In the past two years, the internal entertainment should ask the stars with the worst reputation.
A name that seems unsurprisingly —
Liu Haocun.
Flipping through Liu Haocun's latest Weibo, a casual comment that scolded her can have tens of thousands of likes.
Scolding looks, "ugly dead".
Scolding acting, "acting well".
Scolding resources, "Have you saved Zhang Yimou's life?"
When Liu Haocun was born two years ago, her sister could not have imagined that this would be such a situation.
Initially, Liu Haocun appeared as a "purple micro star descending from heaven".
Debuted, it is "Girl", the debut "One Second", the film also entered the main competition unit of the Berlin Film Festival.
Immediately after, the second part, "Send You a Little Red Flower", cooperated with the popular top stream Yi Yan Qianxi.
"On the Cliff" cooperated with Zhang Yi, Yu Hewei, Qin Hailu and other big names.
She is also the heroine of Han Han's new work "Four Seas".
It is also speculated that he will star in Chen Kexin's movie "Changsha Nightlife".
Later, it was also rumored that the protagonist of Lao Mouzi's first TV series work, "Protagonist", was also her.
Debuted only two years ago, the resources are beyond reach.
Is this a good thing?
It would have been.
Along with the overwhelming resources, there is also an overwhelming scolding.
Since Liu Haocun's debut, the public has not stopped speculating, asking questions and insults, and has evolved from "who she is" and "what" to "get out".
Everything was clearly out of control.
Her sister does not want to add fuel to the fire, but only wants to rationally explore some issues -
For example, how far can Liu Haocun, who is held in the palm of His hand by Zhang Yimou, go?
Is the current negativity a temporary dilemma, or will it evolve into a long-term reaction?
It's time to talk calmly.
The acting skills of "Yatou", the princess life
Don't rush to the bar, there is no irony.
Only blame her, really grew a face that does not understand the world.
Clean is clean, dust out of the dust, but inevitably a little less strength, but also a little bit of hierarchy.
In the pre-screening publicity tidbits of "One Second", Liu Hao ran over and over again in the desert, savoring rotten vegetable leaves thrown in the sand by Zhang Yi.
And, the last scene and Zhang Yi waved goodbye to the moment of tears.
"One Second"
At that time, she was still a new girl who was praised for her acting skills by the whole network.
But when the stitched shots and selling points in the trailer are restored in the finished film, Liu Haocun's acting skills cannot support the thickness and precision of the role.
Zhang Yimou said to Liu Haocun: "From now until the shutdown, you will wear this body and let it grow on you." ”
"One Second Documentary"
Shape, can be shaped.
But, gas, it's hard.
Liu Girl, quick. Liu Haocun, slow.
Liu Girl, Wild. Liu Haocun, obedient.
Liu Girl, lonely. Liu Haocun, bright.
Let a girl who has been carefully cared for and carefully cultivated since childhood experience the life of an orphan girl who lives like a weed, it needs understanding and experience.
Even if Zhang Yimou is superb, he uses a series of physical methods such as lens, color, and narrative, and at most he can only outline the outline of Liu's girlfriend, and the only one who can fill the flesh and blood is Liu Haocun himself.
If you look closely, liu girl's body, there is always a weakness of Liu Haocun's style, and once he opens his mouth, he can't stabilize the rhythm, and he can't control the breath of the lines, and instantly breaks the sharpness of the little tramp's shape.
The deer-like eyes are dark and bright, and the agility is there, but the story is less. It was clearly a pair of eyes that had been cared for, without a hint of fear or hostility towards life.
Liu Haocun "one second"
Liu Haocun's purity, carrying the role's turbidity.
This contradiction is pushed to the top in "On the Cliff".
"Liu Haocun is too much like a female agent", this is the most popular evaluation of her acting skills after the release of the movie.
Weibo @ LuoBeibei
Whether it is the Jedi counterattack on the train or the hoe rape in the snow, in the moment of duel and crisis, Liu Haocun's facial muscles are almost always in a state of stretching.
