Zhang Cixi's Collection of Peng shu
Catalogue of Exhibitions commemorating the 60th Anniversary of the Penghu Reform Movement
Catalogue of Exhibitions commemorating the 60th Anniversary of the Penghu Reform Movement, a booklet with a white cover printed with the title of the book in red imitation Song style and "Beijing Library Mass Working Group, ed. 1958. 11. "Letters." The volume I got from Shanghai seems to have been distributed at the same time as a batch of Gu Tinglong's old collections, but the cover has a pen inscription entitled "Mr. Han Cai gave Zhang Cixi a 1959, 7, and 26" pen inscription. Qin Hancai's collection of books is mostly attributed to the above picture, and this volume may have been accidentally stuck in Gu Lao's desk.
“1958. 11.” It is the time of the compilation of this volume, and the Catalogue does not mention the time of the exhibition. I checked the diaries of Huang Yanpei, Zheng Zhenduo and others and the newspapers of that year (Xiwen "Exhibition of the 60th Anniversary of the Penghu Reform", Shanghai Xinmin Evening News, October 14, 1958, 6th edition, October 15, 1958), and the Fangzhi Exhibition was officially opened on September 26, 1958.
Judging from the "Catalogue", the exhibition is divided into three parts: "The Background of the Era of the Penghu Variation", "The History of the Penghu Variation", and "The Influence of the Penghu Transformation", and exhibits more than 300 kinds of photographs, maps, books, manuscripts and so on. The exhibits come from a variety of sources, and the ones with the book number are obviously the self-collection of the Beijing Library, in addition to the Peking University Library, the Shanghai Historical Documents Library, the Jiangsu Provincial Museum and other units, as well as Zhang Cixi, Kang Tongbi, Chen Yuan, Zhang Jinglu, Zheng Shunwei and other individuals. There is a special situation of "gift", such as Xu Lingxiao's gift of Guangxu engraving Yang Shenxiu's "Snow Void Hall Poetry Banknote" (according to the "Snow Virtual Sound Hall Poetry Banknote"), and the Zhejiang Provincial Cultural Relics Management Committee's gift of Guangxu lead printed version Lan Xie not to wrap feet will compile "Persuasion Women Not to Tie Their Feet". The north map has become a national map today, and the national map "online public directory query system", both of which are available, may have been donated at that time.
Personally, Zhang Cixi provided the most exhibits, which is obviously the reason why he gave this book to a friend. Here, all the entries in the Catalogue that indicate "Mr. Zhang Cixi's collection" are copied below:
Confucius Reform Examination (Confucian Examination of The Sons)
Kang Youwei's notes on Zhang Huangxi are a volume of manuscripts
Datong Shu A and B
Kang Youwei wrote the title of the board right page "Confucius 2,470 years have not yet March" (1919) Shanghai Changxing Bookstore lead print a volume
Datong Book
Kang Youwei wrote the first and second issues of "Intolerable" magazine (February 3, 1913) The page title of the board is "Confucius 2,464 first month, February" two volumes
Map of the former site of Wanmu Caotang
Wang Gongyan painted a picture book
Photo of the gate of the old site of Wanmu Caotang (where Kang Youwei lectured in Guangzhou).
