A few days ago, the Shaanxi Provincial Archaeological Research Institute announced that Xue Shao's tomb has reappeared in the human world. The first image that popped up in my head was the classic scene in "Daming Palace Words". At the Lantern Market, crowded, Xiao Taiping went against the flow of people, reaching out to grab one Kunlun Nu mask after another, and everyone was not her Sister Wei. Princess Taiping lost herself and cried, and under another Kunlun Nu mask was the heroic appearance of Zhao Wenxuan's sword eyebrows. The word "pinch" is both accurate and inaccurate, because the eccentric appearance of the teenager Zhou Xun seems to be no more suitable for her than the naughty verb of pulling, and the inaccuracy is because, in the TV series, the mask is slowly lifted in slow motion, and Xue Shao's calm face also slowly shows a soft smile. This smile remained in Taiping's mind, and he did not hesitate to dream back in the middle of the night, and did not hesitate to sink from then on.
If you go to Station B to relive this scene, the bullet screen will ring out a piece of "once you see Xue Shao mistaken for life". Yes, the carefree life of Xiao Taiping began to rewrite from here, the fate was reversed from this encounter, from jumping and grabbing the prince's chair and crazy and making a fuss to hang, no matter how naughty there was a mother and queen, turning into sad and miserable, no matter how much I loved this man, I couldn't ask for it. Loved people hate themselves, and because they fall in love with themselves and commit suicide, how can this lifelong regret be calmed? Later, Zhou Xun stepped back, Chen Hong picked up, and her hysterical "no" still remains in the hearts of many people.
Xue Shao later transformed himself and reappeared in the life of Princess Taiping as Zhang Yizhi. Because he looked exactly like Xue Shao, he immediately gained the favor of the princess. His younger brother Zhang Changzong took the lead in gaining the favor of Wu Zetian.
There was an interview with Gao Dongping of Beijing Renyi, a name that sounds strange, but it is actually Feng Yuanzheng's classmate, one of the "Five Tigers of Renyi". Gao Dongping was the actor who played Zhang Changzong in "Daming Palace Words", and he shared with me a shooting story of that year when he was interviewed.
It was still 1997, and Li Shaohong was looking for actors for "Daming Palace Words". Gao Dongping originally did not like to shoot period dramas, but he heard that it was the scene directed by Li Shaohong of the 78th class of Beiying (that is, Chen Kaige and Zhang Yimou' class), and he went with his pocket. After talking to him for about half an hour, Li Shaohong asked him "why didn't you bring anything", because other actors came to the interview with a large stack of photo albums. A month later, the production director called Gao Dongping and called three or four times, but he did not go, and he was still not interested in costume dramas.
Later, Li Shaohong personally called him and did not move Gao Dongping. In the end, the director used a big sister known to Gao Dongping to drag Gao Dongping to the office. "You see, this is Guo Donglin's contract, this is Fu Biao's contract, they have five thousand in one episode, and I will give you six thousand in one episode" (the exact amount may vary). At that time, Guo Donglin and Fu Biao were both stars, and Gao Dongping was just an unknown actor who had just started in Beijing for a few years.
Then act. On the day of the modeling, he and Fu Biao sat next to each other. After 4 hours of makeup, Gao Dongping said that he himself gave him a fall asleep, opened his eyes, and was stupid, "Who am I to play this?" It turned out that by this time, the director had not told him who he wanted to play. Fu Biao laughed next to him and said that no one can play your role so far. Acting for what? A male darling.
You see in "Daming Palace Words", when Zhang Changzong stood in front of the screen to embroider lotus flowers, he occasionally looked back and smiled, and then leaned on the back of Taiping, grabbed the princess's hand, stitched one stitch at a time, and used embroidery to please the most powerful woman in such a feminine posture. Looking at his eyes, I looked back at you unexpectedly, and felt that it was much more feminine than his brother Zhang Yizhi.
Do the math, Daming Palace Words was broadcast in 2000, almost 20 years, but many people still miss it.
This TV series is completely different from historical dramas such as "Yongzheng Dynasty", and of course it is not an obvious joke such as "Kangxi Micro Service Private Interview", but it is full of the personal aesthetic of director Li Shaohong. When it was broadcast in those years, it was mixed, and when I looked back at it with today's eyes, I felt that it was so open and tolerant, and it was full of arbitrary imagination for the Tang Dynasty. There are some "ghostly Sensen" scenes in the play, most of them are visual presentations of the director's fears and delusions of the people in daming palaces, and it is actually quite normal for some viewers who are accustomed to watching CCTV dramas not to like it. However, how many people do not like "Daming Palace Words", there are more people who are obsessed with it.
"Daming Palace Words" uses the perspective of Princess Taiping to string together the entire drama. In her life, she witnessed the death of one person after another, Li Hong dedicated himself to the ideal, his same-sex lover Hehuan went crazy in the court, Li Xian calculated for the imperial organs, Li Xian did not even know how to die in the palace fight, as for Li Dan, the price of laughing to the end was to pretend to be stupid. As for Princess Taiping herself, she did not get the ideal love in the end. In the last episode, she and her nephew Li Longji have a dialogue before the shadow puppet play, full of poetry, "This girl, do you know what kind of mistakes you have made", "Your mistakes are beautiful and heavenly immortals". Li Longji admired her very much, and seemed to be a good child, but now, love came too late, too difficult, too inconsistent with the imagination of his youth.
