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Commonalities of bad dramas:
The core of the story is nothing new, and even made up and fabricated. Not only is there no logic to speak of, but it is also forcibly reversed from time to time, or nonsensically whitewashed.
What's more, ignoring the intelligence of the audience and touching the bottom line indefinitely, can be described as rendering the dog blood to the extreme, and it is bound to do thunder without giving up.
In this case, it is strange for the audience not to feel bad when they look at it, and it is natural to complain about it.
Once a film and television work is not welcomed by the audience, and what value it is, "paste" will inevitably become its ultimate destination.
Today, I will share 3 recent popular life dramas for everyone to see how much dog blood these works can have.
"Chasing the Family"
This is an urban love drama starring Guo Jingfei, Jia Nailiang and Tan Zhuo.
Although the play has a comedic component, the whole plot is too suspended, always interpreted in a spoof way, which is a bit of dog blood.
Film and television works like life are derived from the family consciousness in cultural commonality, which should be known through various family relationships, and then reflect complex social relations, rather than just blindly selling anxiety, or brainlessly shaping giant baby-like freaks.
Qi Tian is the youngest son of the old Qi family, who is almost thirty years old, but he is incredibly naïve, for a so-called girlfriend who is not marginal, he actually forced the old father to sell his only residence.
Qi Father is also, a scare to succeed, for the younger son's spoiling is there for all to see, who let his wife go early, he always feels that he owes Qi Tian.
But no matter how spoiled, there should be a degree that you sold your house to live in.
Qi Tian didn't care, people said that they wanted to have a small world of two people, and they were not ready to share the new house with their father, which was simply a debt collector, without a little human touch.
The key qi tian this role, not only act selfishly, but also a licking dog, to the family to ask for everything, to the favorite girl liver and lungs, so that after chasing the woman for 10 years still refuse to give up.
The 10-year spare tire road has actually been doomed to the end of Qi Tian's love. If a girl really takes you seriously, how can she not echo for 10 years?
This has fully illustrated the problem, and Qi Tian's persistence is nothing more than self-deception. Originally thought that he could gain something after taking advantage of the void, but he didn't know that no matter how much he paid, he couldn't stand the woman's heart at all.
It's very realistic and helpless, love is like this, feelings are very important. A spare tire was shelved for 10 years, which shows how unpopular Qi Tian is in the eyes of the woman, even if she says goodbye to her ex-boyfriend thoroughly, she will not marry Qi Tian in the end. People are just in trouble for a while, and need a spare tire to relax, that's all. But Qi Tian naively thought that keeping the clouds open and seeing the moon was clear, which showed how naïve he was.
This work can be described as a brainless setting of the child's family, not only is the plot made up without any novelty, but also it is simply noisy for the sake of making a fuss, there is no useful value to take, the more outrageous it is, more and more outrageous, more than a bad heart can be interpreted.
"Heart Dwelling"
This is an urban family drama starring Haiqing, Tong Yao, Zhang Songwen and Feng Shaofeng.
The title of the play is quite good, giving people a heart-warming illusion, and thought it would be a warm work full of positive energy, but I did not admit to seeing it before I knew that it did not match positive energy at all.
The protagonist of this work, Feng Xiaoqin, is absolutely insulated from good people, but every time there is a problem, he can always get himself clear, this is not wanton fabrication?
A foreign woman, in order to take root in Shanghai, she chose to change her fate through marriage, so she married a man she did not like very much, and also hid some ulterior secrets.
In order to be able to take the eldest son who lied about his brother to live with him, at first Feng Xiaoqin racked her brains to try her best to buy a house, and frequently made a demon, why did she have to orchestrate Gu Lei's honest person to death, this is not dog blood and what is it?
As a foreign woman, there is nothing to criticize about wanting to make a home in the big Shanghai that everyone yearns for.
But the mistake is that Feng Xiaoqin will stop at nothing to achieve the goal, and even knows that it is her own fault, and always wants to throw the pot to others, I really don't know where her grievances come from.
Without Feng Xiaoqin's greed and restlessness, how could Gu Qingyu always be wary, people know her bottom line, what is wrong with having a jealous heart, this is not forcibly creating a conflict?
It is reasonable to say that since Feng Xiaoqin has many problems in her body, she should act with some scruples everywhere, rather than playing with sex without thinking, which is completely inconsistent with her shrewdness and cunning.