Wang Gongyan's painting is reproduced according to Mr. Zhang Cixi's reproduction
Picture book of Cold Wind and Hot Blood (Kang Youwei's 1894 Lecture in Guilin) picture book
Wang Gongyan painting
Secretary on the bus
The inscription "The Old Man Did Not Return the Clan when He Lamented in Shanghai" Records Guangxu Twenty-one Years (1895) Inscribed Book One volume
Mr. Nanhai si shang secretary
Qing Xu Qin, ed. Guangxu Twenty-first Year (1895) Shanghai Shiwu Baoguan Lithograph a volume
The colleges in Liuyang's urban and rural areas were reorganized into public schools for use
Tan Si co-authored Xiang Bao No. 11
The first collection of the hunan shiwu school posthumously compiled
Inter-Republic of China typeset edition one volume
Manuscript of the Five Books of the Ministry of Health and Industry with Notes from France and China (according to the translation of the Japanese "Current Affairs News" by "Zhixin Bao", with photos)
Tang [Kang] wrote a volume of Qing engravings
The Psalmist of the Coup d'état in eight volumes
Liang Qichao wrote the 25th (1936) of the Republic of China, Shanghai Guangzhi Book Company lead printed a volume
Xiang Shen Gong Present
Miao Run's Compilation Guangxu Twenty-four Years (1898) Inscribed Edition one volume
Kang Youwei shangshu first book (record book)
I am not authored in a copy of the author's name
Kang You for Everyone (Songbook)
Raid Kang Youwei (Songbook)
Embroidered like Kang Liang Yanyi
There are four volumes of the lithograph of the author's name
List of books in the Wanmu Caotang series
Zhang Bozhen edited an engraving volume
Wanted rich tickets each yi bandit name list
Engraved book in one volume
Kang Nanhai
Written by Liang Qichao (title Confucius was born in 2452), 1908, Shanghai Guangzhi Bookstore lead print volume
Mr. Mianzhu Yang's strategy
Huang Shangyi wrote a 1913 lithograph of the Mianzhu County Administrative Office
Lamentations five volumes
Kang Youwei edited a lead print of Guangzhou Shangmin Printing Company (including a biography of Kang Martyr Guangren)
(Pages 12, 13, 14, 20, 21, 24, 26, 27, 30, 31, 32)
The parts related to Wu Shu were so rich that Zhang Cixi's collection of more than 17,000 pieces was precious. Qin Hancai, who was given the Catalogue, also had a historiography, and I could imagine his happiness when he received the pamphlet.
Kang Youwei tried to plan the small palm for the temple
Also of interest to me in the "Exhibition to Commemorate the Sixtieth Anniversary of the Penghu Reform Movement" was the exhibits provided by Chen Yuan. Liu Naihe's article "Chen Yuan and the Beijing Library" once recalled: "In 1958, the Beijing Library commemorated the 60th anniversary of the Penghu Reform Law and held an exhibition. The exhibits were exhibited in the aid division, which handed over the treasured Kang Youwei Hall examination papers, the ink album of Huang Zunxian's "Human Realm Lu ZhiMu" and the original manuscript of Xu Jixi's "Yinghuan Examination Strategy" to the museum. (Literature, Fourteenth Series, Bibliographic Literature Publishing House, December 1982, p. 234) Looking at the Table of Contents, her account is very accurate, and Chen Yuan provides these three pieces.
Kang Youwei's examination paper is very special in the "Table of Contents", and it has a brief introduction: "Kang Youwei took several examinations, but was blocked by the stubborn ministers and examiners as a 'mad student'. In the 1895 (Guangxu 21st year) examination, Kang Youwei won the Jinshi. This was followed by a much longer "Explanation of the Examination Papers of the Kang Youwei Temple", which is unique in this pamphlet:
Kang Youwei was the forty-sixth jinshi of the 21st year of Guangxu's 21st year. It is Xu Tong, Xue Chong [Yun] Sheng, Liao Shouheng, Chen Xuedi, Li Wentian, Xu Yongyi, Wang Mingluan, and Shou Mou.
The surface of the present volume and the floating signs in the volume have words such as "the forty-sixth place of the second rank", that is, Li Wentian's handwriting.
The temple trial plan should be carried out to the end, which is the atmosphere after the Daoguang, and the Daoguang was not like this before.
At the end of this volume, the penultimate line is not the end of the two words, and Gai has two "fortunate", and one is omitted in a hurry, so it is not the end.
Kang Youwei said: It was the Kedian test, and he deserved to get the first class, which was tabooed by his fellow villager Li Wentian, so he placed the second class. Its claims are not well founded.
There are eight people who read the volume on the back of this volume, and seven people, including Li Wentian, have added ○, and the person who added △ is Shou Mou, the Minister of Manchuria. The "Qing Dynasty Jinshi Inscription Stele" (Harvard Yenching Society Edition) alone omits Kang Youwei's name, because the original inscription has been erased,
Occasionally not proofread. (14 pages)
Among them, Shou mou refers to Shou Qi and somehow hides its name.
Chen Yuan wrote to Chai Degeng on March 26, 1959: "The Beijing Library has sent a volume of the Catalogue of the Commemorative Exhibition of Peng Shu, and on page 14 there is a passage from Kang Youwei's temple to try to plan Xiao Zhang's death, which is enough to provide help for talks, and is specially sent by mail by another letter. (Letter Draft, included in "Chen Yuan's Correspondence Collection (Revised Edition)", Life, Reading, and Xinzhi Triptych Bookstore, November 2010 Edition, page 596) refers to the "explanation" quoted above. Sending a book for a small palm shows the importance attached. Thinking of Liu Naihe also saying that Chen Yuan "once examined exhibits for the exhibition", it is not known whether this small palm was drafted by the collector Chen Yuan himself.