Such a tragic elegy with a great ups and downs in the fate, starting with the cruel means of Xue Shao's original matching to be given death, leads to the gradual withering life of Taiping, which is undoubtedly more able to create a sense of destiny than the innocent Xue Gongzi in history. The tone of this poetic drama was set by the screenwriter Zheng Zheng, who was just starting out at the time, and Li Shaohong did not believe that he could write a 40-episode script. So solemnly in front of the director, spent two hours rewriting the outline of the script (the original script author is called Gui Yuqing, who is the screenwriter of "Blue Demon"), and told this story in one sentence, that is, the love story of Princess Taiping and her three husbands.
From this point of view, if you look at the words of Daming Palace, you will find that from a female life individual into a huge history, this classic and effective creative method helps the audience to replace the characters in the play. How many of us fell in love with the pampered and mischievous little Taiping played by Zhou Xun at the beginning, and then wandered in the Court of the Tang Dynasty, living with them and lamenting their fate.
20 years later, we are still in love with "Daming Palace Words", of course, because of its elegance.
The screenwriter solemnly wrote a paragraph on the back cover of the script of "Daming Palace Words", "With a firm belief in finding beauty, I trembled to open the huge and thick cover of history... Eventually, I was thrilled to find that they had not yet stopped living elegantly and gracefully." The elegance and elegance of the Tang Dynasty, "The Words of Daming Palace" is presented in every detail, and to this day no latecomer can surpass it, including Li Shaohong's own works.
We love "Daming Palace Words" because of its clear feminist view.
Many film and television dramas that reproduce the Tang Dynasty will strive to expand the keyword of "openness", so we have seen too many shapes of squeezing out the chest, not that this is not OK, but it is just a good look in the eyes of men, this kind of good look is too narrow and too male perspective. But you see Ye Jintian really understands how women appreciate their beauty, he designed the clothing, so that women show a large collarbone, with a neck line, both confident, but also implicit, very modern. The costume styling alone has made many TV dramas now unsatisfactory.
Later, Zhang Changzong also started to cry, make trouble and hang himself, and Wu Zetian took this opportunity to teach Princess Taiping feminism, "You see, any man, feminine, masculine, as long as he is in a female situation, he is a woman."
This line with gender identity inversion has its deep meaning, and 20 years later, it still makes people feel its amazing "girl power". "In the female situation, he is a woman", is this not the view in Beauvoir's "The Second Sex", "Women's gender characteristics are caused by society", giving men a female social and cultural situation, he will also be like many women, excessively introspective, too eager to take responsibility.
Taiping once asked her mother if we were destined to be lonely all our lives. Wu Zetian told her, "If a woman can find a tree to rely on, it is good, but if she can't find it, then she will take root in the soil herself and then stand up." "The Words of Daming Palace" is not a celebration of power, not for the sake of treasure, for spectacle, but for the details of the palace fight; it does not focus on the cold-bloodedness of Wu Zetian's masculine, it tells the story of two generations of women standing out from the crowd of powerful and cowardly men. Moreover, because the controller is a woman, the reproduction of the word "wind flow" is also in line with the reproduction of women's imagination, and the Tang Dynasty has thus derived a beautiful soft beauty.
⊙ articles are copyrighted by Sanlian Life Weekly.
<h1 class="pgc-h-arrow-right" > new issue, click on the product card below to purchase</h1>
#pgc-card .pgc-card-href { text-decoration: none; outline: none; display: block; width: 100%; height: 100%; } #pgc-card .pgc-card-href:hover { text-decoration: none; } /*pc 样式*/ .pgc-card { box-sizing: border-box; height: 164px; border: 1px solid #e8e8e8; position: relative; padding: 20px 94px 12px 180px; overflow: hidden; } .pgc-card::after { content: " "; display: block; border-left: 1px solid #e8e8e8; height: 120px; position: absolute; right: 76px; top: 20px; } .pgc-cover { position: absolute; width: 162px; height: 162px; top: 0; left: 0; background-size: cover; } .pgc-content { overflow: hidden; position: relative; top: 50%; -webkit-transform: translateY(-50%); transform: translateY(-50%); } .pgc-content-title { font-size: 18px; color: #222; line-height: 1; font-weight: bold; overflow: hidden; text-overflow: ellipsis; white-space: nowrap; } .pgc-content-desc { font-size: 14px; color: #444; overflow: hidden; text-overflow: ellipsis; padding-top: 9px; overflow: hidden; line-height: 1.2em; display: -webkit-inline-box; -webkit-line-clamp: 2; -webkit-box-orient: vertical; } .pgc-content-price { font-size: 22px; color: #f85959; padding-top: 18px; line-height: 1em; } .pgc-card-buy { width: 75px; position: absolute; right: 0; top: 50px; color: #406599; font-size: 14px; text-align: center; } .pgc-buy-text { padding-top: 10px; } .pgc-icon-buy { height: 23px; width: 20px; display: inline-block; background: url(https://lf1-cdn-tos.bytescm.com/obj/cdn-static-resource/pgc/v2/pgc_tpl/static/image/commodity_buy_f2b4d1a.png); }
【Sanlian Life Weekly】2019 No. 51 1068 Visit the Bauhaus Centennial Road ¥15 Purchase
【Subscription】Sanlian Life Weekly 2020 annual magazine subscription a total of 52 issues free shipping ¥650 purchase