Speaking of Chinese mainland music creation, I am afraid that in the 1980s and 1990s, the Guangdong music scene during the rendezvous period was a signpost that you could not bypass. At that time, the Guangdong music scene existed as a large base for the originality of Chinese pop music. And also launched these singers of China's first generation of pop music. Of course, the prosperity will decline, and then it will slowly decline little by little. The original music base moved north from Guangzhou to Beijing. Guangdong music has a unique advantage, that is, after the reform and opening up, our popular music is equivalent to a blank, then after the opening up, Hong Kong and Taiwan music at least last experienced ten years and twenty years of accumulation, a large number of Hong Kong and Taiwan music came in, come in are some fine products, high degree of singing of fine products, until today is still people cover singing. Like Miss Teresa Teresa's "Don't Pick WildFlowers on the Side of the Road", most of the music in Hong Kong and Taiwan is about singing things that are emotional between people and people, and most of them are some love songs. Hong Kong is a very popular place. And it is closer to Guangdong Province, Guangdong Province is also known as the bridgehead of reform and opening up, so it has such a unique advantage, Guangdong people love to listen to Hong Kong music, mainly because of the distance from Hong Kong, it has been affected by Hong Kong. The music of Hong Kong is influenced by Japan, and the music of Japan is influenced by all the European and American influences in the West. Because the Japanese music scene has always been the vane of the Asian music scene, the Japanese music of that era produced a lot of fine works and the Chinese music scene generally lacked creativity, so covering Japanese songs, it became a shortcut, at that time the information dissemination was not as developed as it is today, and many record companies were in Japan at that time, so it was very convenient to operate in copyright transfer, and some Japanese pop music was indeed very good. Like Li Keqin's "Moon and a Half Serenade" is actually a cover of the Song of Japanese female singer Nahoko Kawai, Zhang Guorong's "The Wind Continues to Blow" is a cover of Momoe Yamaguchi, Chen Huixian's cover of "A Thousand and a Thousand Que Songs" by Makoto Kondo, Faye Wong's "Woman Prone to Injury" is a cover of Miyuki Nakajima, of which Rene Liu's "Later" is also a cover of the songs of Japanese girl singing group Kiroro members Chiharu Tamaki and Ayano Kanagi, Ren Xianqi's "Sad Pacific" and Teresa Teng's "The Long Road of Life" It is also a cover of Miyuki Nakajima's songs, the main song in the Taiwanese idol drama "Meteor Garden", the song "Meteor Rain" in F4 is also a cover of the song of Japanese singer Ken Hirai, and most of the Hong Kong and Taiwan music relies on cover singing, imitation and learning from the Japanese music scene. Mainly Miyuki Nakajima and Koji Tamaki, most of their songs have been covered by singers in the Hong Kong and Taiwan music scenes, so some people say that Japanese musicians have fed most of the Chinese music scene, and now such a list is really not exaggerated at all. At first, the Cantonese people listened to the radio, because the radio at that time could directly hear several Chinese radio stations in Hong Kong, and a large number of Hong Kong pop music entered Guangdong Province through this transmission channel, and also allowed two tapes to come over, so Guangdong Province was close to Hong Kong, and began to contact Hong Kong and Taiwan music by listening to radio Chinese radio stations and a large number of tapes. But as a result, in 1989, RTHK FM, unified radio modulation, tuning into FM stereo, Guangdong people because of RTHK modulation, and then the result led to incompatibility between frequencies, Guangdong people can not listen to Hong Kong music through this party, so opened a lot of music cafes, most of them are singing some Hong Kong taiwan kind of cheerful lounge songs and love songs, like Han Baoyi's "The past can only be reminiscent", anyway, it attracts a lot of singers to create here, not only Guangdong Province, Songwriters from all over the country have come here, singing both Chinese and Cantonese. Then the Guangdong media followed hong Kong's example and immediately launched various music charts, such as what new song list, singer list, so at that time, many singers wanted to be famous, you can go to the