According to the Catalogue, the Renjing Lu Zhimu is a book written by Huang Zunxian to Liang Dingfen, which mentions the situation of qiangxue (22 pages); the Yinghuan Kaoluo is a manuscript of the Yinghuan Zhiluo, a two-volume copy, which Xu Jihuan wrote in the twenty-fourth year of Daoguang (1844) (p. 4).
After Chen Yuan's death in 1971, the books and cultural relics in his collection were collected by the National Library of China and the Capital Museum (see Chen Zhichao's "Special Journey and Return: The Genealogy of Three Generations of Li Yun", Oriental Publishing House, April 2013 edition, pp. 145-146). Following this prompt, I learned that Kang Youwei's examination papers, manuscripts of "Human Realm Lu Zhi Mu" and "Yinghuan Examination Strategy" are all collected in the Capital Museum today and have long appeared in regular exhibitions. Although they are often seen by visitors and mentioned by researchers (such as the "Capital Museum Series" once published two papers by Yang Yang on "Human Realm Lu Zhi Mu"), they did not state that they were Chen Yuan's old collections, and they failed to deeply commend the contributions of their predecessors to the hard work of preserving cultural relics.
Chen Yuan presented Qu Duzhi's "Datong Wuzhou Mountain Grotto Temple"
Datong Wuzhou Mountain Grotto Temple
Last year, I also got a lead copy of "Datong Wuzhou Mountain Grotto Temple" a small booklet.
Datong Wuzhou Mountain Grotto Temple is commonly known as the Yungang Grottoes today. At the beginning of this volume, there are two pages of blue-printed grotto photographs on four sides, and two articles are included in the text: "Remembering the Grotto Temple of Wuzhou Mountain in Datong", indicating the source as "Record of the Oriental Magazine, Volume 16, No. 2 and No. 3" (published on February 15, 1919 and March 15, 1919 according to this second issue of the magazine), the author is "Chen Yuan, a member of the House of Representatives" (the elder seems to still value his identity at that time); "Yungang Grotto Temple in Western Yungang, China", indicating the source as "Translation of Guohua No. 197 and 198", the author is " Dr. Tadata Ito". There is no copyright page, only the last page of Ito's article is affixed with a paragraph "Editor's Knowledge":
Mr. Chen Yuan'an published his Datong Cave Temple record in the Oriental Magazine, and the same person was plotting to publish a separate line, and his heir Meng Bojunfu copied this article from the Japanese "Guohua" magazine. This article is dedicated to the study of architecture, which is different from mr. Chen's article on the historical aspect, but it is an excellent reference for those who visit the Datong Grotto Temple. Because according to Huang Junxiao's translation and recording later, it is better to be good with the public. (48 pages, originally punctuated)
Meng Bo was Chen Yuan's eldest son, Chen Lesu, who was famous when he was young, and he was the eldest in the ranks, so he was called.
Chen Yuan's essay is the first Buddhist treatise he wrote in his lifetime. As far as I know, before the Oriental Magazine, this article was published in the Shanxi "Laifu" weekly magazine; and this volume was later printed once in the form of handwritten lithographs, the title of the book was changed to "Shanxi Datong Wuzhou Mountain Grotto Temple", and the reconstruction construction plan, charts and "Yungang Singing and Collecting". The second thing is attached here, leaving it for those who have a heart to discover it.
This pencil print is rare, and the cover of this volume I got has the words "Chen Yuan'an's Gift of November 10 Years and November Xuanying" inscribed with a brush. Xuanying is Qu Duzhi, and he was given the "November of the Tenth Year" of this book, that is, November 1921. Flipping through Tian Ji's "Annals of Qu Xuanying" (Fudan University Doctoral Dissertation, April 2012), it can be seen that Qu Duizhi had just come to Beijing from Shanghai to seek a job in the Beiyang Government's Ministry of Communications in the summer of the previous year; in the summer, autumn, and winter of 1921, he tried to go to Datong and Guisui (present-day Hohhot, Inner Mongolia); and in the spring of the following year, he visited Datong to investigate the Yungang Grottoes. I reviewed the government gazettes of the Beiyang period and learned that on September 22, 1920, Qu Duzhi was assigned to work in the secretariat office of the Ministry of Communications (Government Gazette No. 1658, published on September 25, 1920, p. 7), and served until he was appointed secretary of the State Council on July 19, 1922 (Official Gazette No. 2291, published on July 20, 1922, p. 1). In 1921, when this book was awarded, it was also the year when the Jingsui Railway (now the Beijing-Baotou Railway) passing through Datong was completed and opened to traffic, and as the main staff of the Ministry of Communications of the Beiyang Government, Qu Duizhi was obviously busy with this matter, and came to this place many times before and after on business.
