"The Princess of the Emperor of Shadows" is not a wise move to choose such a time period to broadcast, before there is "The Rest of Your Life, Please Advise More", a modern idol drama starring two popular top streams, and then there are two works of "Acquaintance with Junchu" and "Heart Residence", sandwiched in the middle of the "Princess of the Emperor of Shadows" If there is no outstanding quality, it is easy to become cannon fodder for this period.
"The rest of your life, please give more advice" is currently firmly at the top of the heat list, but the popularity of this "Princess of the Shadow Emperor" is mediocre, and it can be seen from the evaluation given by the audience that Xu Zhengxi and Zhou Jieqiong have received a lot of bad reviews, and their acting skills have been questioned. But the problem with this work is by no means limited to the performances of the two actors.
First, the male and female protagonists are distorted
"The Princess of the Shadow Emperor" did not pay much attention to the character setting of the male and female protagonists alone, and the male protagonist got the film emperor human setting, but in the play, the resource he got was a costume idol drama. In real life, this is not true, after all, we are familiar with the film emperor Liang Chaowei, Zhou Runfa and other people, almost no possibility of starring in costume idol dramas.
The heroine's character setting is also outrageous, in the early plot, she explained that her job is a costume model, and there is a side job of translation, never had acting experience, but was directly pushed by the male protagonist to the position of the heroine of the costume drama. However, the other producers, the producers did not have any controversy, under the recommendation of the male protagonist, they all decided to use the female protagonist.
This is out of touch with reality, in real life, many female actresses have to stay up for a long time to get a heroine, unless there is a "relationship household" that is supported by manpower, but the heroine in the play is obviously not, she does not have any background, not even her own agent, even if she has a rich boyfriend, she was found to be cheating on the spot.
But it is such a heroine who has no background and no acting experience that she can play with the popular movie emperor, so it is distorted from the perspective of the setting alone.
And the emotional development between the male and female protagonists has no reason, just because the male protagonist has a dream, or even does not even see the appearance, he can determine who the princess in his heart is. The screenwriter imposed this setting on the male and female protagonists, and set up an infinite aura for the female protagonists, which seemed reasonable but was very outrageous.
Not only that, the male protagonist's character setting is still single, and he has achieved the position of the movie emperor, but he has never filmed a kiss scene, or even a hug scene, which really makes this character lack convincing. In the play, in order to be able to feel the kiss scene in advance, he also dates the heroine, which can be seen as a hooligan's behavior, but it is glorified as a key link in promoting the progress of the male and female protagonists in the play.
This kind of character setting that is divorced from reality has made people accept incompetent, and playing such a role is also thankless for actors.
Second, the actor's acting skills are too dramatic
Xu Zhengxi's performance in "Yan Yu Fu" is remarkable, after all, acting skills and character settings complement each other, but in this drama, because Mu Tingzhou, played by Xu Zhengxi, was raised to the height of the film emperor, this made Xu Zhengxi's acting skills completely unable to support such a character setting.
When playing the role of Taifu in the costume drama, Xu Zhengxi used the performance method of the idol drama to interpret the characters, and there was obviously a difference in status and identity between the Taifu and the princess, but the look in his eyes when he looked at the princess was always emotional, which was obviously to increase the cp sense between the two, but this interpretation method distorted the character.
This makes the strength of the film emperor unable to match his position, and the effect presented is very embarrassing. And Zhou Jieqiong plays a small white in the showbiz circle, against such a film emperor, there should also be a very obvious sense of hedging in acting, but Xu Zhengxi's acting skills are not much different from Zhou Jieqiong, and the film emperor and rookie have a level, which directly reduces the realism of the characters.
And Zhou Jieqiong was also questioned by the audience about flying around in the play, acting skills to pull the crotch, whether it is playing MingWei in the modern plot, or playing the princess in the costume drama, it does not bring any difference to the audience in terms of perception.
The acting princess is smart and cute, and she is also obsessed with using exaggerated body movements and pouting and frowning.
When interpreting Mingwei's humble but positive, it did not let the audience feel any change in her state of mind, but only verbally and physically constantly cheered herself up.
Zhou Jieqiong was too face-faced when playing the role of Mingwei, when she learned that her boyfriend was cheating, although she cried and put on makeup, she did not let people feel her pain, when she knew that she was a relationship, she could not see any emotion on her face, saying that she was tired of the rest of the crew, but in fact there was no shame.
Although "The Princess of the Film Emperor" makes the audience feel a sense of ease in the style of light comedy, in fact, whether it is the character setting or the acting skills of the two actors, the audience is very dramatic, including the agent around the male protagonist, who does not look like a staff member, but more like another star, such a quality is really difficult to conquer the audience.