Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
author：Guoshang culture
In the Ming Dynasty flower and bird painting, ink freehand flower and bird painting in the Ming Dynasty can be described as unique, in addition to Xu Wei, there is another flower and bird painting everyone, whose flower and bird brush ink is relaxed and magnificent. Xu Wei once exclaimed: "Who is the first flower and bird in this dynasty?" Zuo Guanglin was alive and well. ”。 Lin Liang, a Ming Dynasty freehand flower and bird painter, worked part-time with flowers and fruits, and created a new style of ink and thick brush freehand flower and bird painting.
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Autumn Eagle Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Autumn Slope Gathering Birds"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Snow Scene Reed Goose Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang Peacock diagram
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Birds and Flowers Standing Axis"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Lu Yan Chart Axis"
Most of Lin Liang's works are mainly ink paintings, and a few are pastels. Its ink color color is not single, the dry and thick in the ink color, the old xiurun profoundly shows the ability of ink to divide the five colors, his thick brush ink flower and bird painting style to ink color indulgence to summarize the object, the brushwork is unrestrained, the work contains personal feelings, and the literati painting has the same magic, is considered to be the turning point of the brush flower and bird painting to the big freehand flower and bird painting.
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Han LuQi Bird Map"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Bamboo Bird Chart Axis"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Banana Bird Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Lu Yan Tu"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Ancient Wood Jackdaw Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Autumn Tree Gathering Birds"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang, Shepherd Bird Diagram
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Shrub Collection bird map" (partial)
Lin Liang applies the abstract meaning of the calligraphy pen to the concrete object shaping, and uses the pen to be thick and short, reflecting the characteristics of the calligraphy pen, relaxing nature, having a sense of rhythm, and expressing the aesthetic taste and artistic conception of freedom and wildness. The Shangwu thought of the Ming Dynasty was embodied in the court paintings, which worked upward and downward and became a unique style of court flower and bird painting in the early Ming Dynasty, such as Lin Liangduo's birds of prey such as eagles as the subject of flower and bird paintings.
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Double Eagle Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Double Magpie Diagram"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Pine Crane Vertical Axis"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
Lin Liang's "Eagle Vertical Axis"
Flowers and birds of this dynasty, Lin Liang first: Lin Liang, a flower and bird painter in the Ming Dynasty, has both forms and gods, and is natural
