First, the introduction of situations
Recall the artistic conception of the poems learned earlier, and explore the artistic conception of landscape poetry and landscape painting.
II. Author Profile
Li Keyan (1907-1989), a native of Xuzhou, Jiangsu Province. An outstanding painter and poet in modern China, and a disciple of Qi Baishi. He has loved painting since childhood, and learned to paint landscapes at the age of 13. At the age of 43, he was a professor at the Central Academy of Fine Arts, and at the age of 49, he painted landscape paintings for change, traveling tens of thousands of miles to sketch. At the age of 72, he was appointed vice chairman of the China Artists Association and president of the Chinese Painting Research Institute. In his later years, he tended to be old and spicy with his pen, and was good at painting landscapes and figures, especially good at painting cattle.
3. Sense of neatness
1. Reading guidance: repeat the recitation, familiarize yourself with the content of the text, and carefully experience the artistic conception of landscape painting.
2.Familiarize yourself with the texts and sort out the levels.
The full text can be divided into two parts:
Part I (1-8): Explain what is the mood and how to get it, and make answers.
Part II (9-10): Explain what is the craftsman and the relationship between the mood and the craftsman.
4. Cooperative inquiry
1. What is "mood"? How can I get the mood?
The artistic conception is the combination of scenery and emotion; writing scenery is writing love.
First of all, it is necessary to carefully observe the object and deeply understand the object, so as to produce strong and sincere thoughts and feelings. Then, this thought and feeling is combined with the painting to express the spiritual essence of the object, thus forming an artistic conception.
2. What the author wants to say is the artistic conception of landscape painting, why should he analyze the artistic conception of poetry?
According to the author's point of view, the two sentences "The lone sail is far away and the blue sky is exhausted, only the skyline of the Yangtze River" completely describes the scenery of the natural world, but in these two sentences, people deeply experience the poet's deep friendship. The depiction of natural scenery is no different from the painted scenery, and the author mentions that "the artistic conception is the combination of scenery and emotion", which shows that the artistic conception in the poem and the artistic conception of landscape painting are the same, and there is no difference. Therefore, the author here takes the poems that the reader has already learned as an example, and can better interpret the artistic conception of landscape painting.
3. Combined with the content of the first part, in today's photographic technology is so developed, will landscape painting be replaced?
Landscape painting is not a description and illustration of geography and natural environment, but more importantly, it expresses people's thoughts and feelings about nature. It can be seen that landscape painting has its spiritual essence, which means that it will never be replaced by landscape photography.
4. "The emergence of artistic conception depends on thoughts and feelings, and the production of thoughts and feelings is related to the depth of understanding of objective things." How did the author make this point? Do you think this view is correct? Please give a brief explanation based on your personal experience.
The author uses Qi Baishi's painting of shrimp as an example to demonstrate this view.
This point is correct, if we know that the hardiness of a pine tree can symbolize its perseverance, and when we look closely in the snow, we will find that only the pine tree is proudly evergreen, and the pine needles are still upward through the snow, and at this moment, we will truly feel that this quality of perseverance is so real.
5. What is the relationship between artistic conception and craftsmanship? (They are interdependent and complement each other.) Read the last two paragraphs aloud and talk about whether you can make a good landscape painting as long as you grasp the "artistic conception".
It is not enough to have an artistic conception, but also to have a craftsmanship. The design of the means of expression and means of expression is, in short, the means of processing. With the artistic conception, without the intention maker, the artistic conception will also be empty.
5. Class Summary
1. Theme: By exploring the artistic conception of landscape painting, this article expounds in depth what is the artistic conception, how to obtain the artistic conception, the relationship between the artistic conception and the craftsman (which is the key to landscape painting), etc., so that we can understand how to appreciate landscape painting, thus further deepening the understanding of art works.
2. Writing characteristics
(1) A large number of example arguments and reasoning arguments enhance the persuasiveness of the article.
(2) The article is concise and vivid, and the discussion is clear and clear.
The teaching of this lesson is as simple as possible, using the poetic mood to compare the artistic conception of learning landscape painting, so that students can make this abstract, unspeakable artistic conception tangible and easy to understand.