Panic is expressed with glare, nervousness is interpreted with a mouthpiece, and there is nothing wrong with acting.
But it seems that something is missing.
"Above the Cliff" shot
Therefore, how accurate Yu Hewei's hesitation is, it seems how deliberate Liu Haocun's close-up beauty is.
Yes, Zhang Yimou's lenses have always favored her.
The tears of the beauty are inevitably too much, the crying is too beautiful, the eyes are bright and the teeth are bright, and I see pity.
"On the Cliff"
Zhang Yimou will not understand Xiaolan's "purity" in "On the Cliff", not enough spy combat, not sharp enough, not enough tension, not enough tragic.
That is the national sentiment that the audience always wants to feel in spy war films and anti-war films.
And this kind of purity was specially extracted by Zhang Yimou from Liu Haocun and given to Xiaolan.
He wants to leave a corner of innocence, purity, and beauty in a spy movie full of darkness, which is Zhang Yimou's selfish heart.
However, Liu Haocun did not reveal the other human abilities of the character beyond the purity of instinct.
Therefore, Liu Haocun is always mobilizing the characteristics of the "little girl" itself in acting.
Once he is freed from Zhang Yimou's tuning, Liu Haocun's "yatou" style acting skills will get out of control, flow on the surface, and lose his sense of truth.
Just like in the previous "National Treasure", the prince and princess of two hostile tribes fell in love, and the moment of life and death was sad. Liu Haocun, who plays the elf, cries fluently.
Only when the tears flowed to the lips, under the close-up, Liu Haocun still subconsciously licked the tears on the lower lips.
Source: National Treasure
Accompanied by that "no" shout, there was no power not to say, and the sound was broken.
Too formalistic acting, let netizens one-sidedly spit on her acting skills.
Zhang Yimou's deliberate sculpting, together with Liu Haocun's own childishness, has created a situation of "the acting skills of the handmaiden, the life of the princess" at this stage.
This is also the result of Zhang Yimou's long-term "purification" of Liu Haocun.
Zhang Yimou, who is too old to be rare, has been in a low position, has faced ugliness, and has shouldered heavy responsibilities.
To create a role of "purest and best" is an artistic person who will surely feed back the original intention.
On the surface, he left no room again and again, and the "purity" reserved for Liu Haocun was actually awakening the "purity" in his heart.
The praised "Liu Haocun" for Zhang Yimou is the original intention, the ideal, and a symbol.
But it was not herself.
"Purification" of the people set up anti-phagocytosis
Such a Liu Haocun naturally cannot withstand the scrutiny of the public.
Acting is only one of them, more than that, outside of acting—
The difference between Liu Haocun and the person.
Liu Haocun's so-called human design is actually the atmosphere that Zhang Yimou has built up for her with several roles - simple, innocent, and clean.
This is also the best way for her.
It's just that when everything is based on capital, based on star-making...
First of all, the label of resource coffee, Liu Haocun can not take it down in the short term.
Zhang Yimou held it, Zhang Yi protected it, and ate a bowl of rice with a group of absolute strength factions, these are indisputable facts.
Brought by the girl dividend, it is not only the pioneering of film and television resources, but also the surge of commercial value.
Just over a month after his debut, he has won the Cartier brand's best friend and L'Oréal Paris's new spokesperson.
All kinds of magazine covers, she unlocked in a short time.
The public has long been surprised by Liu Haocun, who has such a "good life".
Every time she makes a move, she doesn't give the market time to digest it, nor does it give the audience a chance to see their faces.
When the head resources are obtained again and again, the audience still does not find the "reason" from her.
"There is a background" is the only explanation.
It may be a bit presumptuous, but I have to say that Liu Haocun at this stage is like the early Jing Tian.
Born out of nowhere, the big coffee is matched, and the "life" is unknown.
Jing Tian's path to the next mortal, I don't know if Liu Haocun intends to copy one or two.
