"Auntie's Postmodern Life" can be regarded as one of the high danger coefficients of the script in Xu Anhua's works, and the whole film is composed of loose people and things, which affect each other and cause and effect each other, and if it is not handled well, it will be the master

"Auntie's Postmodern Life" can be regarded as one of the high danger coefficients of the script in Xu Anhua's works, the whole film is composed of loose people and things, influencing each other, causing each other, and if it is not handled well, the theme will be dissolved and the center of gravity will be completely absent.

The first half of the film makes the audience laugh through the people and things experienced by the aunt, and the second half of the plot takes a sharp turn into a tragedy with strong realistic meaning, showing the stagnant water of life's dilemma.

The first half highlights scenes, coincidences, and line polishing, and in the second half, all the design techniques of entertainment films are abandoned, and the performance methods of literary and artistic films are used instead, and how to continue to attract the attention of the audience and express the drama has become the biggest difficulty.

For example, the aunt said a lot of words in the first half, and there was almost no dialogue in the second half; all the people, things, and details that appeared in the first half of the paragraph would be presented in the opposite direction in the second half, just like the ancient poems, black and white, before sweet and after astringent, before light and heavy.

Fortunately, Xu Anhua is good at storytelling, she not only makes the details between the plots compact and interlocking, but also highlights the humility and powerlessness of the protagonist in advance through "ambush" such as mirrors and soundtracks, so as to make the turn less abrupt, and also let the audience experience the magic of this hedging design and detail echo.

#影视杂谈 #

@Imprint Movies