Qu Duzhi was diligent in his memorization and adept at chanting, and in recent years he had written a lot about Datong (the article "Datong Jiyou" was included in the "Records of supplementary Shutang" volume 1, the five ancient "Datong" two poems, the seven "Revisiting Datong Miscellaneous Topics" four poems included in the "Supplementary Shutang Poetry Record" Volume A Record Volume I, and a number of poems outside the collection). The specific account of the Yungang Grottoes can be found in his article "Youth Tour" (originally published in travel magazine volume 5, No. 10, published in October 1931, signed Qu Ba'an; later included in Zhao Junhao's "Woyou Collection", Wuzhou Book and Newspaper, May 1941 edition), saying that it was the spring of Nongshu (1922), "The Beijing-Sui Railway belonged to Yu to Datong to investigate the Wuzhou Grottoes", because "the city was about fifty miles to Yungang", so he rode to it, "also deeply planning the fun of riding", it seems that this trip is not shallow. The poem recorded in the text is the first poem of "Revisiting Datong Miscellaneous Topics", and when I read the "Book of Poems", I know that the second poem that I have not yet quoted is dedicated to the Yungang Grottoes: "The moon is embedded in the stars and a pillar is passed, and the axe marks are seen according to the appointment." At that time, the Jinjing Forest was deep, and the stone wall was leaning on the wind in the air. (There are chisel marks on the stone wall, covering the Water Hall of Yun shan Tang in the "Notes on the Water Classics".) (Supplementary Book of Poetry, vol. 1, vol. 1, 12 below)
There is no handwriting of Chen Yuan left on this pamphlet, which is somewhat regrettable. However, on the supplementary page (24 pages) of the excerpt between the two articles in the book, Wu Bo and the "Youshi Buddhist Temple and Quotation", Qu Duizhi copied a poem by The Qing Dynasty Cao Rong about the Yungang Grottoes with a brush:
Yungang Temple Feast
Cao Rong
See Daoguang's "Chronicle of Datong County"
Invited guests to sit flat on the sand, cold and half snowflakes. The Ten Temples of Tan Tan Luo, the Three Cars of Illusion. The willows flutter golden, and the wind reflects the jade sand. Wild Qing Wei column riding, trail wind hidden blowing. Stone drums are noisy, and ice fountains are teething. The Dharma Building is accompanied by fog and rain, and the throne is the throne. The Buddha's country tour can be borrowed, and the military is quiet. The curtain is opened in the sky, and the middle seat enters the pipa. Boiling pro-fried tea, pan empty reflection of the melon. Climb the iron lock, and beg for flax in the depths. Sobering wine through the forest, greedy netting. The sound of dysprosium chirps crouching tigers, and spear shadows scatter autumn snakes. Did not hinder the West to come to the Fa, talk about Shu Yuan and let go. Ancient and modern people are in the same place, and the ming is deliberately extravagant. The water is straight around the isolated city, and the mountains are divided into desert slopes. Let the desert be enshrined, and the camels and horses should return home. The situation is cold and the officials are cold, and the idleness is more relaxed. We kiss the dagger, and the color pen pays the crab leaf. When shiya hangs the rabbit, move the lamp to illuminate the evening crow. The clouds are still leaning, not believing in the dust.
Cao Rong's "Yungang Temple Banquet Collection" transcribed by Qu Duzhi
Qu Dui later wrote a special article "Datong Yungang Grottoes Chronicle", which was published in the Guowen Weekly, Vol. VI, Nos. 42 and 43 (published on October 27 and November 3, 1929, signed by Daizhi). The article does not forget to mention Chen Wen's pioneering work: "Since the Republic of China, Chinese and foreign people have been happy to publish the record of Yungang one after another. It was published in Chinese as a monograph, and published by Xinhui Chen Yuanshi in the seventh year of the Republic of China. (No. 42, p. 1) The Selected Poems of Cao Rong is also included in the Selected Poems (No. 43, pp. 5-6). Learning is like accumulating salary, qu duzhi is good at impounding.