Zhang Yimou "Great Wall" JingTian C position / Fan position two
Therefore, just by relying on the resource coffee, the patience of the audience has been exhausted.
However, Liu Haocun, who walked out of the crew and faced the market, could not keep up with the psychology of the public.
In one of the few interviews, Liu Haocun was full of smiles, whispered softly, and humble and sophisticated.
But between words, I don't know how to protect myself in front of the media.
Asked if you feel talented? She replied with a sentence of "how not to count it" (there are online legends that this paragraph was edited, but there is no official statement).
Asked how to look at the criticism of the outside world, she directly used "I have done nothing wrong, why should I criticize me" to oppose the general Yijun.
In this way, no matter how much Liu Haocun set up a naïve person, he would collapse.
Plus those obvious marketing and pull-and-pull —
Guan Xiaotong is said to be the role of Qingping in "Shadow" to pick up Liu Haocun's leftovers. (Zhang Yimou explained that the role of Guan Xiaotong in "Shadow" was first found by Liu Haocun, and then changed to Guan due to age problems)
Di Lieba and Liu Haocun went to the Spring Festival Gala together, not a style of a gua, and inexplicably the appearance value "lost" a chip.
Ni Ni and Liu Yifei all kinds of beauties inevitably appear together with Liu Haocun's name, being compared and being provoked.
Of course, passers-by do not care, nothing more than a good play to see the beauty of the actress.
However, with the short frequency and rapid extreme exposure, as well as Liu Haocun's immature performance, a kind of "hate" that does not need a reason has slowly bred in the hearts of many people.
Backstage of the party, catch up with Yi Qianxi from behind and want to say hello, netizens will also grab her eyes and hold on, good analysis.
At this point, everything is just the anti-phagocytosis of "star-making".
However, what is more "adding fuel to the fire" is the storm set off by Liu Haocun's parents -
The dance training class run by Liu Haocun's mother was exposed to paralyzing the trainees and defaulting on compensation, causing an uproar.
The resources she "occupied" and the "privileges" she enjoyed became more unacceptable and unforgivable in front of such an "evil" made by her parents.
After Liu Hao's existence of the anti-phagocytosis of "star-making", he ushered in the anti-phagocytosis of "public opinion"——
Do something wrong.
The change of the girl
Someone might ask —
Did the "Girl Girl" effect fail in Liu Haocun?
People who ask this question may not understand that the "girl" effect has never been just because of Zhang Yimou.
The point is also on that "girl".
Look at the generations of "Mou Girl".
Gong Li entered from "Red Sorghum", Zhang Yimou set up a good scene for her, set up a machine, Gong Li used her innate wild beauty and sense of strength, a light stroke, Jiu'er lived.
Source: Red Sorghum
After that, in "Ju Dou", Zhang Yimou did not hesitate to pull the scale full, trying to extract a little wildness from Jiu'er and simmer a fire of desire.
Gong Li, who was only 24 years old at the time, grasped the desires and despair of an old social woman who had been persecuted by the feudal clan system so precisely.
Source: "Ju Dou"
Finally, taking a little ignorance from Ju Dou, Gong Li played the Song Lian of "The Big Red Lantern Hanging High".
Source: "Big Red Lantern Hanging High"
Jealousy and loneliness, depression and bitterness, Gong Li did not seem to have too much effort to express it.
From Jiu'er, to Ju Dou, to Song Lian, it was only 4 years.
From the age of 21 to 25, Gong Li, in Zhang Yimou's films, will be women's fierceness, desire, repression step by step and out.
Rigid but not rough; lustful but not obscene; beautiful but not vulgar.
At that time, the women under Zhang Yimou's lens had a strong sense of fatalism.
To say that Gong Li's preference at that time was no less than Liu Haocun's, or even more.
However, Gong Li was not "selected", he met.
You can meet but not seek.
Therefore, looking at Liu Haocun's 3000:1 shooting rate, it seems that it is not so rare.