radio to hit the chart. You can vote for your favorite artists and songs. At that time, it was called a hit list. When the same list promotes you, more companies will come to you to sign and make records. Therefore, this model is basically copied from Hong Kong, so Cantonese music can be used, and finally developed. After Hong Kong has been doing for many years, a lot of superstars have been introduced, and that time was also the golden age of the Hong Kong music scene, so it launched the late four kings Andy Lau, Jacky Cheung, LiMing, Aaron Kwok; Tong Ange, Wang Jie and others, so the Guangdong music scene at that time appeared to be extremely popular, so at that time, most of the Guangdong music scene at the end of the 1980s was popular cover Hong Kong music, and finally some people began to create their own oriental objects, some original works came out, At that time, although most of the songs were cover songs in the Guangdong Music Restaurant, there were also singers like Chen Rujia in the late 1980s, who once covered singer Luo Wen's "Down the River and Against the Current", and finally Chen Rujia won the award at the Youth Song Competition through "Love in the Old Garden". So a large number of pop singers emerged, such as music producers Laozai (Wu Liqun), Xiao Ke (Ke Zhaolei), And Sanbao (That Risong) all came to Guangdong to develop, and then successively opened their own record companies there, for a long time, they launched an early batch of pop singers, out of a lot of songs, like Mao Ning's "Tao Sheng", Lin Yilun 'Love Bird' Chen Shaohua "September 9 Wine", "Nine Nine Daughter Red", Li Chunbo "Xiaofang", Yang Yuying "Gently Tell You", Gan Ping "Big Brother How Are You", Mai Zijie Teenage Dream", Gao Linsheng's "The Person Who Cares About You Is Me"..., and at that time, Chinese popular songs were divided into two genres, one was the rock style of Lao Cui, Cui Jian was an avant-garde musician in the history of Chinese rock, and the avant-garde performance was manifested in the combination of various rock elements and wrote rock songs that belonged to China. Like "False Monk", "Nothing", "Flower Room Girl" and "Rock on the New Long March Road"... These are all considered to be "rock and roll style" and "have the three elements of "faith, emotion, and thinking". The other is the northwest wind. Northwest Wind is a combination of rock, ethnic, pop three styles in one, he is a kind of popular rock. Like "Loess High Slope", "XintianYou"... There is also the development of music that is inseparable from star-making. Of course, the experience of star-making is also inseparable from Hong Kong music. First out of the song, then the star, and then in turn bring his song. Take Lin Yilian, for example, the appearance is not outstanding, at the beginning Li Zongsheng made her a spokesperson for urban beauty, singing a lot of songs with such an image. After living, listen to the emotions she expresses in turn. Like "At Least There Are You", "When Love Is a Thing of the Past", "Scars", "For You and Me by the Cold Wind". This case is to say that if you want to succeed, you must first become a person with a story, everyone is interested in you, and then listen to your songs, there will be a taste. Why did it fall later, the main reason is that Hong Kong music is too long for everyone to listen, there is a little aesthetic fatigue, and then there is the core effect of the big city, the capital Beijing has become a gathering place of the whole country, which is different from the local tv station and CCTV. Who wouldn't want to go to the heart of itself to promote themselves? Beijing also appeared under the leadership of Cui Jian, a lot of bands: Tang Dynasty Black Panther Cobra Breathing OverloadEd Faces and so on. Like the Tang Dynasty Band's "Tang Hui Tang Dynasty", the Black Panther Band's "Landless Self-Tolerance", the Cobra Band's "My Own Paradise", the Breathing Band's "New World", the Overload Band's "Life is an Adventure", the Face Band's "Give Me a Little Love", the peak time was in 1994, Magic Rock Sanjie He Yong, Zhang Chu, Dou Wei. Ran to the Hung Hom Stadium in Hong Kong for a concert, and shocked the people of Hong Kong. In 1995, another campus ballad of Gao Xiaosong and Old Wolf appeared, such as "You at the Same Table" and "Brother Sleeping on the Top Bunk". At that time, Guangdong music developed again, no matter how original, it could not please the shadow of Hong Kong music. It was gradually replaced by the emerging music base in Beijing.