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Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

It's still warm and cold

Spring rain wakes up the greenery

Spring is getting closer and closer to us

From the revival of all things to the bright light

spring

It's always fascinating with life

Face the spring colors

Artists can always think of dreams and flowers

Calligraphy is a unique chinese art form

Stroke by stroke

In the thick, light, white, light and heavy, thick and thin intertwined with the beautiful spring color of the spiritual world

Today, Xiaoyi will take everyone to appreciate the calligrapher's masterpiece about "Spring"

Han Lishu "Yi Ying Stele" (partial)

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

(Set word)

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

(Partial)

Lichun is the first of the twenty-four solar terms, and ancient Chinese folk celebrate the festival on the day of "Lichun", which is equivalent to the modern "Spring Festival". The interpretation of the ancient "Qunfang Genealogy" is: "Standing, starting to build also." Spring begins and builds also. From this day on, "the sun and the sun, the taste is spring", after which the temperature, sunshine, and rainfall began to rise and increase, and everything recovered. The "Yi Ying Stele" records the words of Lu Xiang Yiying before Situ Wuxiong and Sikong Zhao Jie, and Yi Ying wrote to the Confucius Temple to place a hundred stone guards in charge of the ceremonial temple. The "Yi Ying Stele" is a typical work of the mature period of Han Li, Qing Fang Shuoyun: "The characters are square and thick, and they are enough to call the beauty of the Zongmiao Temple." "It is also one of the best models for future generations to learn lishu."

Mi Fu Xing Shu "Duty Rain Thesis"

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

Interpretation

Head of the dragon. Meet early, rain, grass. I don't know what the axis is. Can be exchanged for more approval, and now and Chi Na, the emperor is afraid of the first. Bo Chong defensive platform sitting, how to go under the stone of the court, go to live only a few days also.

Rain is the second of the twenty-four solar terms and the second of spring. After entering the rain, as the rainfall temperature gradually rises, the grass and trees sprout, and the expected spring flowers bloom in sight. This is the "Value Rain Post" of Mi Fu, 25.6 cm in length and 38.6 cm in width. This book of Zayo was written in 1103, at the age of 52 at the time of Michi, and the style was very mature. The characteristics of composure, wanton arrogance, and eight-sided front jumped on the paper.

Huang Tingjian cursive book "Flower Gas Lavender"

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

Hua Qi Kaoru people want to break zen, and the mood is actually middle-aged. Spring poetry thinks of what it is like, eight sections of the beach head water boat.

"The fragrance of the flowers when they bloom is diffuse, as if the kung fu of daily meditation has been broken, and after middle age, there is such a mood of being moved by the flowers, and in the spring, there is the idea of writing poetry, but it is like a layer of beachheads against the water, and the boat has to go up, how difficult it is!" The posture of this post is vigorous, clumsy is better than clever, the fat pen has bones, the thin pen has flesh, "perverted vertical and horizontal, vigorous as flying". In order to convey his many complex experiences in the creation of age, years, spring and life, Huang Tingjian wrote this poem, which was also written in the most natural way, combining the usual rigorous center line and the wanji in cursive to form a perfect sketch, which is a rare masterpiece for appreciating calligraphy.

Su Shixing's Book "Dongting Spring Color Endowment"

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

I smell the joy of oranges, do not reduce the shangshan. The frost is not eaten, and the four old people play in it. Enlightenment of the bubble illusion of this life, hiding thousands of miles in one class, holding up more than one jujube leaf, how difficult it is to take mustard seeds, the Daguan of The King of Yixian, and the hope of the people. The spring breeze is thick, and the pan-heavens are idle. Blowing the white waves of the cave garden, rising to the Cangwan of the North Nagisa. Swim with the beauty, diligently misty sideburns and wind beards, fate of the yellow-headed thousand slaves, roll the earthquake and return with them, with two meters of grass, by virtue of the three ridges of the suga. Suddenly the clouds steamed and the ice dissolved, and the spinning beads were zero and the nose was wet. Cui Spoon Silver Poppy, Purple Lotus Qinglun, Companion Car No. Uzumaki, Copper Hammer of Wooden Doors. Divide the emperor's rest, and the happiness of the prince. I washed the cup and tasted it, and scattered the paralysis of the waist and feet. Suck the three rivers in one, swallow the fish and dragon of the gods, drunken dreams, the beginning is like a fashionable barbarian, the drum bag mountain of guiyang, the qiongguan of the buckle forest house. The shrinking of the wind of the lying pine, the murmur of the spring slip, the pursuit of Fan Li in the vagueness, the sorrow of the hanging husband, belong to this covetous to The West Son, wash away the sad face of the subjugated country. The dust of the socks flew, and the bow of the dancing sleeves was bent. Enlightened and endowed, to give the Gongzi Yue: Wu Hu Xi: My words are exaggerated: Gongzi it is deleted for me.

