Many of us have a deep impression of Hong Kong films and have our own understanding of the division of the Hong Kong film era.
For example, if you ask an audience what is the representative of Hong Kong cinema in the 1970s, then I think he will most likely answer that you are Bruce Lee, that era belonged to Bruce Lee.
If I had to find a symbol that represented the entire Hong Kong film scene in the 1980s, I think this honor should belong to a group called the Seven Monsters of New Art City.
In the Seven Monsters of New Art City, there is also a so-called New Art City Big Three, which refers to the three people who first started to establish the Struggle Film Company, the predecessor of New Art City Film Company, and these three people are also the three people who account for the most shares.
And what we want to talk about today is Shi Tian, who is one of the three giants of new art city.
On October 17, 1949, a little boy was born in a family surnamed Shi in Tianjin, and the child was born in the same year as new China, and for this family, it is too happy to be described in words.
This little boy is Shi Tian, when he was three years old, because his parents wanted to seek better development, the family moved to Hong Kong, known as the "Pearl of the Orient".
When he was a child, Shi Tian, unlike most confused children, was very obsessed with TV series and novels, and dreamed of becoming a successful filmmaker one day.
During the enrollment period, Shi Tian studied in the Youth Drama Troupe with the support of his parents, laying a solid foundation for the future of film.
When Shi Tian was seventeen or eighteen years old, it was the golden age of Shaw films.
It can be said that the films at that time also had a situation of "short supply", so Shaw began to hold training courses.
For Shi Tian, this opportunity was also a once-in-a-lifetime opportunity, so he signed up to participate.
After three years of study, Shi Tian also learned something and also learned martial arts.
However, at that time, Shi Tian belonged to a newcomer, so he could only play some supporting roles after the official signing.
At that time, when he starred in some supporting roles or running dragon sets, most of the kung fu films that Shi Tian participated in were kung fu films.
Although he is running a dragon set, Shi Tian is also working very hard to do his own thing, so he has also received the company's attention.
A "Youth Love" began his acting career, after shooting 8 movies accumulated a lot of experience, Shi Tian began to concentrate on writing the script, his first debut "Monk", which impressed the audience, with this film won the youngest director award, after which he directed while filming, most of his scenes are comedy genres, "Tiger Field Chicken" cooperated with Mai Jia.
They cooperated with tacit understanding, and then became close friends and agreed to cooperate more in the future, and then set up their own film and television company with Mai Jia and Huang Baiming, and became popular with the big stars in half of hong Kong's entertainment circle, such as Chow Yun Fat, Zhang Guorong, Maggie Cheung, and others, and then a "Hero's True Colors 2" swept the national film and television industry, from which he played Long Si (Long Si is Zi Hao's mentor, but also a faction boss, want to be a good person but it backfires, he loves his daughter Xiaohui very much, Long Si is unaware of the criminal acts under his hands, he is framed by his close associate Gao Yingpei, Having to flee to New York, the murder of his daughter, his friend Asen and his daughter were also killed, making him insane, Ah Jian risked his life to save the crazy Dragon Fourth, used his feelings to impress him, awaken him, and risked his life to make the fourth uncle regain his sanity and fight side by side with everyone. ), this role is deeply rooted in people's hearts.
The unfolding of the story is mainly based on the contest between the two parties - Song Zihao and Song Zijie brothers broke into the interior of the counterfeit money criminal Gao Yingpei (Guan Shan), washed away the grievances of the fourth uncle of Long, and joined forces with Ah Ken to avenge his relatives and friends.
He silently kills the target, blaming Dragon Four and plunging him into madness;
In the duel with Song Zijie's warehouse, he killed in one blow, causing Song Zihao to fall into mourning;
In the climax of the gunfight, he did not choose the commission given by the boss to escape, but chose to stay and fight with Ah Ken, at the time when Ah Ken ran out, he did not take advantage of the danger, but chose to give another gun to the other party, duel fairly with it, and finally died under the bullets of the other side.