To put it bluntly, the screenwriter deliberately guides the situation to the worst, and does not consider whether the plot is logical.
In order to give Feng Xiaoqin the opportunity to rise in the future, he had to take Gu Lei, a tool man, offline.
In fact, the story developed here, Feng Xiaoqin's personality has collapsed, not to mention that there is a "younger brother becoming a son" immediately after it.
But the screenwriter still has to force a "ill-fated, hard-working" inspirational character, which is simply crazy.
How can a TV drama work with three views like this not make the audience feel bad about it?
"The Season of Encounter"
This is an urban emotional drama starring Lei Jiayin, Yuan Quan, Zhang Yixing and Jia Nailiang.
The drama begins with hurting people and jumping off buildings, and then succeeds with revenge on the victim's family, continuing to deepen the hatred between the two families.
Later, the families of the injured people, in order to avoid greater revenge, chose to move elsewhere in anonymity, but the matter did not end there.
Within a few years, the female protagonist was admitted to Tsinghua, did not admit the children of the enemy's family, the male protagonist was also admitted to Tsinghua, and soon the two intersected and developed into a lover relationship.
At this time, the female protagonist knows who the male protagonist is, but the male protagonist has been in the dark, after all, the female protagonist has long changed her name and surname, and she is not familiar with each other before.
But the good times are not long, one day the heroine's brother went to school to see her, when she heard that her sister's classmate was called Jian Hongcheng, she couldn't help but change her face in an instant, and then she had to catch up with the male protagonist and desperately, and since then the female protagonist has begun to intentionally alienate the male protagonist.
In addition, not long after, the father of the male protagonist died of a recurrence of injuries, and the male protagonist had to drop out of school and go home to prepare to inherit the family business, so that the two people completely cut off contact, which is more than 20 years.
When the time comes to 2018, the male protagonist at this time has chosen to divorce because his wife gave birth to someone else's child, and the female protagonist has also chosen to divorce because her husband cheated and committed crimes in marriage.
Two former lovers, it can be said that the marriage is not happy, the key is betrayed by the other party. I thought that the two would have a drama from now on, but I didn't know that a more bloody plot was still behind.
Because the plot of the drama Islet is too much to list one by one, it can only be said in general about the endings of several main characters.
In order to start a business, the male protagonist actually married his ex-wife who he did not like with his conscience, which led to troubles and disturbances later, and finally although he and his ex-wife abandoned their previous suspicions and did not continue to make trouble, they were still stabbed by the heroine's brother.
The female protagonist has always been deeply in love with the male protagonist, but the screenwriter just does not let her get what she wants, until finally she cannot come together with her beloved.
The heroine's younger brother, later because of the magnanimity of the male protagonist, once chose to put aside his resentment, but at this time, the heroine's mother changed her temperament, which led to the conflict escalating again, and finally the younger brother went to prison because he accidentally injured the male protagonist.
In this work, not only the heroine's brother and ex-husband went to prison, but the male protagonist's brother and former brother-in-law also went to prison, and even the male protagonist's most iron brothers also squatted in prison for 3 years.
At the same time, the father of the female protagonist chose to jump off the building to commit suicide because he accidentally injured the father of the male protagonist. The father of the male protagonist was stabbed and later died.
Even if he did not die and did not go to prison, the male protagonist was also stabbed into a serious injury, and the female protagonist's mother almost fell into a vegetative state.
There are also the ex-wives of the male protagonists and the ex-wives of the iron brothers, all of whom have become single mothers, in short, there is no happy person, which is not enough to make the audience bad.
Film and television works like this, I really don't know what kind of values it wants to convey, is life really like purgatory?
I think it is just a simple sprinkle of dog blood, otherwise why do we have to force arrangements in bad places, this is not a thing that is divorced from reality at all, it is completely a brain problem, and the problem is still very serious.
In summary, it is not difficult to find that the 3 popular life dramas that have been broadcast recently can really be called one more than a dog blood, and one is worse than one for the audience.
I don't know what happened to the current domestic dramas, don't you make it up and no one likes to watch it? Or does the producer feel that the more bloody the dog, the more suitable life? I can't understand it anyway.
There is a lot of suffering in life, but it will definitely not be as bad as in the above works, and it will not sprinkle all the dog blood together, don't you say?