Again, art really talks about fate.
You see, Zhang Ziyi, the same is true.
Although she became famous in "My Father and Mother", she was successful in "Crouching Tiger, Hidden Dragon".
Discovered by Zhang Yimou, he played a simple and delicate trick, but this is far from "cheng", far from enough.
Source: My Father and Mother
The chapter that can become tough and stubborn today was started by the jade dragon that Ang Lee gave her.
Source: Crouching Tiger, Hidden Dragon
Therefore, when she appears again in Zhang Yimou's "Hero" and "Ten Faces Ambush", she is charming, but heroic, and a little crazy.
Source: "Hero"
That's how the drama road opens.
After many years, no matter what kind of role Zhang Ziyi plays, he can beat the applause of the audience.
She is Meng Xiaodong, who has a bookish temperament; she is a simple Shangqinqin who returns to the Zhao Di period; and even she can be a plain dress, cold and affectionate Gong Er.
I don't want to take the acting skills of my predecessors and brutally crush Liu Haocun's acting skills.
It doesn't make sense.
On the contrary, we want to show that this is not just a matter of Liu Haocun's acting skills.
The fame of Gong Li and Zhang Ziyi both satisfies two points: inspiration and time.
When the girl must become a symbol and phenomenon in Zhang Yimou's films, it will lose its exuberant vitality.
Once you enter the "choice" of the industrialization process, you will fall into passivity.
Zhou Dongyu and Ni Ni.
The former was "squatted" out of the school, and Zhang Yimou took a glance at it from hundreds of videos.
The latter is measured according to a series of standards such as "Nanjing nationality", "height 170+", "speaking Nanjing dialect", "fluent in English" and so on.
Source: "Jinling Thirteen Chao"
From an opportunistic point of view, these two "one-round" girls are indeed not lucky.
For Zhang Yimou, whether it is pure Jingqiu or style jade ink, it is just a female image that Zhang Yimou just wanted to create at that time.
The story is finished, the character is shaped, and the actor has no creative inspiration for the director.
However, from the perspective of creative fate, Zhou Dongyu and Ni Ni are lucky.
They are not trapped by the director's "obsession", hindering survival, and looking for opportunities elsewhere with a hammer in the east and a hammer in the west.
Years later, Zhou Dongyu walked out of the simplicity of Jingqiu; Ni Ni walked out of the style of Yumo.
One is achieved by the broken Chen Nian, and the other is from the Zhu Suosuo who dares to love and dare to hate (even if the public thinks that the movie café is better).
So, the answer that preceded it has:
Whether it is Gong Li and Zhang Ziyi who are "timely", or Ni Ni and Zhou Dongyu who are "fateful".
Whether they are "prosperous" in Zhang Yimou's films, or they are only favored by fate for a while.
They always appear because they are "the heroine" of Zhang Yimou, not "to become" the heroine of Zhang Yimou.
From beginning to end, they were just themselves.
Shaped by Zhang Yimou, but not fabricated.
Such a comparison, what about Liu Haocun?
The answer is self-evident.
She was passive the whole time.
Passively put into various shells, but slow to grow the real texture.
Why should Liu Haocun be the loser?
And Zhang Yimou.
It is undeniable that "seeking girls" is still a valuable ladder.
But the "she" who talks about inspiration and seeks fate must be a product of art.
The seedlings under the heavy capital may be able to create a phenomenon-level actress.
But it has long departed from the value and meaning of the girl herself.
To say, there are many directors who shoot women, but they often stay in women's skin bags.
There are not many people who can shoot more and more profoundly, and there are very few who can speak for women.
This is also one of the reasons why for many years, the girl has always stood at the peak and been deified.
But when Liu Haocun is no longer Based on Inspiration and Artistic Needs, Liu Haocun is more cultivated and treated preferentially like a goal and obsession.
In the hearts of the audience, the girl completely loses its meaning. She published