This "sense of ceremony" is the unique feature of Wu Yusen's films.
This movie touched me very much, and Shi Tian's performance was too good.
I really feel that he is the real protagonist of this play, this is his story.
Ps actors are fantastic, from beginning to end is a play ah!
The scene of the mental disorder, seeing him struggle for help like that, the tears were about to fall out.
Ajay died at the phone booth, sensationalizing.
This character is more pleasing in the second part, not because he is dead, but because the audience can feel that the character has grown and matured.
The scene where 4 people break into the bad guy's old lair and fight in the four sides is both sad and happy.
In the last scene, Song Zihao said to the police officer that you still don't want to retire there, and poked the tears again.
In the 1960s, Shaw's films overthrew Denmao and became the uncrowned king of the Hong Kong film industry, and when Shaw shifted his focus to TV dramas, Jiahe suddenly became a popular star.
When the two major film companies began to fight each other, the bald man Mai Jia returned to Hong Kong from the United States, and At that time, Mai Jia was full of ambition and pulled Hong Jinbao together to establish Jiabao Film, but it was not long before Jiahe poached his partner Hong Jinbao.
Therefore, Mai Jia had to pull the ghost talent Huang Baiming, and together with Shi Tian, founded a film company called "Struggle", and then got the appreciation of Lei Juekun, the owner of the Golden Princess and the son of the top consortium boss, and incorporated the company into the "Golden Princess" theater line, officially renamed "New Art City".
At the beginning of the establishment of the new art city company, the various systems were not systematic, Shi Nansheng once visited the company, the result was greatly surprised: "Mai Jia and Shi Tian are only working in the dark, Huang Baiming is better, except for a small secretary, there is no one." I thought, this company is not big, you have to find someone to manage it. ”
I didn't expect that this heavy responsibility would eventually fall on my shoulders. Huang Baiming heard that Xu Ke's girlfriend had media experience and began to pestering her to join.
Shi Nansheng asked, "What is the turnover of your company in a year?" ”
Huang Baiming thought for half a day: "What do you think?" ”
"How big are you going to do it?"
"What do you think?"
Now when it comes to Wong Kar-wai, basically most people know that he belongs to the genius type of director and has an international reputation. Before Wong Kar-wai became famous, he was a screenwriter under the new art city company, and the housekeeper of the new art city, Shi Nansheng, said that he had not seen Wong Kar-wai for 2 months, and then asked Huang Baiming whether he could come or not. Huang Baiming himself is a screenwriter, once with Huang Bingyao, Wang Jing, Zhang Jianting and called the four major screenwriters, the script is written quickly and well. So Wong Baiming gave Wong Kar-wai three more weeks to hand in the script, and after 3 weeks, Wong Kar-wai handed in the script, but the crew replied that Wong Baiming was "a waste of paper", so Wong Kar-wai was dismissed by New Art City. It is said that wong Kar-wai's script was the later "Carmen of Mong Kok".
Shi Tian's most recent film performance was invited by Hong Jinbao.
"My Secret Agent Grandpa" tells the daily life of an old agent, the loss of his granddaughter and the setting of Senile dementia, but also let this former Zhongnanhai bodyguard, the figure with several sighs, but this is also a bloody movie, when Hong Jinbao played the old man Ding, after going to the police station again and again to inquire about the whereabouts of the missing little girl, he bravely broke into the bandit nest alone, and the fat "Kung Fu Panda" fought the gang, and the whole person suddenly burned up.
The fight scenes in the movie are quite wonderful, Hong Jinbao shows his might, no matter how many people are besieged, the anti-joint technique is played to the fullest.
Mai Jia, Shi Tian, Xu Ke, the three old monsters of the New Art City sat there chatting, this is really a combination of absolute longevity, I think no one except Hong Jinbao can have such a face to show the three of them in the same frame.