
For Ximei's sudden approach, Kasumi was instinctively surprised, and even a little avoidant.
[Umbrella Mu Ximi] Talking about her love for the fairy tale "Liz and the Blue Bird", [Kazuka Kasumi] did not care. I hadn't seen this fairy tale's "Kazuka Kasumi", and when I listened to "Tsukigi Yoshimi" say the synopsis, I thought of the scene when the two first met.
As viewers, we heard the metaphor of the movie from the mouth of "Umbrella Mu Ximi" - the story of "Umbrella Wood Ximi" and "Kazusuka Kasumi", just like the fairy tale "Liz and the Blue Bird".
"Liz and the Blue Bird" is a fairy tale about separation, and [Tsukigi Hiromi] said that she did not like sad stories, and the ending she was looking forward to was "the more happy the better".
However, where in the world there are so many satisfactory people, spend a good full moon.
Even in the "next second" in the movie, [Kazuka Tsuka] wants to lean on the shoulder of [Umbrella Mu Ximei], but the moment it is close, it is "Umbrella Mu Ximei" who suddenly stands up.
Everything is so without warning, without warning to bring accidents and losses, this kind of "self-care", or "not paying attention" reminds people of the "no resignation" of [Umbrella Mu Ximei].
At that time, [Armor Tsukatsuka] was also like today' sudden loss of the "center of gravity" that can be relied on, and only silently endured——
Bear a proposition called the decision of love.
At this moment, for [Umbrella Mu Ximei], her "like" is her love for music and repertoire; for [Kazuka Tsuka], her "like" is because she is accompanied by [Umbrella Mu Ximei] when practicing, and she enjoys this "two-person time".
At that time, for [Yukimi Umaki], it is an expectation and satisfaction to be able to play the flute in the performance competition; for the "Kazuka", to be able to play the musical notes in the performance competition will be the countdown to the moment of separation (graduation).
Graduation means facing confusion and uncertainty again.
The mirror image of the fallen silence raises such a question:
Will Heimi Umaki become a beacon and companion in her life as before?
Perhaps, it is better to never come to the main game.
However, in "Blow It! At the beginning of the second season of "The Bass Horn", which is the same timeline of the movie "Leeds and the Blue Bird", Kumiko Huangmae and Reina Takasaka are not so pessimistic, and they have already reached a consensus hand in hand -
"Even the best friends will one day be separated."
In fact, the "separation" of the two has long been opened before the concert, and one party is too dependent and less talkative; one party is too strong and less listening.
[Umbrella Mu Ximei] "only" regards [Kazuka Kasumi] as a part of the world, but many times neglects to take a serious look at the world——
[Kazukatsu] wants to accept her hug, but she says "tease you";
Because Ofimi's "casual" sentence "I want to test the sound of big", he regarded it as his goal, and said, "Because Ximei is going, so I am going too", the reply that Ximei heard was——
"Kasumi is just joking!"
Maybe [Yuki Yukimi] really took "jokes" as jokes at first, but the "jokes" after this seemingly open and cheerful girl are more like their own defenses - the "strong vulnerability" unique to girls.
When [Umbrella Mu Ximei] found that [Kaozuma Kasumi] began to have the admiration and contact of the younger generations, the original "little follower" [Kao Tsuka Kasumi] also had a new dependence, "playmate"; when it was found that [Kao Tsuka Kasumi] had a more powerful musical talent than himself, had better conditions but realized a greater dream (Kasumi's family conditions were far superior to Xi Mei, even if he did not understand the original work, the film in which Kasushi easily played the piano also prompted us from the side - this girl actually has many years of piano practice), but he did not, this gap, is envy, joy , jealousy, or something else?
Everything seems to happen at the same time in an instant, but even you and I in front of the screen will understand that each other who are too familiar with each other will suddenly feel strange one day.
Teacher Taki's comments on the cooperation between the two have easily pointed out the problems in the relationship between the two.
[Umbrella Mu Ximei] said that her relationship with [Kaizuka Kasumi] is like the fairy tale Liz and the Blue Bird. She thought that even if Liz released the blue bird and gave it freedom, if the blue bird wanted to visit liz, it could be at any time.
Nakagawa Natsuki did not agree, in her opinion, what belongs to the blue bird is the infinite sky, and once the blue bird returns to nature, it will leave too deep a bondage, which will go against Liz's will——
"You deserve to be free, and with that pair of muscular wings you can go anywhere."
I'm just imprisoning your birdcage.
You have your wings, you have that infinite sky, and I have no right to take your wings.
Come, get out of here and fly higher and farther!
Please let me see your beautiful figure go away.
That's how I express my love...
I love you. ”
Is what Yuki Yuki said to Natsuki Nakagawa really her original intention? Or is this another kind of insincere "recklessness"?
God, why did you teach me how to open a birdcage?
Isn't this a kind of girlish sorrow—God, why didn't you give me the same talent and family lineage? If I also have a pair of healthy "wings", I should not be afraid of parting, afraid of loneliness, afraid of change!
In that rehearsal, [Kazuka Kasumi] finally waved his wings and chose to embrace the blue sky, which amazed the people around him, as if this familiar person was so "strange", and the same shocked [Umbrella Mu Ximei]. She could not immediately accept her own helplessness—the one she had always been waiting for, the one who had always been watched, the one who had always been looked up to—and now, all carried away by a gust of wind and a shower of rain, had become the past.
[Umbrella Mu Ximei] thought that in the affectionate confession of [Kazuka Kasumi], she would hear the words she expected, however, every sentence of "Self-Care" of [Kazuma Kasumi] was far from what she expected, as a responder in "Love Hug", at a certain moment, perhaps only truly experienced [Kazuka Kasumi], and himself-
[Umbrella Mu Ximi] said, I like the oboe of [Kazuka Kasumi];
In an interview, Naoko Yamada mentioned that it takes a lot of courage and a lot of enlightenment to say [this] thing.
【Armored Kasumi】... [Kazuka Kasumi] didn't say anything...
[Kazuka Kasumi] failed to notice the "right answer" that Ximei expected, like a wrong button, and the others were not right.
Connected laughter, three "thank yous", sighs of relief, quiet corridors, swaying skirts, swaying ponytails...
Laughter is to cover up the sadness and panic in the heart, "thank you" is a contradictory self-consolation, long sigh is the acceptance of the past and the future, the stillness and movement in this corridor, the restless youth finally found the balance that had to be accepted, the beating heart, seeing that others have talents that they do not have, and finally reluctantly achieving perhaps only temporary self-reconciliation.
In the end, even if there is still an indissoluble barrier between the two, the two people who were once one before and the same after finally walked out of the campus and walked side by side.
According to Naoko Yamada —
When they are in unison, it is a miraculous "Happy Ice-Cream" scene
While one draws a circle in the library to the left and one strides lightly to the right in the music classroom, at the same time encourage each other to "Race, come on!" "At that moment, even if we don't know what the turning [Umbrella Mu Ximei] said to [Kazuka Kasumi], which surprised and delighted the girl behind us, we at least knew—
The decision of love has been completed.
It is no longer [disjoint], [joint] is the best [freedom] for the other party.
Jing Nu Qishu, I am in the corner of the city. Love is not seen, scratching the head.
Jing Nu Qi, Yi I Tong Guan. Tong Guan Youwei said that the woman was beautiful.
Self-pastoral, beautiful and different. The bandit girl is beautiful, and the beauty is the mussel.