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First Love: 2 classic GF shots that can't be left behind

The first time we met, we were overjoyed and fell in love at first sight. Later, I was able to accompany you for a long time, wherever I went, and never felt burdened by it.

First Love: 2 classic GF shots that can't be left behind

©Nordica丨GFX50S丨GF63mmF2.8 R WR

This is probably the ideal companion, the first love of many people in medium format: GF45mmF2.8 R WR / GF63mmF2.8 R WR .

A GF45mmF2.8 R WR that takes you to the advantages of a universal perspective. Equivalent to the 36mm focal length in the 35mm format, weighing 490g, photography enthusiasts who often use standard lenses will experience the joy of shooting from the small and exquisite appearance.

First Love: 2 classic GF shots that can't be left behind

The image quality resolution is uniform from center to edge without attenuation, ensuring excellent image quality even when the aperture is wide open. The aperture only acts as a way to adjust the depth of field, and previously worrying ghosts and glares rarely appear on this lens.

First Love: 2 classic GF shots that can't be left behind

The picture is not distorted and deformed, the AF autofocus is also very sensitive, and the nearest focus distance of 0.45 meters makes this lens also suitable for street portrait shooting.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Beawiharta

Humanistic photographer

The combination of the GFX medium format camera and the GF45mmF2.8 R WR lens was the perfect match for me.

First Love: 2 classic GF shots that can't be left behind

Can be used for street creation, street crowds, and corners of the city. Photograph people's lives from a closer, more intimate perspective.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Extremely lightweight and portable, with excellent detail expression, this lens is extremely high-quality, sharp in imagery and precise in color reproduction.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

The compact size makes it as easy to handle as a small bottom device, and the presence of 24/7 protection allows me to shoot anywhere at any time. Especially in the tropics where I live, there is a fairly long rainy season every year.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Paul Von Rieter

FUJIFILM X-Photographer

With GF45mmF2.8 R WR I can shoot anything on subject, portrait, event, family, everything at a wedding.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Not only will you get the beautiful breathing sensation of a full-frame camera, but you'll also get a stunning depth of field and a fantastic out-of-focus bokeh effect, and you'll get a stronger sense of space.

First Love: 2 classic GF shots that can't be left behind

Overall, it's a shot that's not that big and so heavy, but high-quality. The quality has obvious advantages, and this is my usual favorite lens.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

The volumetric weight of this lens makes it extremely comfortable to the hand, it forms a certain balance with the body, although this lens contains an electric motor, but you can hardly detect its presence, this is not a lens with noise. Many of the scenes I've shot require me to be quiet, and that's very important.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Eric Bouvet

I've never disappointed in the performance of this shot, and I haven't seen glare, ghosts, etc. happen.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Nano-GI coatings change the refractive index and avoid phenomena such as ghosting. I say this because I've been shooting with medium to large format film cameras for a long time, and it's very easy to produce flare when strong light comes into the lens, and my long guns and short guns don't solve this problem very well.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

It wasn't until the GF45mmF2.8 R WR, a high-tech lens, that the problem was solved.

Speaking of the structure of the GFX medium format camera, can you believe that this can actually shoot 100 million pixels? Compared to the quality and resolution it can create, this volume is simply too small.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

GF prime lenses maximize the potential of format sensors in GFX system cameras, and the GF63mmF2.8 R WR is no exception.

First Love: 2 classic GF shots that can't be left behind

Its strength lies in its simple lens construction, with 10 lenses in 8 groups (including 1 ED lens), yet it provides such valuable color purity and a huge amount of detail.

First Love: 2 classic GF shots that can't be left behind

Small and lightweight, it can be carried around anywhere, providing the image quality and versatility required for virtually any scene.

The GF63mmF2.8 R WR also boasts 24/7 protection and can operate in temperatures as low as -10°C, a feature that allows photographers to always focus on the shoot itself and confidently create in all environmental conditions.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Jonas Dyhr Rask

The lens's soft out-of-focus and sharp center imagery not only do it satisfy the massive amount of detail required for a high-pixel sensor, but it also retains a special charm that is very fatal to me.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Thanks to the resolution of the ultra-high pixels, we get more contrast in the photo, and we also make the image more deep and beautiful.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Rich shades and orders of magnitude deeper colors.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

When I'm shooting outside, I really don't like carrying a big bag of heavy equipment because I need to work and stay outside for a long time, and the GF63mmF2.8 R WR lens does a great job of this, and it balances image quality and portability very well.

First Love: 2 classic GF shots that can't be left behind

It had never occurred to me that the idea of shooting in medium format on the street was realistic, but with the advent of the GFX system, especially with the GF63mmF2.8 R WR lens, it became so easy to sweep the streets in medium format.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Joseph Mak

I always bring this lens with me when I'm traveling. This is a multi-purpose lens, compact and weighs less than 400g.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

From portraits to landscapes, I can shoot almost any subject with it, and I like the classic image style it creates, the slight sense of compression, which allows me to focus on the subject.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

F2.8 large aperture, giving me enough bokeh effect. This lens is not only sharp in imagery, but also has all-weather protection, so I don't have to worry about the climate and shoot as usual in wet environments.

First Love: 2 classic GF shots that can't be left behind

This shot has accompanied me through seven continents. From the North Pole to the South Pole, it is able to withstand a variety of difficult environments and maintain good working conditions.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

Antonio Faccilongo

Of all the GFX system equipment, this 63mm lens is almost a must-buy.

Super sharp rendering, beautiful bokeh, rich colors, thanks to Fuji technology, this lens can present excellent picture quality.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind

The most important thing is the compact size, weight, and all-weather protection performance of this lens. Then there's its ease of use and easy and efficient handling.

First Love: 2 classic GF shots that can't be left behind

All of these features allow me to use it for a long time as a photojournalist, and I hardly feel its weight, and the person being photographed is not intimidated by it.

This shot allows me to get very, very close to people's faces, allowing me to carefully capture their changes in look.

First Love: 2 classic GF shots that can't be left behind

A shooting system as small as the GF63mmF2.8 R WR influenced my work, and now I can reimagine my work in a whole new way and perspective.

First Love: 2 classic GF shots that can't be left behind
First Love: 2 classic GF shots that can't be left behind