The so-called "Dongting Spring Color" in The title of Su Shixing's book "Dongting Spring Color" is a kind of wine brewed with Taihu citrus, but Su Shi commented that the wine was transformed from a physical object to a virtual scene, "like a spring breeze" and "immersive" to write the grandeur and vastness of the spring color of Dongting. "Dongting Spring Color Fu" and "Zhongshan Pine Mash Fu" are contained in one volume, this work is majestic, elegant, elegant, elegant, and extremely tight, reflecting the characteristics of Su Shi's calligraphy "short fat body". Ming Zhang Xiao Siyun: "This two endowments are written under the operation, the structure is strict, the atmosphere of depression and magnificence, and the posture of returning to the wind and frustration are really like a lion squatting and crouching." Wang Shizhenyun: "This is not only quaint and elegant, but also has a variety of postures, but the structure is meticulous, there is no negligence, and it is the best in Meishan." ”

Ni Zhan Kai's book "Jiangnan Spring Word Post"

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

Three songs of Jiangnan Spring

Tingzhou night rain raw asparagus, sunrise pupil curtain quiet. Frightened birds burst through the apricot blossom smoke, and the east wind blew sideburns.

The distant river shakes the sword light cold, and the water swallows the moss well. Falling flowers fly swallow touch the scarf, agarwood fire slightly lingering green dust.

The spring wind is turbulent, the spring rain is urgent, and the tears are wet. The flowers fell and the branches regretted it, and the silk tong mourned and confused Zhu Bi.

Oh I go to the countryside, like a family of disciples standing on all four walls. The willow flowers melt into the green ping, and the wind and waves are huge and the heart is afraid of the camp.

Ni Zhan begged

Mr. Yuanju used literature to recruit jun and teach it

In "Jiangnan Spring", Ni Zhan wrote that the birds broke the tranquility of the apricot blossoms, the falling flowers crossed the scarf, and the willow flowers fell into the water to turn into green ping, with delicate brush strokes and subtle perspectives. Its idyllic and thin, quiet and elegant, Simple and Distant Xiao, but without losing the elegant and natural Xiao Kai, blends with the artistic conception of "Jiangnan Spring".

Tang Yinxing's Book of Falling Flowers (Partial)

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

In the spring dynasty, what happened was silent, and Tingcao was shocked to see that Lu had been grouped. Flowers and tears fly a little, fluttering eyes and eyes long. The book has no intention of opening up lonely anger, with a heart of joy. And the joy and remnants are still there, so that the bamboo is repaired and reported peace.

The "Falling Flowers Poetry Book" was composed by Tang Yin when he was 35 years old, only 5 years after he was deposed. Shen Zhou wrote ten poems of the Seven Laws of Falling Flowers due to the loss of his son, which is a total of 30 poems in Tang Yinhe's "Falling Flowers Poetry Book". He saw the ground full of heroes, and in connection with his own bumpy encounters, he was shocked and expressed his indignation. This "Falling Flower Poem" is one of Tang Yin's calligraphy masterpieces, which was written earlier, with a pen round turning yanmei, jade bones and muscles, flowing wine, gentle and elegant.

Xu Wei cursive "Spring Garden Drizzle Poetry Axis"

Swinging the ink spring as promised, watching the calligrapher write a beautiful spring color

The spring garden drizzles twilight, leek leaves as a hedge as a meaning. The Old Testament left a long time in the following year, and the new vegetables came out of the mud. Liang Chen has felt the flying river swallow, and the hat shadow moves the begonias. After getting drunk, it should be inevitable, only worry about not driving and annoying Lang Dang.

Drunk under the begonia tree, the night is abstinent. Tianchi Mountain people Wei

Xu Wei has written this poem many times, which shows his love for this poem. Leek leaves under the spring rain, freshly mudded vegetables, and the trembling begonias of the tree, this poem is written fresh and unworldly. In this self-written poetry axis, Xu Wei also reveals a faint bitterness, the poetic elegance and the excitement of the book form a sharp contradiction, the conflict contrast is strong, and it is very artistically appealing. Writing a line book in cursive writing, pressing it lightly, arbitrarily and arbitrarily, weird and strange, it can really be described as a paper dragon snake.

Editor | Xin Ying

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